Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

Toni Castells: 2045: The Year Man Becomes Immortal? – The emotion is very compelling

Toni Castells is a Hispano-British composer currently based in London. A lecturer at Imperial College London and the London College of Music, his sonic worlds transpire an inherited precocious classical training with an inventive use of modern technologies to create unique and distinctive soundscapes. Castells latest musical endeavor is entitled ‘2045: The Year Man Becomes Immortal?’ which explores the prediction by computer engineer and futurologist Ray Kurzweil that the year 2045 will see the start of a new era in which human and artificial intelligence will merge, man will cease to age and so acquire the potential to live indefinitely. In the original interview with Kurzweil

POOL MOON ELEPHANT: “FLUKY ISLAND” – a relentless appetite for new music

Released June 21 via the Symphonic Distribution label, “FLUKY ISLAND” is the brand new 5-track EP from electronic duo POOL MOON ELEPHANT. A storming journey through various rhythmic styles, combining the duo’s skills to create imaginative feel-good moments, the EP spearheads a new wave of indie dance electro-inspired tracks while embracing the love for warm synths, sparkling heights, gentle electric textures and deep drums. POOL MOON ELEPHANT is the moniker under which the Swiss electronic music duo composed of Riccardo Studer and Ivan Nurchis, undertake their creative journey through the electronic world of music and animation. Both have double-decade experiences in audio-visuals, and working for film and TV

The Hooplas: “Midas Touch” – a statement of intent!

The Hooplas are a modern progressive rock group from Ocean City, MD. Twin brothers Adam (Vocals/Guitar) and Ben Martin (Bass/Vocal) started the band. While their musical influences might not be identical, they share the love of making music. Musicians Cody Bush (Lead Guitar/Vocals), Lovechile (Drummer) and Seth Paul (Synth) round out the band’s roster and form the unique, fresh sound that defines The Hooplas. From their “American Junk EP” comes the band’s latest single “Midas Touch”.The musicianship on this single is impeccable. Flawless guitar riffs changeup like Adam’s voice, from wall-shaking, twin guitar rhythm crunch, to the divine solos straight from the

Inactive Spaz: “Bread” an anarchic creative!

Inactive Spaz’s style is minimalist in every way – minimal allegorical lyrics, minimal production, minimal photos, and minimal graphics. But in a way, less is much better. Inactive Spaz is probably one of the better discoveries of 2017. It’s difficult to describe how the music and words fit so well. Let’s be honest; for most of his songs, it’s really impossible to tell exactly what’s going on. They sound more like improvisational free-styling rather than thought-out, written down pieces.

Nevertheless, primitive, raw feelings are conveyed, and although at times somber and at times melancholy, it all sounds and feels so good. To be honest, “Bread”, is a little easier to understand: “I know a girl that gives me everything I need. I know a girl that keeps me feeling warm indeed…,” frankly doesn’t need too much explanation, even if you only have a tiny imagination.

This music is perfect for a road trip, perfect for playing in the background during a tedious task, perfect for sitting and listening to start-to-finish. It works indoors or out, and makes me want to see Inactive Spaz in concert. Practically, listening to the raw production, this sounds as ‘live’ as it gets!

In music, we have our virtuosos, and geniuses who are technically superior. Then we have the people who write visceral, from the heart music, without all the bells and whistles, and yet which we long to listen to, like Inactive Spaz.

These are the people who don’t give two hoots about the technicalities or the production values. They have a story, a message, and they need to connect to an audience, as quickly and as directly as possible. If they have an idea or an emotion to communicate, they hook up the microphone, plug in the jack and start hitting the chords.

For all his technical skills, Prince was one of those people. He spent more time recording songs than sleeping, eating and partying. The result is that 80 percent of his releases suck of anonymity, while a good 20 percent is pure genius.

That 20 percent contains more brilliance than most artists will achieve in twenty lifetimes lived in a row. Prince once said that he recorded and released everything and then let the people decide which the songs they liked best. This never endeared him much to the record companies who prefer controlling and inducing tastes to their benefit.

Which brings us back to Inactive Spaz, another one of those anarchic creatives who record companies despise – he’s too spontaneous and too uncontrollable, which I suspect is just the way he likes things to be. If he was in music for commercial ends, Inactive Spaz would not be releasing songs like “Bread”, with just an acoustic guitar and a vocal track.

“Bread” is one of those songs that have some sort of spark, a creative stamp, that when you listen to it, you can tell something wonderful just happened in your presence. It’s like a one-off experience unto its own. Whether its genius or madness is for you to decide!

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