Roger Cole & Paul Barrere: “Let It Go” combines musical inspiration and travelling emotions

Meaningful lyrics, amazing songwriting, superb heart-warming yet angry sound, musical teamwork, everything is so perfect in this track. Such a gorgeous and refined melody and philosophical lyrics is worth being remembered for all of the current generation. The guitarist uses swampy resonating sound so beautifully and the drummer plays simple but tight groove, with every drum fill-in is on the sweet musical spots. The bassist backs up the music stably as the boys sing the vocals with conviction. This is one of my current desert Island #1’s in the Roger Cole & Paul Barrere catalog. Yes, the track “Let It

Markus Scott: “Live Life With No Regrets” – confidence is sky high on this project

Born in New York City, Markus Scott grew up in humble surroundings, and his family were always on the move resulting in him constantly transferring schools. He excelled at reading and writing poetry, before discovering that he could rap when he won a freestyle battle with a signed artist at a house party in Harlem. He soon learned to DJ too, and with his first check from summer youth, Markus went to a pawn shop and brought a laptop. He then brought a DAW, and microphone from Guitar Center and began researching how to mix and edit his vocals. He

Christopher Rapkin: “Focus In” – substance over style!

Composer, arranger, producer, multi-instrumentalist and singer. Christopher Rapkin is many things, including founding member of Digital Composers Guild, and a music industry consultant. During September Rapkin released his 10 track heavy guitar album, entitled “Focus In”. Listening to Rapkin on this album it also becomes clear that he could be known as a great guitar virtuoso and a perfectionist. Christopher is the guitarist who sings and he does it quite well, in my opinion even better than Steve Vai. Also he is a good composer, all of his albums are full of songs of different styles. So he’s the man

Ziggy: “Breathe” – music for a new generation of kids

Zachary Raul Reyes aka Ziggy was born in Arcadia, California, but spent a lot of time moving around since his dad was in military service, ending up in a town in Ohio called Middletown where he spent most of my elementary and high school career. Growing up, music was his life. At 13 he received his first guitar, as a gift from his mom. He took two lessons before teaching himself how to write tabs and understanding harmony. From there Reyes ventured into listening to Hip hop and metal before discovering Dubstep, which represented a complete change of direction. Suddenly

Lynne Taylor Donovan: “Sooner or Later” – a swirling pool of rich technique and tender ability

“Sooner or Later”, the new release by independent Canadian Country songstress, Lynne Taylor Donovan, is the third single from the Nashville sessions that produced her hugely successful Euro-UK #1 hit “Strong One” and the follow-up European #2 hit “Am I Dreaming”. The reigning queen of indie country music has a knack for finding a way into the hearts of her global fan base. “Sooner or Later” has a warm and deep intention, reflecting Donovan’s eloquent and versatile tidings, showcasing her country gravitas, and a swirling pool of rich technique and tender ability. A careful sensory indulgence is heard in the

Odd-Arne Jacobsen: “While I Was Crossing The Bridge” – a gift to the world

Musician, songwriter and guitarist extraordinaire, Odd-Arne Jacobsen has worked with most of the leading artists in his home country of Norway, in both theatre and music, and has also presented his craft internationally. He has had his own television show in Russia, as well as a solo concert at the Moscow International Jazz Festival, and has toured the USA, Mexico, Russia, France, China, Kuwait, Scotland, and Japan. In 1990 he undertook a solo concert of his own compositions in New York, becoming the first Norwegian guitar player ever to hold a solo concert in Weil Recital Hall at Carnegie Hall.

