LoFi Chill: “Isolation” – rich, textured, and grand in sound and imagery

LoFi Chill is a U.S. based music producer. His style includes elements of lofi hip-hip, chillhop, and chillwave. “Isolation” is his fourth album release. Previous albums include “Optimism”, “For Lovers Only”, and “These Are The Days”. The producer describes the idea behind the album as feeling a deep sense of disconnection while living in heavily populated urbanized areas. Despite the modern-day reclusive and disuniting theme, this album seems literally tailor-made to relax and zonk you out whether it’s been a long day at work taking shit from the boss, or waking up to an unbearable hangover after a night on

Recklous: “Friends and Fam” – a heavy dose of personal scrutiny and a dash of harsh reality

It’s pretty hard to believe that rapper Recklous only dropped his first professionally produced track at the beginning of 2017. Over the years leading up to now, Santa Cruz’s very own lyrical wonder has balanced three personas: The reserved, well-mannered kid, an uplifting positive artist full of ambition and wisdom and an emcee whose love for hard hitting Hip Hop and lightening quick raps defines his sound. Slowly the first began to fade, leaving the remaining two in clear vision. Finally Recklous’ latest studio project is on its way, with a brand new single giving fans a clear picture of

Groove State: “Light Up The Sky” holds a lot of weight

Australian Indie Electro/Pop group Groove State draw their influences from the likes of Icona Pop, Major Lazer, Sia, Charlie XCX and David Guetta.  The duo consists of Lisjana on vocals, and producer DJ Deep G, who have reached Top 20 USA National Club Chart success (FMQB, DJ Times),  heavy rotation on dance radio airwaves and mix shows around the globe, as well as being a songwriting Finalist in The World’s #1 Songwriting Competition ISC. Groove State’s music has been placed in major TV & Film features, and have secured licensing deals with Nokia, Red Bull, Rip Curl, Sony Entertainment UK

Roger Cole & Paul Barrere: ‘Lost In The Sound’ – their most rewarding record yet!

If you are a Radiohead fan, with a penchant for legends like Pink Floyd and King Crimson, then Roger Cole & Paul Barrere will be an easy band to fall in love with. Thick haunting atmosphere, lots of bleeps and beeps, intense melodies, beautiful vocals and mystery-veiled lyrics, are part of the deal on their latest, freshly baked album “Lost in the Sound”. The riffs and parts are tight, intense little affairs with so much power as to build a cinematic degree of tension. These are well-oiled high-thread-count arrangements that draw their texture from an array of stringed instruments and

Rev. Peter Unger gains traction on his timely song “Christmas Cards”

As Christmas fast approaches, reverend Peter Unger is set to gain traction on this timely song “Christmas Cards”. Several websites have just featured the song and his YouTube views are starting to accelerate. Here’s a little more about the influence of the song and background of Peter: When Peter Unger was growing up, Christmas was a magical time for his family and him. He grew up in a small town in Vermont, and lived on the side of mountain three miles up a dirt road. Peter’s home was a beautifully renovated farm house from the 1700s. On a clear winter’s

Rahul Mukerji: “Ma De Re Sha” balances the obtuse with the accessible!

Rahul Mukerji is a ‘guitarist’s guitarist’ who revels in a self-penned musical hybrid shot through with intensity, precision and plenty of ethnic flavorings. His 11 track album “Ma De Re Sha” is a big sounding recording with enough of twists and turns to make Rahul’s solos sound both dynamic and interesting. The opening track “Exit 13” sets the outline tones of this collection of songs. It balances lyrical eclecticism with an Indian twist while his incredible chops help him forge his own style. There are plenty of incendiary guitar breaks and harmony guitar parts, but Rahul also demonstrates a lightness of

Triple threat alternative rock artist Zachary Ray

Born in Rhode Island, Zachary Ray is a Danish/American musician residing in Los Angeles. He was introduced to Metallica and Eminem at age 5, by his mother and stepfather, and became wildly obsessed with drumming. Hence his grandma from Rhode Island gave him his first drum set. Ray later took drum lessons and eventually also learned to play the guitar. This was followed by singing, which gave Zachary Ray the musical combination to perform and record with absolute artistic freedom. His latest release, is the single ”Trouble”. How long have you been performing and recording, and did you record or

