Jennifer Hope Releases “My December” for Music for Relief’s One More Light Fund in memory of Chester Bennington

JENNIFER HOPE LAUNCHES DOWNLOAD TO DONATE FUNDRAISING CAMPAIGN TO BENEFIT LINKIN PARK’S MUSIC FOR RELIEF CHARITY Singer-Songwriter Jennifer Hope, has released her cover version of Linkin Park’s “My December” to raise awareness, and contributions for Music for Relief’s One More Light Fund in memory of Chester Bennington. The track is available for download until October 27, 2017 at GoFundfMe. A one dollar donation is all that is required to receive a download code, but any additional amount is appreciated and your extended generosity can further help many in their time of need. All donations go to the charity through the

Jordan Everist: “Vacancy” – the perfect soundtrack for anything you can really think of doing

Jordan Everist is a creative from Portland, Oregon. His love of music began when he was 4, but really took off in his high school years. Since then he has been producing music professionally for short films, cartoons, and musicians. He also has had a series of personal projects, where he’s been able to express himself and develop his own voice. Besides music, Jordan has an interest in all things creative, which he shows through his other ventures, writing and animating cartoons, and developing video games. Odds are if you’re reading this review, you’ve heard of Everist’s music before. If

RealTalk: “The Time Machine” hosted by DJ Infamous – depth and variety to each song

On his brand new mixtape, “The Time Machine” hosted by DJ Infamous, Phoenix, AZ based artist RealTalk, delivers his visceral lifetime narratives over remixes of hits taken from the 70s, 80s and 90s, including samples by Bobby Womack, Rose Royce, Michael Jackson, Prince, Xscape , Aaliyah, Pink Floyd, and more. The mixtape delivers 12 grooving tracks with beats by a handful of skillful producers, from Dj Eric Swain, Rehab Beats, to BigMattBeatz, Kaleem Beats and MCK, as well as By 318tae who has the lion’s share with 4 tracks. The only feature is The Last Poets on the opening track,

David Vaters: “A Voice In The Wilderness Volume 2” – wonderfully orchestrated narratives

“A Voice In The Wilderness Volume 2” finds David Vaters in top form. This is a beautiful complex album that highlights the full brilliance of David’s genius, as well as the serenity and wisdom of a long, full life. Those of you who have listened to the previous, ambitious and critically acclaimed project, “A Voice In The Wilderness Volume 1 ”, showcasing a cast of a-league musicians, will know exactly what to expect. As this offers more of the same emotional experiences savored on that recording. Once again David enlightens us with his lyrical wisdom, as he warns about our

Long Island Native and 16-year-old Singer Alyssa Colón to Release “I’m Gucci”

LOS ANGELES, CA – Long Island, New York is home to 16-year-old singer Alyssa Colón. Since beginning her musical journey at age three, Alyssa has never stopped singing to her own beat. When asked about the inspiration behind her decision to pursue a musical career, Alyssa reflects on her relationship with late grandfather. A true musician himself, her grandfather would often play guitar, and eventually taught Alyssa how to sing along. This special bond is significant in Alyssa’s career, as it paved the way for her future in music. As Alyssa’s grandfather continued to coach her, she began to learn

Russell Esby: “Post-Sentiments” – The combination of the essential music and deep lyrics hit home in unexpected ways

Russell Esby is a 17 year old multi-instrumentalist and singer-songwriter, from the European island of Malta. Russell says that writing songs and playing music is his escape from everyday life’s complexities. “Post-Sentiments” is Russell’s 6 track EP: exquisitely meandering sonics that author tranquil moods presented alongside insightful lyrical content. With a clear love of personal storytelling, and a keen eye for the problems present throughout relationships, and yet with no desire to feverishly impose his knowledge, Russell weaves a gentle spell that pushes listeners toward awareness at their own pace. If you can embrace the gentlest subplot inside yourself –

JIBE: “Epic Tales of Human Nature” is intensely immersing

The 1994 assembled Dallas TX alt-rock band, JIBE, featuring vocalist Joe Grah, guitarist Toby Bittenbender, Corey Tatro on bass, and drummer Todd Harwell, is back after an eleven year hiatus with a brand new, full-length concept album, entitled “Epic Tales of Human Nature”. Produced by JIBE and Matt Noveskey (Blue October), and mixed by Grammy award-winning producer/engineer, Toby Wright (Metallica, Alice In Chains, Korn), the recording was completed at Orb Recording studios in Austin, TX. Wow! Once every year or two, I pick up an album that is so good it dominates my music preference for weeks or even months

Woochia: “Travels” instantly feels like a quintessential, well-crafted eclectic concoction

