JunesFlow – “Challenge” produced by Mark Cooper, and new visual shot by Desmond Travis

Never-mind your car, or drinks at the bar, or how many chains you wear; to settle it once and for all, that’s the only reason we’re here. It’s a …CHALLENGE!” The album “Long Live Jit” is still in a league of its own as it continues to shine light on Detroit’s vast dance history, and its progression. “Challenge” is the joint from JunesFlow, produced by Mark Cooper, and new visual shot by Desmond Travis. Check for the video and witness what happens when the battle is “on sight”!  “To me, ‘Challenge’ is a song that’s strictly here to provoke

Jim Wyly Performs “Wildman of the Thicket” From The Album “The Artisan”

Jim Wyly at J P Hops House, Houston, Texas singing ‘Wildman Of The Thicket’. A Bigfoot Legend from Deep East Texas.  For years as a member of several bands including Movin Target and The Lunar Rollers, Jim Wyly has been widely regarded by his peers as a master of the songwriting craft. At the young age of 71, Wyly stepped away from the sound and life of being in a band and released his solo debut, “The Artisan”. A roots Americana and blues flavored recording, the album includes the track “Wildman of the Thicket”, a song about the Bigfoot

DaKing – “CryptoBoom” is a vibe from start to finish!

“CryptoBoom” is the second single by Moscow artist DaKing who is currently working on album which will feature previously unheard of 3D stereo effects. As can be gaged by the title, the song is inspired by escalation of cryptocurrencies. DaKing falls into the category of nu-wave rappers. You can hear a bit of his flow, hooks, and ad-lib driven rap style in the music of today’s newest up and comers. DaKing verses have a way of feeling like extended hooks. He loves to chant as his ad-libs swirl in the background. Sometimes he even delivers a rapid-fire flow. The project

Fifth – “Cost of Doin’ Business” – a depth you can feel in your chest

Fifth is an artist who has bars and knows how to spit lyrical content…better than most you will find nowadays. If you like artists with substance, then the Pittsburg, CA native is your man. Fifth, whose moniker is the suffix of his full name, has featured on the show “Leah Remini: Scientology and The Aftermath: The Jehovah’s Witnesses”. He is currently riding the wave of his latest single release – “Cost of Doin’ Business”. The whole track is well-produced and engineered. Everything from the instrumental to the vocals, are mastered properly and flow nicely. In addition to putting out a

Haze Daze – “Shadows” is rich and inviting!

Self-awareness is key, and Haze Daze getting in touch with that allows him to separate himself from the pack, reaching territory where only a handful others reside. But of course his latest track, “Shadows” is also the embodiment of the current culture. The song is the unification of the SoundCloud elite sound and the figures who came directly before, it’s an embracement of that short but rich history. Knowing your strengths or limitations is a skill that few have. Haze Daze on “Shadows”, is not only able to avoid any potential limits, but also accentuate his strengths. The track is

Menes Rebazzar Kedar – “Quantum Helix: Fractal Galaxy” – A voyage into the development of ideas and emotions!

The New York-based artist Menes Rebazzar Kedar fuses a potpourri of musical flavors on his new album “Quantum Helix: Fractal Galaxy”. From hip-hop to blues, rock, soul and electronic stylings, the artist crafts 9 eclectic tracks that defy strict categorization. The music on this album isn’t just a critic or fan pleaser but it’s clear that what Kedar wanted most was to make a recording that actually carries some vestige of meaningful depth. A truly excellent work sounds like putting a stethoscope up to the heart and mind of its creator. The album is very ambitious, and provides one of

“ENVY” – Framing Hanley is a great band who are fresh and adventurous

1.5 million downloads, over 150 million digital streams, and in excess of 40 million video views, certifies that Framing Hanley are not your simple garden variety of rock n roll band.  Kenneth Nixon (vocals), Ryan Belcher (guitars), Jonathan Stoye (bass), Shad Teems (drums) and Nic Brooks (guitar) make up the reformed Framing Hanley who release “ENVY” – their first album in 6 years – via Thermal Entertainment on 2-21-20. Believe the hype, this album is extraordinary from start to finish. “ENVY” is the right place to start if you are at all interested in hearing this incredible band. Not one

Foolish Senpai – Loyalty Everlasting (Ft. E-Man) | Official Music Video

Michael Curry, known by fans as Foolish Senpai, is an upcoming Hip-Hop artist who stands out for his creative vision and the undoubtedly alternative taste of his music. Senpai has been consistent, early into 2020 releasing new visuals for his music. He presents “Loyalty Everlasting” with contributions from E-Man this go around. Keep an eye out for Foolish Senpai as he keeps adding to his catalog of videos.  MORE ABOUT: The word “senpai”, is rooted in Japanese culture and relates to the “senpai-kohai system” which underlies nearly all relationships. Senpai (先輩) in most cases means “master” or “teacher”. Michael

Merce Gold – “Gold Standard” – consistently deliver good music, captivating atmospheres, and ponderable rhymes!

