Tommy Capretto: “Floss” is just state of the art

Tommy Capretto is a house music DJ and Producer from the greater Philadelphia area. After launching his career in 2006, things moved to the next level in 2015 when Capretto accumulated releases via leading record labels, Universal Music, Capitol Records, Carrillo Music, Armada Music, Juicy Music, HoTL Records, and others. A reputation built on being a go-to producer for club hits, Capretto has also totaled a number of official remixes for artists including Beck, Niall Horan, Hailee Steinfeld, MNEK, Dragonette, and FLETCHER among others. Capretto’s music is supported by fellow global DJs Don Diablo, Laidback Luke, Oliver Heldens, Roger Sanchez,

The feature film titled “The Lost End” exhibits the passion and care Zoé Pelloux brings to her craft

“The Lost End” has been in the works for the last two years and it’s finally almost here. Produced by Zoé Pelloux and written and directed by Alexander Salabaschew, it is a compelling psychedelic drama that tells the story of a man who is looking for his family after they were kidnapped by a cult. Currently in post-production, the film stars Andy Phillips, Every Heart and Isabella Valotti and will be released later this year. Zoé Pelloux is an accomplished producer. Originally from Paris, France, she spent much of her childhood watching movies with her parents and making movies of

Saints Warning is a fresh new alternative band hailing from Los Angeles, California

Saints Warning is a band hailing from Los Angeles, California. Their sound is fresh and modern, with a nod to the energy of indie rock and the timeless vibes of blues and alternative music. In addition to that, their songs are also quite personal and intimate, capturing that unique vibe often associated with the singer-songwriter style. The line-up currently consists of Eduardo Enriquez (vocals), as well as David McClellan on guitar, bass player Andrew Dupras, and last but not least, Bobby Godines sitting behind the drum kit. The group was founded by David earlier in 2019, and ever since they’re

ill-logicz: “Countin'” – pure delivery stylistics

Hailing from Miami, FL, rapper ill-logicz is excited to release his single “Countin’” produced by Ka$h Blak. As a conscious rapper, ill-logicz tends to stick to the storytelling rap and hip-hop songs, but wanted to change it up a bit for this one. His previous single “Gemini” was released in February of this year. It’s always an admirable act when rappers dedicate some part of their music to new experiments. The rapper has always had plenty to say, and he’s also never been shy about saying it. Now his applying that same theory to his music. “Countin’” is a far

Deane Nesbitt Jr. – “Tracking The Soldier” relaxing and inspiring the listener at the same time

Oftentimes music has a way of helping people through the rough periods of their lives by allowing them to still their minds and quiet the tumult that is assaulting them from without. It allows people to turn within and find the strength that lies at the heart of their being so that they can face the next day no matter what circumstances are awaiting them. Deane Nesbitt Jr. seems to have taken has these recommendations and has created the album “Soundtracks in the Sand” as a way to put all of his most powerful music in one place. Well that’s

A&L: “So Sorry” – a hard hitting song that showcases grand all-round musicianship

“So Sorry” is the 10th single release by the two seasoned industry professionals – Anthony Casuccio and Lana Marie, better known as the chart-topping indie outfit A&L.  “After the success of our last single We Are Love, which was a ballad, we wanted to get back to our aggressive roots,” says Casuccio, the Grammy nominated engineer who powers the production behind A&L. The track channels the anger and realization that you are being played by a new lover. The powerhouse performance of the other half of A&L, Lana Marie, is a call to action and a warning to all players

RealTalk the Black Boy King: “True” – a huge step up for the Dallas artist

Originally from California, the Dallas (TX) based artist RealTalk the Black Boy King covers the complexities experienced in areas like Los Angeles, Las Vegas, and Phoenix, while seeks to shed light on the truth of life in America. World travelled and a true descendant of ancient royalty, RealTalk has unleashed his latest, epic 12 song project, entitled “True”. For those familiar with his previous work, ‘CURSES’ and ‘The Time Machine’, the new album, currently available for purchase on all platforms,  is considered a huge step up for the Dallas artist. Though his projects have all been critical successes, his latest

KARMS ANNOUNCE NEW TRACK ‘TELL ME WHEN THIS ONE ENDS’

KARMS first turned heads in 2017 with single, ‘We Always Lose’, an energetic anthem that just never seemed to quit. Not leaving too much time for breathing, the band soon released their EP, ‘River’, a bone crushing selection of songs politely polished off with the silky, tender, ‘Beautiful Magic’. Not one to shy away from a show, KARMS have been lucky enough to take on supports with Fatherson, The Amazons, Arcane Roots and The Strypes. KARMS have headlined sold out shows at Whelan’s, Dublin and played at last year’s Other Voices in Ballina. In 2018, KARMS released their debut album

Lil Xelly: “Rxelly” – crank up the volume and ride!

