Interview: STRONG A.R.M. – Coming straight out of Brownsville, Brooklyn NYC!

STRONG A.R.M. is the name that describes the 6’2″, 200 plus pound Brooklyn native who is definitely taking on ALL HATERS! It’s a perfect description of his overall attitude. This is one artist that believes anything goes when it comes to his music. He did not choose to do hardcore hip hop, hardcore hip hop chose him! It allows him to say what the hell he wants. Bringing it straight to the front line so your attention is caught and kept. Don’t get STRONG A.R.M. wrong though, that is just one area of hip hop he is good at, he

Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

MrWho??? – “Paint The Sky Funk” – A mega release that fans will devour

Ever heard of the ‘Funkjazzhop’ music style? If not, chances are you’ve never heard Dallas-based jazz/funk/hip hop, artist, producer and eclectic adlibber, MrWho??? And that’s not a question, it’s a damn statement! Coincidence would have it that MrWho??? and the granddaddy of funk, George Clinton, share the same birthday. And that’s not all they have in common. Influenced by the likes of Cameo, James Brown Barkays, George Duke, Lakeside, Maze, and Earth, Wind & Fire, MrWho??? set out to make an impact amongst colleagues and peers. Fate would have it that during 2019, the Dallas creative was approached by Maurice

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has

Love Ghost Premieres their brand new video “Let It All Burn”

Message from lead singer/songwriter Finnegan Bell: “Let It All Burn” is how I see the world through my 18-year-old eyes. The hypocrisy and unwanted advice that weighed me down during senior year led to this song. My Dad being diagnosed with stage 3 cancer made me more determined- “fuck what they say, I make my own way”. The song was produced by Danny Saber (Rolling Stones, U2, Marilyn Manson, David Bowie). The music video was directed by Dean Karr. The promise of his early work led to Karr being asked to direct Marilyn Manson’s “Sweet Dreams.” The resulting piece drew

Denny Strickland sees Margot Robbie’s Harley Quinn character as inspiration for new song

Denny Strickland’s new track, Harley Quinn, dropped on Friday 25th October: His inspiration for the song comes from the character Harley Quinn in DC comic-book movie Suicide Squad, which was released in 2016. Denny explains, “At the time I wrote this song, I was watching Suicide Squad and I really liked Margot Robbie’s performance. I imagined her drinking gin and smoking in the club like the bad bitch she is and the lyrics just came to mind. The rest of the song just flowed out from there referencing Louis Vuitton, Lamborghini, Johnny Cage (Mortal Kombat) and my favorite mustang Fox

MARK HENES RELEASES NEW SINGLE – “STRIP ME DOWN”

The latest from the Nashville songwriter bursts at the seams with pop punk energy. Known for his ability to seamlessly shift from genre to genre, Mark Henes has established himself as a versatile and reliable performer with a deep knowledge of American music.  With the casual defiance of “Strip Me Down,” he embraces the golden era of pop punk, adding to his already impressive catalog. One of Henes’ great strengths is his ability to create instantly memorable hooks.  That ability is on full display here, as he sets up a huge chorus over a wall of gritty power chords.  “How

Nigel Walton Releases His Album “RCA 44” To Great Acclaim!

Having recently completed his first album, “RCA 44” of both original songs and covers to great acclaim with 14 Records of Royal Leamington Spa, Nigel Walton is much in demand as a session vocalist for his unique smooth, mellow tones in his favourite musical styles of light jazz and blues. Following the release of “RCA 44”, it recently aired on Toronto Jazz Radio Berlin Jazz Radio, North Carolina’s Jazz Radio, Pennsylvania big band radio the UK 40s and 50s Radio, Chat and Spin Radio of Tyne and Wear, and Manx Radio, Following a promising audience with Donna Soto Morettini, one

ACE DIAMOND Releases his brand new video “BAD ASS HILLBILLY BAND”

