Grand Rezerva: “Nowhere Bound” pumps adrenaline into the unsuspecting listener

The talented Swedish band Grand Rezerva – comprised of Michael C. Svensson – Vocals, Andreas Lundberg – Guitar, Mattias “Tiz” Nilsson – Guitar, Thomas Helgesson – Drums and Zoak – Bass – succinctly deliver bare-knuckled, catchy hard rock that’s captured with crystal clear production. The band wastes little time in making its intentions clear on the latest single, “Nowhere Bound”. Grand Rezerva’s simmering movement around the verses facilitates a sense of building momentum through the bridge that reaches a point of release at the chorus. The band has creatively shoehorned itself into 2019’s contemporary active rock radio ballgame, with a classic

J Tizzle: “The Chill Zone Vol 3” – The taste is smooth and distinguishable!

As living things, we need a steady supply of certain ingredients to survive. In music, the formula is undeniably similar. A song requires both rhythm and pitch. For the musically hungrier amongst us, these ingredients are not enough. We need to add extras, such as mood, atmosphere, emotion and groove. Unfortunately, even with the proper ingredients and extras the results are not always as expected. Stagnancy spreads within the craftsman, as well as a lack of skill or emotion. Luckily one, by the name of J Tizzle (Jeffery Townsend Sr.), avoids these annoying traits. Within his songbook exists all of

Heavy AmericA: “Motor Honey (Peace)” – It’s rock. Pure and simple.

A couple of years ago, the bands to emulate in modern rock were those that flooded the radios with wickedly catchy upbeat power pop tunes. Then came the neo-metal-driven climate, where even the tame end of the spectrum became heavier. On their new single, “Motor Honey (Peace)”, Boston based three piece rock group Heavy AmericA, proves themselves among the best in the alternative rock genre with a track loaded with hooks for mainstream appeal, but with an energy and drive that keeps them from sounding like mere imitators. The new release which has all the potential to climb the rock

Scotty Seed: One of the more original and thoroughly enjoyable alternative listens of the year!

Proud of his Italian heritage and his role in the LGTBQ community as a queer artist, Scotty Seed is a musician based in the East Village of New York City. Obsessed with art, including fashion and music, Scotty, originally a Jersey boy, started taking songwriting and production seriously in his twenties. Influenced by elements of industrial, pop, grunge, PC music, electronic, and screamo music, he counts artists like Crystal Castles, Marilyn Manson, Hole, David Bowie, Madonna, and Depeche Mode among his inspirations. Fighting an ongoing battle with bipolar disorder, making music provides him with an escape from his mental health

Suburbs: “Sound of the Sea” – a rewarding new project

Suburbs is an indie rock band from Scheveningen, Netherland launched in 1995. The band that has its roots in the eighties and nineties achieved national exposure when they won the national contest “De Grote Prijs van Nederland” (The Grand Prize of the Netherlands), the largest and longest-running music competition in the country.  As of the summer of 2013 Suburbs has started a new chapter. Lead singer Arie Spaans and 2 early band members set to work to bring their old sound back. The following year they started dropping singles and video clips leasing to their mini EP “Masters” in 2016.

Martone: “Erogenous Zone” keeps the adrenaline and emotions flowing!

It was 5 years ago that pop superstar, Sam Smith, stepped up to the plate and showed the world that love songs don’t have to be heteronormative to be beloved. Smith came out publicly, stating that he wanted to be clear on what his album was about. “It’s about a guy and that’s what I wanted people to know.” He was also completely aware of how important his success is to the public narrative. Hearing your humanity represented and validated by pop culture is important, and many LGBT supporting musicians have since been stepping up to share their experiences. The

Red Tan: “Don’t You Dare!” – Vocally anchored and soulful!

