INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Subreel offer decades of experience in various areas of music

Subreel is a website designed to help aspiring musicians, a music hub with a goal of offering equipment reviews, how-to guides and loads of other musical information. Their writers offer decades of experience in a lot of different areas of music, from live sound to instruments and music technology. Some of the areas Subreel cover include: “Recording and microphones” – Home recording has become something we can all do, and with a real lack of information online, Subreel have taken it upon themselves to provide guides such as how to make your own homemade acoustic panels and microphone reviews, from USB

T2: “KOOL-AID n CHEETOS” sticks to the fundamentals

In hip-hop, establishing yourself as part of a powerful label and crew is as close as a new act can get to being a commercial sure thing. T2 is an artist from South Texas who has been on the local scene for years but has always only made his music available to a certain circle of fans up until now. Totally ignoring the math of formulas and schemes aiming for commercial success, T2 has just dropped his 6 track project, entitled “KOOL-AID n CHEETOS”, and though still nor aiming for commercial success in its purest sense he is spreading his vibe across the web. But that isn’t all he has going for him: He also possesses an intense, distinctive, no-nonsense grimy flow.

T2 doesn’t break new ground thematically or musically on “KOOL-AID n CHEETOS”, instead sticking to the fundamentals of the hardcore-rap game: money, respect, the struggles and his grind. He kicks flows with dark, uncompromising conviction, and is at his vivid, cinematic best on “Raffle” a nearly operatic narrative, and the sublime “My Diamonds”.  Yet despite, or perhaps because of its bleak and macabre setting, “Right Now” is also oddly affecting and humane, and certainly more memorable than almost anything on this overwhelming recording.

While weaker rappers’ money-making formulas have been running on empty after lackluster releases, “KOOL-AID n CHEETOS” shows how effective it can be when applied to the work of a gifted rapper like T2, who boasts a hoarse, memorable flow and an impressive knack for storytelling.

Featuring sleek, of-the-moment production from a varied set of hands behind the boards, the album has a visceral but crisp sheen. The anthemic opener and title track “Kool-Aid n Cheetos” is a highlight, as are lyrically adept songs like “Breathin In” and “Blacked Out”.

Whatever T2 deliver as in morality or imagination, he more than doubles up with surefire verbal mastery, and “KOOL-AID n CHEETOS” is another hard-boiled testament of emotional truth-telling. T2 verses flow with an unexpurgated, venomous power, a rage coiled and then sprung outward with the manic surge of a jackhammer.

He has a gift for repackaging the usual boasts and taunts in new ways and visualizes brutality and death with a chillingly keen expertise. Thoughts of both pride and guilt, as well as death and damnation looms large in his mind, as he drags these themes through his songs.

Unobtrusive yet menacing production—gothic keyboards, luscious strings and strummed guitars, nicely complement T2’s profound musings on the urban landscapes we live in. Whether T2’s poetry rises above some of its unsavory subject matter is a judgment he willingly leaves to posterity.

As for his contemporary audience, we could do worse than give him the benefit of the doubt. Sometimes when you’re pinned in a corner, drama coming from every angle, you are capable of amazing feats. In the case of hip-hop artists, that’s how some of the greatest albums are born.

I’m not sure from exactly which personal experiences T2 is coming from, but this recording is filled with its emotional weight, giving it substance and credibility.

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