The 19-year-old rapper Lil Xelly, hails from Rockville, Maryland and began making music as early as 9 years old, writing raps in a journal. While most new rappers do the normal thing and launch themselves into the hip-hop arena with a single release, towards the end of 2017, Xelly dropped a mammoth 105-song mixtape entitled “More Xelly”. Having now laid down his blueprint from which to evolve and expand, Lil Xelly went on to release two projects a month, starting in early 2018, and then surpassing that benchmark as the year went on, continuing into 2019. A couple of weeks

Monster2x: “Deep End” – Treading confidently across both hip-hop and R&B

Monster2x is a hip-hop/rap artist from Vernon, TX. His laidback sound makes for an easy listening experience that new fans will want to put on repeat. “Deep End” is the latest track from this up and coming artist. The track opens with a melodramatic new age sound-bed complete with shimmering instrumentation as Monster2x waxes poetic in a conversational tone. Any rapper can be heard if they’re shouting in your ear, but a skillful emcee will play it chill. The beauty in Monster2x lyrical ability comes in his effortless storytelling and melodic tone.  “Deep End” blends together the essence of soul

The Snuts: “The Matador” peels back the layers of talent on display here

Based in West Lothian, Scotland , the four-piece indie band, The Snuts – whose members grew up together – have been setting the Scottish music scene alight with their singles ‘Glasgow’ and ‘Sing For Your Supper’, and are now poised to turn that flame into a fire, with their brand new EP entitled, “The Matador”. Jack Cochrane (vocals/guitar), Joe McGillveray (guitar), Callum Wilson (bass) and Jordan McKay (drums) have pieced together a dirty guitar-driven collection of explosive, high-intensity rock n’ roll anthems for the 21st century and beyond. The Snuts must have tightened every bolt, sealed every crack, and smoothed over every crease in their sound, if they ever had any, because this recording forges a hyper-polished amalgam of epic stadium-ready anthemics and melancholic indie rock that fits squarely under the authentic modern rock rubric.

The distinctive, guitar dominated wallop of muscle, heartache, and a strain of desperation, borders between all-out recklessness and total control, this sound is far removed from what other more cited modern rock outfits have landed upon. The pulverizing vocal talent of front-man Jack Cochrane (vocals/guitar) standing as their primary sonic differentiator.

Considered sonically, “The Matador” is replete with chugging guitars, no-frills, but lush indie rock production, and cloud-clutching choruses so big they seem to strain every blood vessel in Cochrane’s body. Which means that while the rest of the world is out rediscovering electro and synth-pop tunes, you can bathe your ears in irresistible vocals, inventive guitars, and the savvy rewiring of the rock n’ roll sound.

When the title track, ‘The Matador’ rides in on a slowly building tidal wave of washed out guitars, you know you’re in for something special. The confirmation arrives with the opening verse, when the tortured strains of Jack’s indelible voice pierces any skeptical resistance you may have perceived to have, on listening to a new band.

From that moment onward, The Snuts have you by the bollocks, and they kick and squeeze it for 4 full tracks, until you have to admit that this is one of the best new indie rock bands on the entire block.

More often than not, there’s a lyric and vocal that will hit you over the head, and there’s nothing you’ll be able to do about it. ‘What’s Going On’ hijacks your senses, and for me, is the absolute outstanding track in the collection.

It showcases every member and shining facet of this truly astonishing band – the songwriting, the musical arrangement, the playing, the gorgeously soaring vocals, and last but not least, the downright raw and raucous rock n’ roll attitude which is lacking in so many modern rock bands.

The Snuts pay close attention to detail, filling up every sonic space, but still leaving plenty of breathing room for their songs to grow in. This is the case with ‘Mixer’, a truly dynamic track, with changing tempos and tones that will keep you captivated until ‘Summertime’ sets in. The latter track closes the EP on a slow-burning note.

Whatever you’re doing – put it down, up, or away, and let this song seep into your soul while you peel back the layers of talent on display here. “The Matador” is a recording by an underrated band that we should be talking about more often. There is no doubt in my mind that The Snuts deserve much more of the recognition they will probably receive.

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