Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

The Baghdaddios Celebrate Homeless Benefit’s 20th Anniversary – and Release a Brand New Holiday Single! For 25 years The Baghdaddios have churned along, trolling the seedier dive bars of New York City that were fortunate enough to have a sound system and a cabaret license.  Occasionally they graced the spotlight of some higher profile venues (including their third-ever show at iconic punk birthplace CBGB).  Somewhere along the way, between the indie CD releases, music videos, trips to other countries and criss-crossing various part of the U.S., they got a bright idea in their 5th year that resulted in the proverbial

INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Russell Esby: “Post-Sentiments” – The combination of the essential music and deep lyrics hit home in unexpected ways

Russell Esby is a 17 year old multi-instrumentalist and singer-songwriter, from the European island of Malta. Russell says that writing songs and playing music is his escape from everyday life’s complexities. “Post-Sentiments” is Russell’s 6 track EP: exquisitely meandering sonics that author tranquil moods presented alongside insightful lyrical content. With a clear love of personal storytelling, and a keen eye for the problems present throughout relationships, and yet with no desire to feverishly impose his knowledge, Russell weaves a gentle spell that pushes listeners toward awareness at their own pace. If you can embrace the gentlest subplot inside yourself – one that cherishes whisper-soft dances across the aural waves – then please do step into this acoustic dominated experience.

The music is stripped down to the mostly acoustic essentials, with some percussion and other sparsely used electric and organic instrumentation. It’s not easy to define: incorporating elements of Folk, Rock, and Pop, blended into something that is always soft, rhythmic and undeniably catchy in the most peaceful sense of the term. “Amanda’s Hymn” opens the recording with a meandering tale and a gentle swaying beat.

“Carnival Day” sounds like diamonds of a sunshine shimmying across ocean waves that balances all things infectious in Esby’s sound which matches his intelligently poetic lyrics. He follows this with the sweet-sounding “Girl Of My Dreams”, with a lovelorn dreamy feel that is reminiscent of the first time you really fell under the spell of infatuation. “Chocolate” flows superbly into the rustic guitars and drums that set the tone for the upbeat rhythm and eclectic unison vocal style which makes for a quirky and spirited recording.

“Hypnotised” is an exercise of song writing minimalism that keeps Russell Esby’s lyrical narrative at the forefront beside his simple and crisp guitar work and beautiful song writing. Few artists so young could write such a simple song that is overflowing with a level of soulful emotion, yet Esby seems to do so effortlessly. The title track, “Post-Sentiments”, is without a doubt the EP’s catchiest radio ready song, with its smoothly flowing rhythm and fleshed out instrumentation.

Uncluttered, simple, and spotless, the song features solid production work for a homemade project that’s never over- nor under-produced. The combination of the essential music and deep lyrics hit home in unexpected ways, because it’s easy to listen to and learn what Russell trying to convey.

Russell Esby’s songs allude to reigniting love, being empathetic, encouraging imagination and wonderment, and reflecting on life. Not bad for a seventeen year old. Esby remains cool, calm, and collected throughout, but there’s a charm about his vocals.  Even though he never asserts himself in an aggressive manner, his personality wins you over, despite his subtlety.

All in all, Russell Esby delivers a well-rounded affair with “Post-Sentiments”. He’s a minimalist artist – at least on this record- but for the most part, he does a great job of balancing stripped and more electric moments. Everything feels natural and right, with a soulfulness that’s never forced.

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