VAVO: “No Friend Zone” captures millennial youthfulness and free spirit

New York-based EDM duo VAVO was formed in 2015 by the talents of Vancouver native Jesse Fischer and London born Alden Martin. VAVO’s early works featured a progressive, electro sound, which appealed to a wide audience, and it included their remix of Martin Garrix’s “Scared To Be Lonely,” their first solo single “Ace Of Spades,” “Astronomia 2K17,” and their remix of TheFatRat’s “Fly Away.” The duo started 2018 off with a bang, dropping ‘How Low’ with John Christian on Tiesto’s Musical Freedom Records. In March, VAVO debuted a new creative direction – an EDM/Pop crossover sound that has resonated with

Quinn Soular: “Ovah & Ovah” ft. Ziggi Recado – both impressionistic and insightful

Quinn Soular has released his 3rd official single “Ovah & Ovah” which is a summer banger featuring guest vocals from Dutch-Caribbean Reggae superstar Ziggi Recado. Born on the Island of St. Maarten, Quincy Adolphin aka Quinn Soular is a Pop and R&B singer-songwriter who has his own music production company, QP (The Quinn Productions). If you’re a fan or just a longtime R&B historian in general, you probably know that some of the game’s most renowned voices were cultivated in choir stands and churchyards. Sure, R&B’s secular content often clashes with the gospel’s divine intent but the similarities are unmistakable.

Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

Anomalous Leaf: “Ellipsis” – delivers soundscapes you’ll remember a decade later

Irfan Azam, alias Anomalous Leaf, is the kind of artist that you think about in terms of scale. There is the sheer size of his songs –  the “Sojourner” mini-suite has a fifteen minute playing time – but also the size of the music’s scope and ambition on his latest album “Ellipsis”. The album gives you a sense of a landscape, but instead of just marching towards a vast horizon of sprawling sounds, it feels like the instrumentals are burrowing through layers of soil to discover the core of the earth, and the meaning of life itself.

The crescendos and climaxes of ambient rock are present, but just as often you will find yourself contemplating somber wisps of sound that ebb and flow between melody and dissonance. What may start like a whisper will grow and resonate as you dig your ears into it. The experience is not unlike taking a pause on a mountain hike and realizing just how many sounds there are in what seems like silence. You get the sense that Anomalous Leaf is searching for new paths to achieve his original goals.

For the most part, the songs feel segmented and self-contained, standalone compositions instead of pieces of an overall fabric. They return time again to distorted guitars that sometimes feel like echoes in a cave, other times like a crumbling landslide, while the drums and percussion are generally crystalline and precise. There’s a similar sense of longing and a beautiful darkness at work here, too. It feels like exploring in the dark and coming upon cluster of diamonds that help light your way.

The music has plenty of momentum without being ‘driving’ in the usual sense of the word—it can be meditative and meandering, and sometimes, as on “Phaedrus”, transitions in aqueous slow motion with sounds that sparkle like fizzing water. There are also upbeat moments, like “Ring Road” which at first feels amorphous and ambient before suddenly catching fire. When it does finally open up, the effect is stunning.

In an album full of eclectic stylistic ambition, perhaps no track encompasses the entire experience better than ‘“Sojourner”. The song, which is divided into 7 parts, feels like a breath of new life, shimmering with gorgeous piano notes and jangling guitar passages while pirouetting in a light, spacey atmosphere that is immersive but not oppressive.

It’s difficult when listening to “Ellipsis” not to think of images that could go with these songs. Instead of making instrumental music for silly moments in sports events, Anomalous Leaf delivers soundscapes you’ll remember a decade later, because you have locked the music onto an image in your mind, stumbling first kisses while waking from a comforting dream, that sad moment when you first hear a friend has died, or maybe walks alone at night, watching the constellations and pondering the meaning of it all. These songs feel personal no matter how you interpret them. They tug at important moments and allude to others.

“Ellipsis” is a quietly masterful and emotionally rich work. It contains a potpourri of  sounds that ultimately will accompany you while watching from a distance, but paying more attention to the person next to you, than those dark clouds rising overhead.

This is the eighth album released by North Carolina-based musical studio artist Irfan Azam, alias Anomalous Leaf, and also features the now deceased Matt Oberst, who, in his heart-wrenching last studio performance (recorded in the late of March 2016), lent his beautifully dissonant guitar phrasings to Sojourner (parts V-VII) and a dash of finesse on an early version of Ring Road (catch the bonus track). Matt passed away soon after the time of these recordings.


Website:
http://music.anomalousleaf.com

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Stores:
iTunes: http://itun.es/i67p6WY
Google Play: http://bit.ly/2nThLSp
Amazon: https://www.amazon.com/Anomalous-Leaf/e/B009IZ3AKU/

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