Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Roger Cole & Paul Barrere: “Old Folks Boogie Redeux” – true to their sound!

“Ya know that you’re over the hill, when your mind makes a promise that your body can’t fill!”, this is the line that inspired Paul Barrere to write the original version of the “Old Folks Boogie”, which would subsequently feature on the 1977 Little Feat record “Time Loves a Hero”. The citation came from a line Paul’s dad – an actor at the time – picked up at a vaudeville theater. He would often sing it around the house, so eventually Paul got hooked turned it into a song. For some time, Paul’s partner over at Better Daze Records, Roger

Glorious: “Move” – throbs with club energy

Pop singer, Livetronica drummer, producer and songwriter, Glorious, is a graduate of Berklee College of Music, who has been making music since she started playing drums at the age of three. Named after her grandmother Glorious Cooper, Glorious recently unveiled her single “Move”. In an increasingly crowded field of urban pop artists, you may be wondering what makes Glorious worth your time. To be sure, she boasts a lot of the qualities that her peers also bring to the table. Her song is outlined with an exquisite beat, her vocals are mesmerizing, and her persona appears spectacularly captivating. Without close

Merv Pinny: “OB (can you hear the children cry)” – rock against war!

New Zealand rock composer and singer, Merv Pinny, has been playing music since he was 10. At 15 he left school to work on a farm during the day, and to play music at night. This led to him achieving a Top 20 single, plus nominations for ‘Best Country Rock Album’ at the New Zealand Music Awards and ‘Best Vocals’ at the Waikato Rock Awards, and a win at the Waikato Rock Awards, where his single “Destiny” was named ‘Best Rock Single of the Year’. Merv’s latest project takes his musical talent and uses it to address timely world issues, such as the effects of war, terrorism and refugee immigration on children.

“OB (can you hear the children cry)” is Merv Pinny’s latest single. Proceeds due to him from this release, will all go to selected charities dealing with children in crises. The song, which he wrote, performed and co-produced under his own label MMusic had its genesis in the international news reports of conflicts throughout the Middle East, and particularly those in Syria and Iran. Pinny said a number of the images on television shocked him to the extent that he had to give voice to his own feelings as both a father and as a human being.

As with all protest songs good words and fine sentiments are not enough. The music must move us, which is what “OB (can you hear the children cry)” with its overdriven riffs and insistent beat. It’s a song that doesn’t confine itself to commenting on or bemoaning the ills of the world, but seeks in some small way to change things.

It does this by calling directly for something to happen, by informing us, by appealing to our hearts and our emotions, and by challenging commonly held ideas – “I don’t want to be last man to speak / I don’t want to be last man to die / You get in your planes / Go zoom zoom zoom / You get in your tanks / go boom boom boom / Alacaboom  Alacabang / Is that your plan.”

The song, which Merv wrote, performed and co-produced under his own label MMusic had its genesis in the international news reports of conflicts throughout the Middle East, and particularly those in Syria and Iran. So Merv decided to shock us, unsettle us, inspire us, make us angry, and even make us sad, which he achieves via the supporting video clip of the song which can be found on YouTube.

Antiwar music is not technically a genre, but pretty much any song from an artist or band where they express sentiment against nations warring with one another. The concept of antiwar music probably has its genesis in the 1960s, as rock and folk groups were decidedly against the Vietnam War and the involvement of the United States of America in the civil war of that Southeast Asia nation.

Antiwar songs of that day became part of the ‘greatest music ever made’ during the time of classic rock that wound up getting heavy repetition and airplay on radio stations still on the air. Most rock artists today seem to have almost forgotten the tasks their music needs to address besides all the regular tropes. Thank heavens artist like Merv Pinny still exist. Its artists like him that keeps the art of rocking noble!

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