M.C. ZackAttack: “Rap Or Die!” – on his daily grind!

Zachery Duncan, or rather M.C. ZackAttack , has been influenced by new age lyrical poets who speak their mind through music since 2010. Soon he’ll be releasing his newest mixtape “Mind Over Madness”. M.C. ZackAttack  has recently dropped his single, “Rap Or Die!” Let me start off by saying this track isn’t for everyone, you either love it or hate it, I would say it’s a hit and miss for certain people.  We all know that the quality of hip-hop has gone downhill, with a lot of artists either going for shock value with vulgar lyrics or relying heavily on glossy production

MoEoStAr: “Algorythmic Intelligence” – You’ll find a sense of comfort in the quaintness

Norwegian Independent producer Mattias Gillis Winge Rudh better known as MoEoStAr, played the clarinet and saxophone in various bands while growing up. He started producing in the 1990s, but gave it up while pursuing an engineering degree. For a period in his life, he was simply an active music listener, until he discovered the new production software via a smartphone app. In 2016 he started the “less than a $1000 Album” project, where he aims to produce and release a full album on a $1000 budget. In the meantime MoEoStAr has dropped the single, “Algorythmic Intelligence”. Notwithstanding its modern technological

J.Dot & KD: “To Whom It May Concern” – Low on frills and rich with introspection!

I noticed that J.Dot makes his best music when he’s rapping about being a responsible man, or when he’s creating something with substance and meaning, as opposed to trying to make contemporary radio hits or battle rhymes (although he is an excellent wordsmith).  This is mostly what happens on his 4 track EP, “To Whom It May Concern”, that narrates the evolution of relationships in its various forms. To put it all in perspective, this sounds like a powerful and mature work. Something tells me J.Dot experienced things that impacted him over the past years and this album is bred

Jack Soundfield: “Shine” – You can dig deep or soar to the shore

By profession Jack Soundfield is an engineer who has travelled around the world. He has lived in Canada, Germany and Switzerland. Besides uncovering the secrets of the globe Jack has a passion for music and experimenting with instruments and sounds.  “Before publishing a song, it is mine alone,” says Soundfield. “After publishing it, anyone can listen to it and decide whether to identify with it, or love it, or both.” Jack, who has been composing music since 2009, recently released his debut album, entitled “Shine”. “I have to admit,” explained Soundfield, “that my girlfriend – a solfège teacher of the

G.H. Hat: “Piano Jam 2 (Ode To Kygo)” – an authentic human expression

Modern acceptance, or lack there of, in electronic music hardly comes as a surprise. Just look back through the history of music and how the 17th century technology spread. Musicians no longer had to master a particular bow technique on the violin or cello in order to play the perfect note – They just had to press a key. Can you imagine the horror of the purists at the time? They probably all thought that the piano was destroying the soul of the music. What it did though was simplify things. It reduced what was really essential and human. People

JaVez: “When I Was Uptown” has the power to captivate audiences

JaVez is a 23 year old Maryland recording artist who sings, raps, produces, and mixes his own music. The self-taught Baltimore area artist has a penchant for Kanye West, Usher, Jay Z, J. Cole, Kendrick Lamar, and Chris Brown. He also grew up listening to singers like Brian McKnight and R. Kelly. JaVez plans to one day be a successful CEO of a record label and iconic recording artist. JaVez is the true definition of an artist, he isn’t afraid to be himself and put himself out there. The lyrics alone prove that. Add in some fantastic production and the

HR Live At CBGB’s 1984 – an essential part of alternative music and punk culture

HR is most well known as the lead singer of revolutionary reggae punk rock band Bad Brains. In their day Bad Brains could have been easily mentioned in the same breath as The Ramones, The Sex Pistols or The Clash, such was their greatness. Yet the band has evolved many times in its long history, playing across many genres of music including jazz, hardcore punk, alternative rock and reggae. HR has been making music since 1976 with Bad Brains, and along the way until today, he has been acclaimed for his reckless punk screaming just as much as he has

Callum Crighton: “The Rose” – a strong ear-catching melody

Even while everything I know about my musical taste should violently reject the cheese-camp synth pop and adorable mainstream swoon songs of the 80’s, I’ve enjoyed that music ever since I was first tricked into listening to the smooth, velvety crooning of the Brit pop chart invasion during that period. I can’t really explain why I loved that music so much, I guess for the same reason people eat cheesecake: It’s loaded with sugar, almost unbearably sweet, and probably isn’t the healthiest for you, but goddamn if it doesn’t make you feel so good inside when you eat it up.

