Nitish Pires: “Am I Evil” – focusing on the melodic and accessible aspect of his musical work

Nitish Pires began his musical journey in 1999 with the formation of the Rock band Nakshatra, releasing one album – “Gulfam” – entirely penned by Pires, and released on Universal Music. In 2007 he ventured into a solo career writing two albums – “Sarhadein” and “Chauraha” – as well composing music for TV adverts for companies like Vodafone, Nokia and Fila. He also put together an entire movie score for the feature file Soch Lo. Though having his hometown in Goa, Pires has travelled extensively promoting his work. After a 4 year world backpacking adventure that started in 2014, he

Nicky Ash: “Beautiful” – a masterful job of balancing the modern and the classic in her sound

South African born singer-songwriter and recording artist, Nicky Ash, has been performing since she was four years old back in 2001. She has gone on to win awards as well as receive critical acclaim for her works and performances. A qualified make-up artist, currently studying Cosmetology, 20 year old Nicky has linked up with accomplished music producer Dante Lattanzi of Caelum Music Production who is managing her as well as producing her upcoming EP, to be released in the first quarter of 2018. They have now dropped the single “Beautiful”, written by Nicky for her mother – “A strong, independent

Alien Skin: “The Wicker Man” – there’s space and dynamics to the instrumentation

In August of last year we reviewed George Pappas aka Alien Skin, a long-time keyboardist and co-songwriter with chart topping Australian band Real Life, who had a multi-million selling ’80s smash with the track, “Send Me An Angel”. Having made the transition to electronic music in the early 80’s, influenced by the Gore/Wilder version of Depeche Mode, Pappas is an authentically schooled musician when it comes to things analog. Alien Skin’s critically acclaimed album ‘1980 REDUX’, recaptured the glorious sounds of real vintage analog synths and rhythm boxes, as well as the authentic auras, atmospheres and moods, of a period

Trey McLaughlin Music Announces The Official Release Date For Trey Connor Video “My Ghosts”

Trey McLaughlin Music (TMM) announced today that Trey Connor will release the official music video for “My Ghosts” on Saturday April 14, 2018. This video relates the story told on the 5th track of Connor’s debut EP; that everyone faces demons, and too often, the darkness that haunts a person, is not apparent to those around them.  We should all be aware that many people who appear to be living life effortlessly, are often waging a silent war with their inner demons, in the darkness, and alone.  Fans can learn more about the upcoming release by monitoring the artist’s social media pages

WiseguyEnt Presents The New Album Reposing Jay – “Sumthen Diffrant”

REPOSING JAY is a member of the label WiseguyEnt and a stand out artist originating from and representing Dallas. His musical content consists of consistently well-versed conscious compositions! REPOSING JAY is an authentic MC that embodies old school Hip-Hop, R&B, enlightenment and self-preservation. “I’m an artist from Dallas who embodies conscious raw rap. However, I also feel that I bring a Hip-Hop and R&B Wave that’s different than artists of today. I enjoy using my raw vocals cause it’s authentic, no one can duplicate your voice,” says REPOSING JAY. “I take pride in knowing that my sound is unique and

Davy Knowles and 1:9 Technology Announce the Release of Interactive 360 Live Concert Virtual Reality App

Jacksonville, FL. Blues Guitarist Davy Knowles – dubbed the “modern-day Blues Man” has accomplished a lifetime of achievements at just 30 years old. His music was selected to broadcast from Mission Control into space on the International Space Station. He has shared the stage and/or played alongside with countless legends including Joe Bonamassa, George Thorogood, Buddy Guy, Kid Rock, Joe Satriani, Warren Hayes, Jeff Beck, Chickenfoot, Sammy Hagar, Peter Frampton, The Grateful Dead and more.  He was on the bill on Bonamassa’s prestigious “Keeping The Blues Alive at Sea II” cruise. He produced and released a documentary called “Island Bound” featuring

Pastor Peter B. Unger Writes “Blood On Our Hands a Tribute to Florida Shootings

As with most songs written and released, there’s usually some kind of motive behind them. Nothing could have a stronger message or meaning than a recent song written about the horrific shootings in Florida. Pastor Peter B. Unger has been driven by the passion of his singing and songwriting from an early age, so there’s also no better way for him to express these feelings through his music. In a recent interview Peter Said: “As I looked at the faces of those lost in the last school shooting I experienced a deep sadness; sadness as I tried to fathom the

Kazeloon Releases official video for “Rock It (She Luv my Roccet) Freestyle”

