DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

Reverse Mechanic: “Cruise Control” – The lyrical skill, the tempo changes, the technique, all of it!

Reverse Mechanic is a completely independent hip hop artist breakin’ it down in Minneapolis, MN. As a former published poet with a Bachelor’s in creative writing, he has been doing the reverse limbo, raising the bar for lyricists since 2012. His recent music videos on YouTube have helped him gain notoriety, winning several Artists and Repertoire Awards from Beat100, as well as entertaining fans throughout the year. Reverse Mechanic’s latest album “The Mixed Ape”, which has been in the works for a while, is almost set for release. In the meantime he has dropped a new single, “Cruise Control” (Co-Prod.

Samie Bisaso releases the video for “This Is Why”

What if I were to demand that you love me?  Would you?  You might say, “Why should I love you?”  And you would be right to want reasons for my demand for your love. God has demanded our love (Matthew 22:36–38); it’s the most important commandment of all, according to Jesus.  Shouldn’t we ask for reasons to love Him? The Bible contains many answers to the question of why a person should love God. Sometimes though, we don’t have the time or are in the right place to search through the bible for answers. However music is often the simplest

SuriLee: “Don’t Know” – an unapologetically honest and raw side of the human spirit

SuriLee AKA Samhita is a singer, songwriter, lyricist, composer, producer in Pop and R&B genres. Suri was brought up in Mumbai, India. Her passion for singing started in early childhood, when Bollywood songs mesmerized her. SuriLee, who initially studied singing with Sri Sumati Sarangapani – before he upped and went abroad – was forced to be patient about a career in music due to her family’s traditional values which opposed a career in entertainment. Suri eventually ended up studying in the USA where she studied Accounting at the University of Baltimore and earned a Bachelor’s Degree in 2006, as well

Anomalous Leaf: “Ellipsis” – delivers soundscapes you’ll remember a decade later

Irfan Azam, alias Anomalous Leaf, is the kind of artist that you think about in terms of scale. There is the sheer size of his songs –  the “Sojourner” mini-suite has a fifteen minute playing time – but also the size of the music’s scope and ambition on his latest album “Ellipsis”. The album gives you a sense of a landscape, but instead of just marching towards a vast horizon of sprawling sounds, it feels like the instrumentals are burrowing through layers of soil to discover the core of the earth, and the meaning of life itself.

The crescendos and climaxes of ambient rock are present, but just as often you will find yourself contemplating somber wisps of sound that ebb and flow between melody and dissonance. What may start like a whisper will grow and resonate as you dig your ears into it. The experience is not unlike taking a pause on a mountain hike and realizing just how many sounds there are in what seems like silence. You get the sense that Anomalous Leaf is searching for new paths to achieve his original goals.

For the most part, the songs feel segmented and self-contained, standalone compositions instead of pieces of an overall fabric. They return time again to distorted guitars that sometimes feel like echoes in a cave, other times like a crumbling landslide, while the drums and percussion are generally crystalline and precise. There’s a similar sense of longing and a beautiful darkness at work here, too. It feels like exploring in the dark and coming upon cluster of diamonds that help light your way.

The music has plenty of momentum without being ‘driving’ in the usual sense of the word—it can be meditative and meandering, and sometimes, as on “Phaedrus”, transitions in aqueous slow motion with sounds that sparkle like fizzing water. There are also upbeat moments, like “Ring Road” which at first feels amorphous and ambient before suddenly catching fire. When it does finally open up, the effect is stunning.

In an album full of eclectic stylistic ambition, perhaps no track encompasses the entire experience better than ‘“Sojourner”. The song, which is divided into 7 parts, feels like a breath of new life, shimmering with gorgeous piano notes and jangling guitar passages while pirouetting in a light, spacey atmosphere that is immersive but not oppressive.

It’s difficult when listening to “Ellipsis” not to think of images that could go with these songs. Instead of making instrumental music for silly moments in sports events, Anomalous Leaf delivers soundscapes you’ll remember a decade later, because you have locked the music onto an image in your mind, stumbling first kisses while waking from a comforting dream, that sad moment when you first hear a friend has died, or maybe walks alone at night, watching the constellations and pondering the meaning of it all. These songs feel personal no matter how you interpret them. They tug at important moments and allude to others.

“Ellipsis” is a quietly masterful and emotionally rich work. It contains a potpourri of  sounds that ultimately will accompany you while watching from a distance, but paying more attention to the person next to you, than those dark clouds rising overhead.

This is the eighth album released by North Carolina-based musical studio artist Irfan Azam, alias Anomalous Leaf, and also features the now deceased Matt Oberst, who, in his heart-wrenching last studio performance (recorded in the late of March 2016), lent his beautifully dissonant guitar phrasings to Sojourner (parts V-VII) and a dash of finesse on an early version of Ring Road (catch the bonus track). Matt passed away soon after the time of these recordings.


Website:
http://music.anomalousleaf.com

Social Media:
https://www.facebook.com/anomalousleaf/
https://twitter.com/anomalousleaf
https://www.instagram.com/anomalousleaf/

Stores:
iTunes: http://itun.es/i67p6WY
Google Play: http://bit.ly/2nThLSp
Amazon: https://www.amazon.com/Anomalous-Leaf/e/B009IZ3AKU/

About The Author

Reply