Merce Gold is a hip-hop artist from North Carolina. He is an artist/CEO of Family Over Entertainment, an entertainment company started by Merce and his brother Louis.  “Gold Standard”, released on 2/2/20, is Merce Gold’s 3rd project, his previous “1993” was released Feb 18th, 2019 and is also available on all streaming platforms. The key element that makes this latest album’s atmosphere really enjoyable for me is the overall lushness of it. The beats especially are as gritty and smoothly layered, and as colorful as the narratives. Another reason that the album is a really enjoyable piece, is that it

Lyt Lyfe Presents The Official Video for the Single “10-4” by CHANGE

The music is booming and hard-edged “10-4”until it’s suddenly dulcet and sweeping, matching the fury and then tenderness with which Change performs throughout. The shift in tone doesn’t feel jarring, but instead like it was building up to that the entire time, a testament to how dynamic and complex the production is. It creates an anthemic, banging experience that is just as important as the words rapped. Hip-hop music, with its lack of filter and abrasive nature, has always been a vehicle by which men who uphold a veneer of toughness and masculine bravado can share their feelings. Part of

Woochia: “Travels” instantly feels like a quintessential, well-crafted eclectic concoction

London-based French music and video producer, Charly Sauret aka Woochia, is influenced by artists such as Tool, Heretik and Beethoven, which is a fairly good indication of the vast creative spectrum his music is composed within. Expect also, to find a wide variety of blended sounds to accompany his arrangements – like the tones of acoustic instruments (guitars or didgeridoo) with tones usually used for meditation (singing bowls, different types of throat singing) mixed with driving percussion and pumping synth bass lines, to deliver what is described as soft and melodic techno music.

A former student of Musicology at the University of Evry, and 10 years of composing computer music behind him, Woochia has worked with artists such as, Richard “Kory” Rivereau (Beyond the Dust, Rise) and Ebde (Ebde, Otter and Snake). His latest release, is the 6 track EP entitled “Travels”.

The recording instantly feels like a quintessential, well-crafted eclectic concoction, every bit as vital and masterfully mottled as his previously released genre-bridging output to date. Briefly running through his catalog, I find “Travels” to be Woochia’s most cohesive offering to date.

According to Woochia, all the tracks on this EP were composed or conceived in trains, buses and coaches while travelling between and around London and Paris. “These songs capture the feeling of being on the road, following the drift of the mind in its own imagination while the landscapes go by, behind the window,” he explains. For Woochia, a carefully-wielded air of familiarity – be it tempted via a balmy bass swell or a picked acoustic guitar pattern – can fare as potent as the fiercest sonic progression.

Guided by his own production – “Travels” finds Woochia not simply hitting the sweet spot between referencing his past experiences whilst keeping two eyes on the horizon, but conquering it. From the likes of the mid-tempo, melodic-conjuring of “Bus” and the acoustic guitar and percussive thrust of “Train”, to the rhythmic and haunting “Soil” and the brooding “Tunnel”, as well as the highlight “Ritual Walking” – a cinematic instrumental, where a thickly layered brass and string backdrop supports playful guitars and a hand-clap beat.

Expanding upon the blueprints of his instrumental craft, there are some real seismic peaks in Woochia’s approach here that seals the deal, as he excavates acquainted territory to reveal real forward motion and a slew of new-fangled ideas. The subtle impetus and melody that drives “Flow” forth is tangible.

Woochia’s acoustic and synth-drenched set-ups make for an unusual combination, one that delivers alluring, subtle melodies and rich atmospheric textures. It’s electronic rendered in an unusually accessible and articulate way. There’s enough energy and ingenuity to hold interest throughout, alongside Woochia’s ability to gently shift tones and textures while allowing them to coalesce lucidly.

In “Travels”, the artist displays a development in sound and execution that proves his vistas and stealth are as captivating as his desire to keep exploring new sounds and possibilities. Certainly, Woochia is happy to mix the colors from the wide palette he is holding.  It will also enable this London-based Frenchman to build a respectable reputation over the years, one best appreciated by those who tend to admire ambition and experimentation.

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