KazeLoon Records, Planet 9 Music, Roseland Ent., The Pac Records, & K.D Lean Inc. announces the release of Kazeloon’s official video “Rock It (She Luv my Roccet) Freestyle”. Asian American Trap rapper KazeLoon real name Jason David Yonai and business partners are releasing his official music video “Rock It (She Luv my Roccet) Freestyle Prod.By Genius Boy of Chicago. In less than a few days this official music video release has accumulated over millions of views already on Vimeo. KazeLoon’s music video features appearances by Mya, K.D Aubert a.k.a K.D Rose, Allyson Felix, Diana Gordon was formally known as Wynter

Kilo M.O.E – “Rambo” features Cyco Thah Urchin and is produced by Chinaman Hustle

With a respectable catalog and dedicated work ethic, Kilo M.O.E is able to keep his name among indie music’s heavyweights. Produced by ATL’s Chinaman, “Rambo” features Chicago/Milwaukee artist Cyco Thah Urchin riding shotgun over the hardcore bass-heavy trap beat, delivering a death blow to those stepping in the way of Kilo M.O.E. Cyco Thah Urchin is also Kilo M.O.E’s Engineer and Producer of several projects already in rotation. The OG heavyweight pairing linked up 5 years ago by way of Urchin’s embassy radio brand. The two are gearing to heat up the summer with a new project they revealed, known

AKA Louis: “POEMes CRISToLIENS #2: Wall Painting (A Tribute to Graffiti)” – places of sentient and divine energy

“POEMes CRISToLIENS #2: Wall Painting (A Tribute to Graffiti)” is another Musical Poem by AKA Louis, the 2nd of the CRiSToLIAN POEMs series. After ‘Creteil, the City of Dawn’, AKA Louis pays tribute to the graffiti’s and tags that decorate the walls of his city, the capital and the surrounding areas. Just like CRiSToLIAN POEMs #1, “Wall Painting” is also a poetic movie you can watch on YouTube. Once again, the master of French underground ambient music has woven his web of intricate patterns, deep resonant bass and subtle counterpoints to create an amazing sonic journey, capturing images in the

wavvvy: “melona” shatters the reductive binaries that continually plague hip-hop

“Melona” is a beautiful and banging album that was conceived, crafted and performed in the spirit and essence of rap, all bathed in chilled and trippy soundscapes by re-branded artist – wavvvy. Listening to this album brings back that good feeling that Hip-Hop is out of intensive care and recovering well from the strictly pop sickness and is in a stable condition. The album is entirely written, recorded and engineered by wavvvy, who shatters the reductive binaries that continually plague hip-hop. He is unabashedly sentimental and nostalgic when he wants to be. And he is also unafraid to be vulnerable or to show anxieties when the occasion calls. Still, he can exhibit the effortless swagger of someone destined to massive club rooms when he sets his mind to it. Mainly though, wavvvy stays intimate, close-up and laidback, almost perfect for those headphone listens in your bedroom at midnight.

The beats are both dripping with soul and absolutely knocks on speakers that can handle it – and then it transitions into glitchy madness. That bit of playfulness is an almost necessary dose of levity on the more serious cuts. There’s a lightning-in-bottle element to the album where each of these choices feels both totally logical and totally unexpected. All throughout the recording wavvvy tries experimenting with different sounds and rapping styles, trying really hard not to be pigeonholed on this sensational entrance onto the scene.

The beats are extremely refined, and have many layers to them, making every subsequent listen very rewarding. What this brings to the album is a chilled-out vibe, making it perfect for background listening, while still working great as a straight-up hip-hop album.

Yet as previously mentioned, on track like “Virtual Reality”, a simple turn of the volume knob will put you on the dance floor. The beats and the raps are more or less on the same level of importance (if one can say so), and it makes this album much more intriguing than many other albums in the same genre right now. As everything works on the same level, this means that there are less lower or higher points on the recording, making it a much more consistent and all-in-all cohesive album.

Wavvvy’s rapping is also on par here, as he doesn’t make the mistake of rapping too straight, without however, being too far out. He has found a laid-back and eclectic middle-ground and wrapped it in warm echoed and fuzzy effects. His rapping is chilled out, mixing in perfectly with the atmosphere created by the masterful beat-making.

The lyrics are as down-to-earth as ever, and create a personal picture of relationships in their mutating states. This comes particularly through on standouts like “another love song” ft. dilligentHITMAN, “falling out of ubers” ft. kyle thornton, “forbidden love” and “come & go”.

Wavvvy doesn’t seem to be one to follow a strict formula when it comes to writing his songs, and this makes for interesting listening. He has managed to somehow stay in what sounds like his comfort zone while also adding something new to the equation, like the track “mineral water (outro)”, making this a whole new listening experience, and in turn making an album that is as appealing when taken as easy-listening background-music than as a more classic rap album, and has as a whole delivered an extremely satisfying record for all those who prefer their sounds adventurous and left-field.


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