Virgil Blue: “Pain Of Loss” – gorgeous washes of sound

Virgil Blue has released his debut EP entitled “Pain Of Loss”. Inspired and influenced by Prince and Sade, Virgil, a multi-instrumentalist who started out making music at the age of six, when he picked up the saxophone, produced much of the music that can be heard on this EP. Virgil who recently moved from the suburbs of Detroit to LA has put together 6 smooth trance-like tracks that that flaunts ambient, RnB and trip-hop flavors. If you’re looking for something atmospheric and hypnotizing, then this recording may be of serious interest to you. Fragile, tender and soulful, Virgil Blue’s voice will

Big Chris: ‘Bad Timing’ – high quality production and seamless transitions

After a successful release of his last single ‘F The World’ in Summer of 2016, UK based RnB artist and producer Big Chris releases his newest album ‘Bad Timing’ available via all major media providers. Recorded by Big Chris and John Robinson at Clique Studios, London and Miami Live, Miami. The album mix was finalized by Mixbytrip at Circle House Miami. Inspirations of The Dream, Mike Posner and R Kelly can be heard throughout. This album has some really original, unique, futuristic cuts on it, as would be expected. Big Chris is a more audacious artist than most in the R&B game right now, because he says what

Drone Flesh: “Potential Paradox” – heavy doses of grumbling drum n’ bass to throbbing electro-house

Swiss producer Drone Flesh has established himself as one of the scene’s most promising low-end warriors within the broad spectrum of bass music producers around today. Garnering some serious attention last year for his harrowing, gruesome brand of blended dubstep, techno and complextro, Drone Flesh’s penetrating sound is deftly represented on his new EP release, “Potential Paradox”And although Drone Flesh has proven his abilities in his genre already, he showcases noteworthy proficiencies in other sub-genres found on his latest release. From heavy doses of grumbling drum n’ bass to throbbing electro-house tracks, “Potential Paradox” is a haunting showcase of Drone Flesh’s unmistakable sound.

The EP opens up with “Earquake” a lacerating drum n’ bass cut, that introduces the release in full force. The wiry synth arrangement matched with booming drum work cruises at a quick tempo and foreshadows the wild ride Drone Flesh is about to take us on.

“Potential Paradox” is a hybrid fusion of house and techno inspired sounds. The tune is a meshing of Drone Flesh’s distinct, gargling wobble with carefully placed, subtle sample work, complete with two deadly big room breaks.

With a genre that had an enormous build in momentum last year, big room has taken a bit of a backseat as of recently, however the track is a refreshing return to the bulking big beat trend with Drone Flesh’s methodically layered heavy-hitter.

“Get Down” might be the most praiseworthy accomplishment on the whole record, representing the quintessential Drone Flesh sound, while reflecting the artist’s laudable growth and development. The tune is a hair-raising return to electro’s brightest hour as a sliding bass and pounding drum kicks are fused with grimy, robotic synth arrangements.

Drone Flesh covers a lot of ground with this EP release. The Zurich bred producer boldly compiles a collection of genre-hopping selections that all stay true to his haunting, bass-driven sinister sound.

And anyone who might have previously said that the epic complextro is dead, may have spoken before listening to “Sounds From Spectre”. Infectious, contagious, and mesmerizing is just a few of the words you could use to describe the effects of “Do You Can Be”, the closing track on the EP.

Drone Flesh, has given us filthy beats for a while now and he’s just scratching the surface of his full potential on the EP “Potential Paradox”. This 5-track wonder showcases Drone Flesh’s skill as a multiple-sub-genre producer, and combines his unique, glitch-heavy bass with resonating orchestrated synths and clever, well-timed samples, resulting in a more mature but equally heavy collection of dance floor destroyers.

This recording is a journey in and of its own. Powerful production, creativity, and head-thumping bass dominate this EP, and refresh a genre that has been losing credibility to the overwhelming number of new subscribers to the scene. Rest assured, as long as we have talents like Drone Flesh, we will always have top notch bass music. “Potential Paradox” is a must have for all electronic and EDM lovers, and it drops on the 5th of May!

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