Nega Blast X: “The Experiment” – this caliber and artistic conviction is required for this art to evolve

There’s really no words to describe the sound of Nega Blast X. The Burbank music arranger, author and digital artist, Dominic R Daniels, sole proprietor of the Nega Blast X project, is in a realm of his own and hardly many can touch that artsy creativity he has under the hood. Based in the trance, techno and industrial idioms since 2010, Daniels is inspired by Daft Punk, Orbital, My Life with the Thrill Kill Kult and The Mutaytor. “The Experiment”, Nega Blast X’s third album is released on Amazon, Spotify, iTunes, and all other major digital download stores. Artistically speaking, Nega

Tisabel: “GENRE HOPPING” bristles with energy and artistic audacity

Longtime Musical director and vocalist Tony Isabel aka Tisabel boasts an unprecedented skill set. He writes, arranges, sings, plays, and performs. He busts taboos, flashes unstoppable ambition, blends genres together like paint. Soulful ballads and funky grooves, ambient new age soundscapes, Hip-hop fantasy, and divine EDM devotion. For these qualities alone, he deserves respect. However, as you know, respect is also kind of a bullshit concept. Your favorite songs may not grace anyone else’s mixes; your favorite artists may not have ever left town. A century of recorded music has given us a galaxy of worthy tunes. But the gravitational

Lee Lee Lanea: “Basswhipped” resonates gloriously

Beats aren’t gendered. So why are we still in the dark ages when it comes to gender equality in the music studio? Women represent less than 5% of music producers and engineers. Yes, the music industry—like every industry on this patriarchal planet—is sexist. That is not news. But this means we’re missing out on a whole world of sounds, stories, and perspectives. Our culture has systematically ingrained this idea that technology is more of a man’s thing. Then of course there’s the fact that most men get freaked out when women do things better than them or even as good

Inactive Spaz: “Bread” an anarchic creative!

Inactive Spaz’s style is minimalist in every way – minimal allegorical lyrics, minimal production, minimal photos, and minimal graphics. But in a way, less is much better. Inactive Spaz is probably one of the better discoveries of 2017. It’s difficult to describe how the music and words fit so well. Let’s be honest; for most of his songs, it’s really impossible to tell exactly what’s going on. They sound more like improvisational free-styling rather than thought-out, written down pieces.

Nevertheless, primitive, raw feelings are conveyed, and although at times somber and at times melancholy, it all sounds and feels so good. To be honest, “Bread”, is a little easier to understand: “I know a girl that gives me everything I need. I know a girl that keeps me feeling warm indeed…,” frankly doesn’t need too much explanation, even if you only have a tiny imagination.

This music is perfect for a road trip, perfect for playing in the background during a tedious task, perfect for sitting and listening to start-to-finish. It works indoors or out, and makes me want to see Inactive Spaz in concert. Practically, listening to the raw production, this sounds as ‘live’ as it gets!

In music, we have our virtuosos, and geniuses who are technically superior. Then we have the people who write visceral, from the heart music, without all the bells and whistles, and yet which we long to listen to, like Inactive Spaz.

These are the people who don’t give two hoots about the technicalities or the production values. They have a story, a message, and they need to connect to an audience, as quickly and as directly as possible. If they have an idea or an emotion to communicate, they hook up the microphone, plug in the jack and start hitting the chords.

For all his technical skills, Prince was one of those people. He spent more time recording songs than sleeping, eating and partying. The result is that 80 percent of his releases suck of anonymity, while a good 20 percent is pure genius.

That 20 percent contains more brilliance than most artists will achieve in twenty lifetimes lived in a row. Prince once said that he recorded and released everything and then let the people decide which the songs they liked best. This never endeared him much to the record companies who prefer controlling and inducing tastes to their benefit.

Which brings us back to Inactive Spaz, another one of those anarchic creatives who record companies despise – he’s too spontaneous and too uncontrollable, which I suspect is just the way he likes things to be. If he was in music for commercial ends, Inactive Spaz would not be releasing songs like “Bread”, with just an acoustic guitar and a vocal track.

“Bread” is one of those songs that have some sort of spark, a creative stamp, that when you listen to it, you can tell something wonderful just happened in your presence. It’s like a one-off experience unto its own. Whether its genius or madness is for you to decide!

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