Red Tan is a young widow and single mom. Living in an unfamiliar environment while suffering depression and anxiety has been a challenge that she was able to put into music on her single “Don’t You Dare!” It’s an inspirational anthem meant to help others overcome their struggles and difficulties, and achieve their goals. In the meantime it has been a healing medicine for the singer-songwriter herself, helping her to become a stronger and better person. Red Tan’s ability to create deep thoughtful music, her timeless voice, and her capacity to be so introspective, makes her extremely relatable to any

Albert J: “Grow” embraces both aural diversity and true inspiration

Albert J (formerly known as f.o.c.u.s.) is an American hip-hop recording artist residing in Tampa Florida. Moving through Maryland, DC, Virginia, NC, California and now Florida, Albert J got to experience a lot of diverse music and inspirations. From bands ranging from Sigur Ros and Coldplay to Linkin Park and Incubus, as well as many Hip-Hop influences from DMX, Kid Cudi, Mos Def and Busta Rhymes, Albert J grew up with a wide palette of sound. His 3 mixtapes “Youth Religion” (Dec 2013) “Remember” (March 2014) and “YR2” (April 2015), garnered serious attention in the Hip-hop scene, finally leading up

Knarly Jones: “Redemption” takes us on an epic journey

“Redemption”, is Detroit-based EDM producer, Knarly Jones’ second drop in a series of four releases this summer, preceded by “Atonement” which was released in June. After spending time away from music to study mathematics and physics, Knarly returns to the electronic music scene with a refined cinematic style and a slew of new releases. “Redemption” combines cinematic scoring elements with classic electro-house feel and heavy drops to create a unique sound for 2019. Knarly goes into his bag of tricks and creates an enlightening, varied soundscape that unleashes bass all over your face. With all of this to dive into, it’s

Maxime: “The Honest Me Pt.1” – a unique piece of work!

Maxime Boublil was born in Paris, France, into a musical theater family. His father Alain, wrote the musical adaptation of Les Miserables and Miss Saigon, his mother was the first Cosette in Les Miserables in France. As a child Maxime played the cello and then went on to study photography Academy of Arts University in San Francisco, but he discovered what he really wanted to do, when he picked a guitar in a friend’s dorm room. After studying Music in Visual Media, Maxime went on to pursue a career as an engineer at Furstock Studios with three-time aria award-winning engineer

Merv Pinny: “OB (can you hear the children cry)” – rock against war!

New Zealand rock composer and singer, Merv Pinny, has been playing music since he was 10. At 15 he left school to work on a farm during the day, and to play music at night. This led to him achieving a Top 20 single, plus nominations for ‘Best Country Rock Album’ at the New Zealand Music Awards and ‘Best Vocals’ at the Waikato Rock Awards, and a win at the Waikato Rock Awards, where his single “Destiny” was named ‘Best Rock Single of the Year’. Merv’s latest project takes his musical talent and uses it to address timely world issues, such as the effects of war, terrorism and refugee immigration on children.

“OB (can you hear the children cry)” is Merv Pinny’s latest single. Proceeds due to him from this release, will all go to selected charities dealing with children in crises. The song, which he wrote, performed and co-produced under his own label MMusic had its genesis in the international news reports of conflicts throughout the Middle East, and particularly those in Syria and Iran. Pinny said a number of the images on television shocked him to the extent that he had to give voice to his own feelings as both a father and as a human being.

As with all protest songs good words and fine sentiments are not enough. The music must move us, which is what “OB (can you hear the children cry)” with its overdriven riffs and insistent beat. It’s a song that doesn’t confine itself to commenting on or bemoaning the ills of the world, but seeks in some small way to change things.

It does this by calling directly for something to happen, by informing us, by appealing to our hearts and our emotions, and by challenging commonly held ideas – “I don’t want to be last man to speak / I don’t want to be last man to die / You get in your planes / Go zoom zoom zoom / You get in your tanks / go boom boom boom / Alacaboom  Alacabang / Is that your plan.”

The song, which Merv wrote, performed and co-produced under his own label MMusic had its genesis in the international news reports of conflicts throughout the Middle East, and particularly those in Syria and Iran. So Merv decided to shock us, unsettle us, inspire us, make us angry, and even make us sad, which he achieves via the supporting video clip of the song which can be found on YouTube.

Antiwar music is not technically a genre, but pretty much any song from an artist or band where they express sentiment against nations warring with one another. The concept of antiwar music probably has its genesis in the 1960s, as rock and folk groups were decidedly against the Vietnam War and the involvement of the United States of America in the civil war of that Southeast Asia nation.

Antiwar songs of that day became part of the ‘greatest music ever made’ during the time of classic rock that wound up getting heavy repetition and airplay on radio stations still on the air. Most rock artists today seem to have almost forgotten the tasks their music needs to address besides all the regular tropes. Thank heavens artist like Merv Pinny still exist. Its artists like him that keeps the art of rocking noble!

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