Jennifer Hope Releases “My December” for Music for Relief’s One More Light Fund in memory of Chester Bennington

JENNIFER HOPE LAUNCHES DOWNLOAD TO DONATE FUNDRAISING CAMPAIGN TO BENEFIT LINKIN PARK’S MUSIC FOR RELIEF CHARITY Singer-Songwriter Jennifer Hope, has released her cover version of Linkin Park’s “My December” to raise awareness, and contributions for Music for Relief’s One More Light Fund in memory of Chester Bennington. The track is available for download until October 27, 2017 at GoFundfMe. A one dollar donation is all that is required to receive a download code, but any additional amount is appreciated and your extended generosity can further help many in their time of need. All donations go to the charity through the

Jordan Everist: “Vacancy” – the perfect soundtrack for anything you can really think of doing

Jordan Everist is a creative from Portland, Oregon. His love of music began when he was 4, but really took off in his high school years. Since then he has been producing music professionally for short films, cartoons, and musicians. He also has had a series of personal projects, where he’s been able to express himself and develop his own voice. Besides music, Jordan has an interest in all things creative, which he shows through his other ventures, writing and animating cartoons, and developing video games. Odds are if you’re reading this review, you’ve heard of Everist’s music before. If

RealTalk: “The Time Machine” hosted by DJ Infamous – depth and variety to each song

On his brand new mixtape, “The Time Machine” hosted by DJ Infamous, Phoenix, AZ based artist RealTalk, delivers his visceral lifetime narratives over remixes of hits taken from the 70s, 80s and 90s, including samples by Bobby Womack, Rose Royce, Michael Jackson, Prince, Xscape , Aaliyah, Pink Floyd, and more. The mixtape delivers 12 grooving tracks with beats by a handful of skillful producers, from Dj Eric Swain, Rehab Beats, to BigMattBeatz, Kaleem Beats and MCK, as well as By 318tae who has the lion’s share with 4 tracks. The only feature is The Last Poets on the opening track,

David Vaters: “A Voice In The Wilderness Volume 2” – wonderfully orchestrated narratives

“A Voice In The Wilderness Volume 2” finds David Vaters in top form. This is a beautiful complex album that highlights the full brilliance of David’s genius, as well as the serenity and wisdom of a long, full life. Those of you who have listened to the previous, ambitious and critically acclaimed project, “A Voice In The Wilderness Volume 1 ”, showcasing a cast of a-league musicians, will know exactly what to expect. As this offers more of the same emotional experiences savored on that recording. Once again David enlightens us with his lyrical wisdom, as he warns about our

Jack Soundfield: “Shine” – You can dig deep or soar to the shore

By profession Jack Soundfield is an engineer who has travelled around the world. He has lived in Canada, Germany and Switzerland. Besides uncovering the secrets of the globe Jack has a passion for music and experimenting with instruments and sounds.  “Before publishing a song, it is mine alone,” says Soundfield. “After publishing it, anyone can listen to it and decide whether to identify with it, or love it, or both.” Jack, who has been composing music since 2009, recently released his debut album, entitled “Shine”. “I have to admit,” explained Soundfield, “that my girlfriend – a solfège teacher of the Kodály method – sometimes did intervene and had her influence on the music.”

In writing about ambient music, Douglas Rushkoff notes that ‘ambient’ music isn’t a set of particular sounds one listens to but a space in which one breathes. Rushkoff was referring specifically to ambient visionary Brian Eno but it can easily apply to Jack Soundfield and “Shine”. Though to be fair, Soundfield’s instrumental music is more pop orientated and brighter sounding, the fact remain that it creates ‘’a space in which to breathe’’.

Whereas classic ambient has layers and washes of sound and music that can be focused on or ignored, lazily mind-surfed or instead analyzed, Soundfield’s soundscapes have defined melody in the forefront which of course becomes hard to ignore.

Never just a trite sound collage – a problem which plagues so many in this genre – “Shine” has moods, textures, and rhythms, that lend well to repeated listening. You can dig deep or soar to the shore with this collective work.

The other interesting thing is that Jack Soundfield uses a series of what can be called classic ‘old school’, almost MIDI-like sounds, as opposed to the high-flying electronic mimicry of Digital Audio. This is true of both the keyboard sounds and the percussion.

There are lots of harpsichord and string instrumentation which gives the pieces a classic feel. Sometimes they are even cinematic, as is the case with “Freedom Ride” and the title track “Shine”. So, this music is perfect for so many things. Night driving, working, sleeping, hanging out, studying, reading – the minimalism and yet fullness of these tunes is irresistible.

You can find and share Jack Soundfield’s music on Spotify or you can also stream and purchase it on Google Play.

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