Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

The Baghdaddios Celebrate Homeless Benefit’s 20th Anniversary – and Release a Brand New Holiday Single! For 25 years The Baghdaddios have churned along, trolling the seedier dive bars of New York City that were fortunate enough to have a sound system and a cabaret license.  Occasionally they graced the spotlight of some higher profile venues (including their third-ever show at iconic punk birthplace CBGB).  Somewhere along the way, between the indie CD releases, music videos, trips to other countries and criss-crossing various part of the U.S., they got a bright idea in their 5th year that resulted in the proverbial

INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

wavvvy: “melona” shatters the reductive binaries that continually plague hip-hop

“Melona” is a beautiful and banging album that was conceived, crafted and performed in the spirit and essence of rap, all bathed in chilled and trippy soundscapes by re-branded artist – wavvvy. Listening to this album brings back that good feeling that Hip-Hop is out of intensive care and recovering well from the strictly pop sickness and is in a stable condition. The album is entirely written, recorded and engineered by wavvvy, who shatters the reductive binaries that continually plague hip-hop. He is unabashedly sentimental and nostalgic when he wants to be. And he is also unafraid to be vulnerable or to show anxieties when the occasion calls. Still, he can exhibit the effortless swagger of someone destined to massive club rooms when he sets his mind to it. Mainly though, wavvvy stays intimate, close-up and laidback, almost perfect for those headphone listens in your bedroom at midnight.

The beats are both dripping with soul and absolutely knocks on speakers that can handle it – and then it transitions into glitchy madness. That bit of playfulness is an almost necessary dose of levity on the more serious cuts. There’s a lightning-in-bottle element to the album where each of these choices feels both totally logical and totally unexpected. All throughout the recording wavvvy tries experimenting with different sounds and rapping styles, trying really hard not to be pigeonholed on this sensational entrance onto the scene.

The beats are extremely refined, and have many layers to them, making every subsequent listen very rewarding. What this brings to the album is a chilled-out vibe, making it perfect for background listening, while still working great as a straight-up hip-hop album.

Yet as previously mentioned, on track like “Virtual Reality”, a simple turn of the volume knob will put you on the dance floor. The beats and the raps are more or less on the same level of importance (if one can say so), and it makes this album much more intriguing than many other albums in the same genre right now. As everything works on the same level, this means that there are less lower or higher points on the recording, making it a much more consistent and all-in-all cohesive album.

Wavvvy’s rapping is also on par here, as he doesn’t make the mistake of rapping too straight, without however, being too far out. He has found a laid-back and eclectic middle-ground and wrapped it in warm echoed and fuzzy effects. His rapping is chilled out, mixing in perfectly with the atmosphere created by the masterful beat-making.

The lyrics are as down-to-earth as ever, and create a personal picture of relationships in their mutating states. This comes particularly through on standouts like “another love song” ft. dilligentHITMAN, “falling out of ubers” ft. kyle thornton, “forbidden love” and “come & go”.

Wavvvy doesn’t seem to be one to follow a strict formula when it comes to writing his songs, and this makes for interesting listening. He has managed to somehow stay in what sounds like his comfort zone while also adding something new to the equation, like the track “mineral water (outro)”, making this a whole new listening experience, and in turn making an album that is as appealing when taken as easy-listening background-music than as a more classic rap album, and has as a whole delivered an extremely satisfying record for all those who prefer their sounds adventurous and left-field.

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