ACE DIAMOND’s brand new video just released this week on YouTube is fun/upbeat tune that will “knock your socks off”. “BAD ASS HILLBILLY BAND” will get your body movin’ and you can dance the night away with this hard-driven Rockin’ Band! “ACE DIAMOND” “performs in a reckless abandon style that’s hard to match! “BAD ASS HILLBILLY BAND” is Ace’s follow up to his big HIT: “GET YOUR BOOGIE WOOGIE WORKIN”, which has spent 36 weeks on The “EURO INDIE MUSIC CHART” – UK! It is still #8 as of 10/27/19! ACE DIAMOND is hit bound again! Ace Diamond is a

Canadian recording artist & songwriter The Upper Tunist, releases the album “5 Old Piano Songs”

Canadian recording artist & songwriter The Upper Tunist, has just put out an album titled “5 Old Piano Songs.” At ten minutes run time you can hardly say you don’t have time to listen to it. These are songs that could have been re-recorded, but The Upper Tunist and his close fans love the original song’s energy and the way they capture moments in his timeline. It’s available on almost every online music store and distributed by Distrokid, so you’re only a couple clicks away from enjoying it yourself. The style is all piano & lyrics with no band &

T2: “KOOL-AID n CHEETOS” sticks to the fundamentals

In hip-hop, establishing yourself as part of a powerful label and crew is as close as a new act can get to being a commercial sure thing. T2 is an artist from South Texas who has been on the local scene for years but has always only made his music available to a certain circle of fans up until now. Totally ignoring the math of formulas and schemes aiming for commercial success, T2 has just dropped his 6 track project, entitled “KOOL-AID n CHEETOS”, and though still nor aiming for commercial success in its purest sense he is spreading his vibe across the web. But that isn’t all he has going for him: He also possesses an intense, distinctive, no-nonsense grimy flow.

T2 doesn’t break new ground thematically or musically on “KOOL-AID n CHEETOS”, instead sticking to the fundamentals of the hardcore-rap game: money, respect, the struggles and his grind. He kicks flows with dark, uncompromising conviction, and is at his vivid, cinematic best on “Raffle” a nearly operatic narrative, and the sublime “My Diamonds”.  Yet despite, or perhaps because of its bleak and macabre setting, “Right Now” is also oddly affecting and humane, and certainly more memorable than almost anything on this overwhelming recording.

While weaker rappers’ money-making formulas have been running on empty after lackluster releases, “KOOL-AID n CHEETOS” shows how effective it can be when applied to the work of a gifted rapper like T2, who boasts a hoarse, memorable flow and an impressive knack for storytelling.

Featuring sleek, of-the-moment production from a varied set of hands behind the boards, the album has a visceral but crisp sheen. The anthemic opener and title track “Kool-Aid n Cheetos” is a highlight, as are lyrically adept songs like “Breathin In” and “Blacked Out”.

Whatever T2 deliver as in morality or imagination, he more than doubles up with surefire verbal mastery, and “KOOL-AID n CHEETOS” is another hard-boiled testament of emotional truth-telling. T2 verses flow with an unexpurgated, venomous power, a rage coiled and then sprung outward with the manic surge of a jackhammer.

He has a gift for repackaging the usual boasts and taunts in new ways and visualizes brutality and death with a chillingly keen expertise. Thoughts of both pride and guilt, as well as death and damnation looms large in his mind, as he drags these themes through his songs.

Unobtrusive yet menacing production—gothic keyboards, luscious strings and strummed guitars, nicely complement T2’s profound musings on the urban landscapes we live in. Whether T2’s poetry rises above some of its unsavory subject matter is a judgment he willingly leaves to posterity.

As for his contemporary audience, we could do worse than give him the benefit of the doubt. Sometimes when you’re pinned in a corner, drama coming from every angle, you are capable of amazing feats. In the case of hip-hop artists, that’s how some of the greatest albums are born.

I’m not sure from exactly which personal experiences T2 is coming from, but this recording is filled with its emotional weight, giving it substance and credibility.

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