London-based French music and video producer, Charly Sauret aka Woochia, is influenced by artists such as Tool, Heretik and Beethoven, which is a fairly good indication of the vast creative spectrum his music is composed within. Expect also, to find a wide variety of blended sounds to accompany his arrangements – like the tones of acoustic instruments (guitars or didgeridoo) with tones usually used for meditation (singing bowls, different types of throat singing) mixed with driving percussion and pumping synth bass lines, to deliver what is described as soft and melodic techno music. A former student of Musicology at the

Mortinus: “Pyramid” maintains a special aura: largely rhythmic and intricately textured

Of all popular genres, electronica has always been one of the more globally conscious, crossing oceans and transcending cultural boundaries in a wordless communication of rhythm and melody. Tempering the experimental tilt of his previous material with groovier, more graceful rhythms and an ear for ethnic melody unmatched by many in the ambient crowd, Mortinus is back with his brand new double-sided release, entitled “Pyramid”. An EP containing two tracks – “Yellow Pencil” and “Gold Pencil”. Danish electronic music producer Mortinus has a Danish father and a half Greenlandic and Danish mother, while he says that there are also traces

AnandL: “Chasing Fame” ft. LUVKUSH – a track bursting with a seductive groove

I like AnandL, I really do. I find something uniquely appealing in his voice that appeals to a sense that other R&B artists of the modern age simply don’t seem to meet.  Anand Lakshminarayan aka AnandL, is an alumnus of UC Berkeley, who graduated with a degree in Electrical Engineering and Computer Science, but that doesn’t change the fact that he’s a solid musician with strong musical ambition. “Chasing Fame” ft. LUVKUSH is the latest track released by AnandL and to be quite honest, I’m not sure if it is his best recording, considering that the others are just as

Astroblue Express: “Quarter to Somewhere” – Five stars with no hesitation!

Astroblue Express is a new indie band that fuses electronic music with experimental R&B and soprano vocals, dream pop, trip-hop, orchestral and soundtrack music. “Quarter to Somewhere” is their debut album. I consider this one of the best albums that I have come across in its genre, though I haven’t yet decided which genre! It represents the perfect marriage of avant-garde experimentalism, sugary dream pop and baroque electronica. The music is driving and propulsive at times and slow and hypnotic at others, but never oppressive, always maintaining a certain playfulness.

The instrumentation throughout the tracks is unique and while seemingly uncomplicated in some instances when listening to any isolated element, it is layered and mixed in such a manner that an unpredictable complexity ensues. The female voice is sweet, haunting, and searing in equal measures and the singer wields it with absolute mastery. It truly is as close to a perfect album, in its intent to both challenge and soothe the listener, as I have heard in years. Five stars with no hesitation.

Throughout “Quarter to Somewhere”, Astroblue Express have taken each new track as a stop alongside a winding path, finding a wrinkle to their sound (be it triphop, shoegaze, dream pop, lounge chill, or what-have-you) and following it a few steps further.

A straight 12 tracks of excellence, the first few listens through the album almost overwhelm the listener, there is so much to listen for and enjoy. The album opens the with the haunting, spacey string strikes. As the light percussion, bass, and textural chords come in playfully, this is when “Quarter to Somewhere” begins and never let’s go.

The tender and surreal vocals float airily over the subtly pulsating band behind it on “Catch Me”, while the tender melody is the primary focus. Lyrically, Astroblue Express sings rather poetic and sometimes cryptic lyrics. “Type It” would probably one of the catchiest tracks on the album, if you could at all call this type of mood-inducing music, ‘catchy’.

The band has created a sound that is all their own. You won’t hear this mix of keyboards, swirling orchestral arrangements, and precise percussive interludes anywhere else – Especially adding their fractured spectral harmonies, as can be heard on the outstanding warm glow of “Midnight Drifter”. These vocals take you on a journey with its high soprano – pure glorious beauty.

Placed nearly in the middle of the album, “Origami Princess”, further pushes the boundaries of the band’s textural experiments and ambiguous sound. Despite the texture and ambiguity of their style, Astroblue Express has nothing to hide in their songs. The concrete bottom of the songs, their chord structure and rhythmic articulation, are just as fantastic as the overall product.

The tight-rope-walking band excels in the exotic art of experimental electronics and intoxicating dream pop, thriving on a diet of lush majesty. But here, on “Into The Beyond” the stripped-back informality – meticulously executed, of course – proves to be absolutely charming.

Something they repeat on the following track “Electronic Morning”. As much as “Type It” is catchy, “Boundless” has to be the most accessible track on the album. It has a well-defined beat and chorus which would endear it to radio programmers. The album closer, “Blues Fields”, is full of ethereal charm with its wonderful strings, and gorgeous instrumental flourishes.

I can’t emphasize enough how much I like this album. It provides some much needed change and fresh air in today’s music scene. This surely will end up on my shortlist of favorite albums of 2017. I just need to work out which genre I’ll file it under…

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