Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Wild Horse: “Songs About Last Night” – embody everything before, current, and probably hereafter!

Wild Horse are a young vibrant original British Rock Band, from Burwash, East Sussex, formed by two brothers – Henry Baldwin (Vocals, Guitar & Harmonica) and Jack Baldwin (Vocals & Guitar) – with school friend Ed Barnes (Drums), 6 years ago, when they were around 12 years old. They have since released two albums and three EP’s, while building up a solid following in the South East. Their latest record out is the 10 track album, “Songs About Last Night”. Wild Horse have served up an entertaining, tightly produced album here. It’s very cool to hear a band playing stripped

Merv Pinny: “OB (can you hear the children cry)” – rock against war!

New Zealand rock composer and singer, Merv Pinny, has been playing music since he was 10. At 15 he left school to work on a farm during the day, and to play music at night. This led to him achieving a Top 20 single, plus nominations for ‘Best Country Rock Album’ at the New Zealand Music Awards and ‘Best Vocals’ at the Waikato Rock Awards, and a win at the Waikato Rock Awards, where his single “Destiny” was named ‘Best Rock Single of the Year’. Merv’s latest project takes his musical talent and uses it to address timely world issues, such as the effects of war, terrorism and refugee immigration on children.

“OB (can you hear the children cry)” is Merv Pinny’s latest single. Proceeds due to him from this release, will all go to selected charities dealing with children in crises. The song, which he wrote, performed and co-produced under his own label MMusic had its genesis in the international news reports of conflicts throughout the Middle East, and particularly those in Syria and Iran. Pinny said a number of the images on television shocked him to the extent that he had to give voice to his own feelings as both a father and as a human being.

As with all protest songs good words and fine sentiments are not enough. The music must move us, which is what “OB (can you hear the children cry)” with its overdriven riffs and insistent beat. It’s a song that doesn’t confine itself to commenting on or bemoaning the ills of the world, but seeks in some small way to change things.

It does this by calling directly for something to happen, by informing us, by appealing to our hearts and our emotions, and by challenging commonly held ideas – “I don’t want to be last man to speak / I don’t want to be last man to die / You get in your planes / Go zoom zoom zoom / You get in your tanks / go boom boom boom / Alacaboom  Alacabang / Is that your plan.”

The song, which Merv wrote, performed and co-produced under his own label MMusic had its genesis in the international news reports of conflicts throughout the Middle East, and particularly those in Syria and Iran. So Merv decided to shock us, unsettle us, inspire us, make us angry, and even make us sad, which he achieves via the supporting video clip of the song which can be found on YouTube.

Antiwar music is not technically a genre, but pretty much any song from an artist or band where they express sentiment against nations warring with one another. The concept of antiwar music probably has its genesis in the 1960s, as rock and folk groups were decidedly against the Vietnam War and the involvement of the United States of America in the civil war of that Southeast Asia nation.

Antiwar songs of that day became part of the ‘greatest music ever made’ during the time of classic rock that wound up getting heavy repetition and airplay on radio stations still on the air. Most rock artists today seem to have almost forgotten the tasks their music needs to address besides all the regular tropes. Thank heavens artist like Merv Pinny still exist. Its artists like him that keeps the art of rocking noble!

OFFICIAL LINKS: WEBSITEFACEBOOKCANYOUHEARTHECHILDRENCRY

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.