“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

Grammy Award-Winning Guitarist, Songwriter, and Best-Selling Author Chris Perez Releases New Hot Sauce Brand!

Chris Perez, husband to the late superstar, Selena, dubbed the ‘Queen of Tejano music,’ will release his custom “Perez Pepper Sauce” starting Saturday, November 16th. The small-batch sauce will be available online at CaJohns.com and at select locations where Perez will make personal appearances to offer on-site demonstrations to fans and customers. “My love for spicy food began as a young child when I accidentally ate a Mexican chili pepper,” recalls Chris. “I guess you could say that’s when I had my jalapeno popped,” laughs Perez. A scene from the 1997 biopic “Selena: The Movie” (portrayed by mega-star Jennifer Lopez) showcases Chris’s (played by actor Jon Seda)

Kambiz Mirzaei – “The Lost Ambient” – a dominating melodic mellowness behind a rising wave of dynamic, ascending energy.

The Toronto based composer, Kambiz Mirzaei, has navigated between two musical cultures: from authentic transcendental Middle Eastern melodies to North American flavored ambient, electronic and orchestral arrangements. His collaboration with Jamshid Andalibi in 1999 initiated an alternative approach to traditional use of the folk instrument, Ney, in modern compositions. If you’re looking for an instrumental record that explores cross-culture electronic and ambient themes cohesively, look no further than the album – “The Lost Ambient” by Kambiz Mirzaei. I am astounded that Mirzaei isn’t talked about more often, because there is so much innovation in his compositions and production that it’s

Axl & Arth – Rising Up with “Triumphant”

After a short hiatus the Stockholm based-producer duo are back with new mature sound, having teamed up with singer Dustin Paul for their collaboration Triumphant.  Axl & Arth have been releasing music consistently since their debut single in 2015 and going through their track list on Spotify you quickly get the idea that the duo likes to experiment with genres, mash them together and never corner themselves. “Well, we don’t want to be typecasted I suppose,” says Axl. “We like to just create whatever feels right at a given moment and what inspires us differs from one day to another.

Sublimerent – “Circular Emotion” – intense dynamism, amazing instrumentation and complex song structures

The progressive metal band Sublimerent from Berlin, Germany, was formed in late 2018, and consists of Álvaro (Drums), Jerome (Guitar), Luce (Vocals) and Martin (Bass). Their latest recorded work, is the 3 track conceptual EP, entitled “Circular Emotion”, which was mixed and mastered by Mendel (ex-Aborted, Oracles, System Divide). So, what is the glue that makes this recording stick together? What are you supposed to feel when you’re listening to “Circular Emotion”? The driving themes behind the EP is alluded to in the song titles themselves – “Perception”, “Sentiment” and “Singularity”. Each discussing the existential weight of its own meaning

Interview: STRONG A.R.M. – Coming straight out of Brownsville, Brooklyn NYC!

STRONG A.R.M. is the name that describes the 6’2″, 200 plus pound Brooklyn native who is definitely taking on ALL HATERS! It’s a perfect description of his overall attitude. This is one artist that believes anything goes when it comes to his music. He did not choose to do hardcore hip hop, hardcore hip hop chose him! It allows him to say what the hell he wants. Bringing it straight to the front line so your attention is caught and kept. Don’t get STRONG A.R.M. wrong though, that is just one area of hip hop he is good at, he

Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

MrWho??? – “Paint The Sky Funk” – A mega release that fans will devour

Ever heard of the ‘Funkjazzhop’ music style? If not, chances are you’ve never heard Dallas-based jazz/funk/hip hop, artist, producer and eclectic adlibber, MrWho??? And that’s not a question, it’s a damn statement! Coincidence would have it that MrWho??? and the granddaddy of funk, George Clinton, share the same birthday. And that’s not all they have in common. Influenced by the likes of Cameo, James Brown Barkays, George Duke, Lakeside, Maze, and Earth, Wind & Fire, MrWho??? set out to make an impact amongst colleagues and peers. Fate would have it that during 2019, the Dallas creative was approached by Maurice

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has

Love Ghost Premieres their brand new video “Let It All Burn”

