Axl & Arth – Rising Up with “Triumphant”

After a short hiatus the Stockholm based-producer duo are back with new mature sound, having teamed up with singer Dustin Paul for their collaboration Triumphant.  Axl & Arth have been releasing music consistently since their debut single in 2015 and going through their track list on Spotify you quickly get the idea that the duo likes to experiment with genres, mash them together and never corner themselves. “Well, we don’t want to be typecasted I suppose,” says Axl. “We like to just create whatever feels right at a given moment and what inspires us differs from one day to another.

Sublimerent – “Circular Emotion” – intense dynamism, amazing instrumentation and complex song structures

The progressive metal band Sublimerent from Berlin, Germany, was formed in late 2018, and consists of Álvaro (Drums), Jerome (Guitar), Luce (Vocals) and Martin (Bass). Their latest recorded work, is the 3 track conceptual EP, entitled “Circular Emotion”, which was mixed and mastered by Mendel (ex-Aborted, Oracles, System Divide). So, what is the glue that makes this recording stick together? What are you supposed to feel when you’re listening to “Circular Emotion”? The driving themes behind the EP is alluded to in the song titles themselves – “Perception”, “Sentiment” and “Singularity”. Each discussing the existential weight of its own meaning

Interview: STRONG A.R.M. – Coming straight out of Brownsville, Brooklyn NYC!

STRONG A.R.M. is the name that describes the 6’2″, 200 plus pound Brooklyn native who is definitely taking on ALL HATERS! It’s a perfect description of his overall attitude. This is one artist that believes anything goes when it comes to his music. He did not choose to do hardcore hip hop, hardcore hip hop chose him! It allows him to say what the hell he wants. Bringing it straight to the front line so your attention is caught and kept. Don’t get STRONG A.R.M. wrong though, that is just one area of hip hop he is good at, he

Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

MrWho??? – “Paint The Sky Funk” – A mega release that fans will devour

Ever heard of the ‘Funkjazzhop’ music style? If not, chances are you’ve never heard Dallas-based jazz/funk/hip hop, artist, producer and eclectic adlibber, MrWho??? And that’s not a question, it’s a damn statement! Coincidence would have it that MrWho??? and the granddaddy of funk, George Clinton, share the same birthday. And that’s not all they have in common. Influenced by the likes of Cameo, James Brown Barkays, George Duke, Lakeside, Maze, and Earth, Wind & Fire, MrWho??? set out to make an impact amongst colleagues and peers. Fate would have it that during 2019, the Dallas creative was approached by Maurice

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has

Love Ghost Premieres their brand new video “Let It All Burn”

Message from lead singer/songwriter Finnegan Bell: “Let It All Burn” is how I see the world through my 18-year-old eyes. The hypocrisy and unwanted advice that weighed me down during senior year led to this song. My Dad being diagnosed with stage 3 cancer made me more determined- “fuck what they say, I make my own way”. The song was produced by Danny Saber (Rolling Stones, U2, Marilyn Manson, David Bowie). The music video was directed by Dean Karr. The promise of his early work led to Karr being asked to direct Marilyn Manson’s “Sweet Dreams.” The resulting piece drew

Denny Strickland sees Margot Robbie’s Harley Quinn character as inspiration for new song

Denny Strickland’s new track, Harley Quinn, dropped on Friday 25th October: His inspiration for the song comes from the character Harley Quinn in DC comic-book movie Suicide Squad, which was released in 2016. Denny explains, “At the time I wrote this song, I was watching Suicide Squad and I really liked Margot Robbie’s performance. I imagined her drinking gin and smoking in the club like the bad bitch she is and the lyrics just came to mind. The rest of the song just flowed out from there referencing Louis Vuitton, Lamborghini, Johnny Cage (Mortal Kombat) and my favorite mustang Fox

MARK HENES RELEASES NEW SINGLE – “STRIP ME DOWN”

The latest from the Nashville songwriter bursts at the seams with pop punk energy. Known for his ability to seamlessly shift from genre to genre, Mark Henes has established himself as a versatile and reliable performer with a deep knowledge of American music.  With the casual defiance of “Strip Me Down,” he embraces the golden era of pop punk, adding to his already impressive catalog. One of Henes’ great strengths is his ability to create instantly memorable hooks.  That ability is on full display here, as he sets up a huge chorus over a wall of gritty power chords.  “How

Nigel Walton Releases His Album “RCA 44” To Great Acclaim!

Having recently completed his first album, “RCA 44” of both original songs and covers to great acclaim with 14 Records of Royal Leamington Spa, Nigel Walton is much in demand as a session vocalist for his unique smooth, mellow tones in his favourite musical styles of light jazz and blues. Following the release of “RCA 44”, it recently aired on Toronto Jazz Radio Berlin Jazz Radio, North Carolina’s Jazz Radio, Pennsylvania big band radio the UK 40s and 50s Radio, Chat and Spin Radio of Tyne and Wear, and Manx Radio, Following a promising audience with Donna Soto Morettini, one

Clay Hughes: “Atmosphere” – an unexpected depth and understated energy

Clay Hughes is a singer-songwriter, from Kansas City, who has shared the stage with a wide variety of national touring acts such as Chali 2na, ZZ Ward, K.Flay, Ha Ha Tonka, Watsky, Mac Lethal, and more. Hughes prefers his music stripped back- almost always acoustically-dominated musically, introspective and from the heart lyrically. With his studio offering “Atmosphere”, the singer-songwriter has created a track that feels instantly accessible, genuine and poetic. From the opening guitar picking to the final harmony, the song is a collection of moments of beauty and delicacy enfolded in melody.

So what exactly is it that makes “Atmosphere” such an outstanding effort? Well, it’s simple. The song’s main focus is the man, his guitar and the vivid lyrical imagery weaved in-between. This ‘less-is-more’ style is noticeable – and song is certainly all the better for it – though there is more instrumentation than just his acoustic adding an unexpected depth and understated energy to the song.

Perhaps the most important feature of Clay Hughes’ music is the lyrics – heart-wrenchingly honest, starkly powerful and often filled with vivid imagery and moving stories of loss, guilt, love and loneliness. The ambiance on “Atmosphere” sets out to pluck a heart-string, to make one think, to feel.

In this respect, the target is never missed. What Hughes has created here is truly special, setting a benchmark for all other acoustically-oriented music. Between his lyrics and music, it turns out, he’s a jack of all trades and a master of… well, all of them.

“Atmosphere” has a confident, almost-bluesy bounce that, when accompanied by Hughes’ always warm and obliging voice, blends with the folkier, stripped-down approach that sits comfortably somewhere between his energy and his recluse.

The acoustic guitar and piano help the track flow almost voluptuously above the reverb-soaked drums while Hughes’s vocals, more than ever, kind of just drip off the entire thing like honey. It’s amazingly slick.

“Atmosphere” is absolutely commanded by Clay Hughes’ voice – he’s reached the point in which he can sing a beautifully simple melody and make it sound like heaven just by being himself – no vocal theatrics added. His mellow, elegant vocals have never fail to express the spectrum of emotion, and the bluesy and folksy tune fits his singing flawlessly.

While this time he has more instruments backing him up, than just his guitar, they only help make the track sound more whole and complete. It’s by far one of his better, more accessible works so far.

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