Message from lead singer/songwriter Finnegan Bell: “Let It All Burn” is how I see the world through my 18-year-old eyes. The hypocrisy and unwanted advice that weighed me down during senior year led to this song. My Dad being diagnosed with stage 3 cancer made me more determined- “fuck what they say, I make my own way”. The song was produced by Danny Saber (Rolling Stones, U2, Marilyn Manson, David Bowie). The music video was directed by Dean Karr. The promise of his early work led to Karr being asked to direct Marilyn Manson’s “Sweet Dreams.” The resulting piece drew

The Book Of Harmony album is a spectacular achievement

Kind readers, if you know nothing of Book Of Harmony, start here. Book Of Harmony is a 7-piece NYC based Progressive Rock band who recently released their 14 track self-titled album. As is usually obligatory with this genre, the band displays outstanding technical musicianship, a flawless grasp of form, a captivating depth of lyricism, great vocals and complex harmonies. Members Leah Martin (Vocals), Jon Perkins (Guitars), Phil Duke (Bass), Anupam Shobhakar (Guitars and Composer), Michael Sutton (Drums), Takahiro Izumikawa (Keyboards) and Kensuke Shoji (Violin), also add warm ambience, an almost “live” feel, and lots of little progressive motifs…however they are bigger than that.

Book Of Harmony never slouches or struts unnecessarily, which clearly separates them from the average genre band. BOH is full of great musicians, but they are confident enough in their musicianship to know that a drawn-out guitar, keyboard or violin solo isn’t the only solution to every musical progression. Their liberal use of a great many of the melodic and harmonic elements possible in the band’s configuration gives BOH the kind of texture and interest few other progressive albums offer.

Book Of Harmony’s songs seem to respect melody unusually highly, and the format of this album gives them the opportunity to use some of their gorgeous vocal melodies as ear catching motifs. Sometimes hearing these vocal themes return, transformed and evolved, in different contexts, will send shivers down your spine.

The Book Of Harmony album is a spectacular achievement in an era less inclined towards organically generated music, let alone complex, rock orientated arrangements, tinged with jazz, folk and classical flavors. The world would be a sorry place without bands like BOH. In a world where we are battered with pointless boring commercial garbage this album is a breath of fresh air.

Don’t waste your time making comparisons to older progressive rock bands like King Crimson, Genesis, Rush, Yes or the like, Book Of Harmony have a very different sound overall. It is inspiring to hear music of this caliber being written and performed today. From the introductory vocal harmonies of “Echoes of Freedom”, this is a great collection of music; well written, well played, and beautifully recorded.

It is almost a shame to pigeon hole it as ‘progressive rock’, because it has such variety to it. These songs are written with care and intelligence and covers subjects from the personal, to the universal. And as it does so, it always remains melodic, rhythmic and emotional.

Leah Martin’s voice has great power as well as tenderness that she makes each song work better than you thought possible given the subject matter. The band’s music however has the ability to tell a story and this is true whether or not there are lyrics being sung over the music; the dynamics and ideas at play within the instrumental passages are such that the stories are able to continue very eloquently.

This is especially true on “The Human Side” where vocals and music are juxtaposed in two distinctly contrasting, yet parallel narratives feeding off each other. The exact opposite is true on the opening moments of “Calling Angels”, and indeed the track as a whole, as music and voice creates a subtle, ambient soundscape, very introspective and thought-provoking at the same time.

The track also features some tasteful and soul-stirring bass work by Phil Duke. “Ode To the Beast”, on the other shows a completely different side of Book Of Harmony as Takahiro Izumikawa keyboards delight us in a solo piece. “The Changing Seasons” becomes a rousing and dynamic piece of rock music, dominated by overdriven guitars, showcasing all of the band’s qualities.

The aforementioned, are just 4 impressive tracks, with 10 more to listen to, and Book Of Harmony have already taken us through a universe of sounds and rhythms. There are also times where the musicians open up their wings and take flight, and when they do so, it is quite a heady experience and it is easy to get caught up in the music that swells all around you.

My favorites here include “Wishing Well” which showcases excellent guitar work, and “Breathe Into Me” which features some dynamic string arrangements. You will seldom find anything so musical, so complete and thoughtful in every sense, as this Book Of Harmony album.

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