Franco Esteve: “The Hunt” – a backdrop to life itself

Three years in the making, the loosely tied together, classical crossover, concept album, “The Hunt”, represents a masterwork for Puerto Rican multi-disciplinary artist, Franco Esteve. The award-winning filmmaker and music composer, once again forges his intense-storytelling, and vivid imagery-driven compositional skills. Esteve’s music not only engages the ears but also intrigues the mind and feeds the soul. “With The Hunt, I wanted to do something different, expressing through classical, orchestral music, the images and feelings one gets from life itself,” explains Franco Esteve, continuing: “Whether it’s the drive of ‘The Hunt’, the insomnia of ‘The Wait’, or the sadness of

Plastic DJ: “Giving Up” – Truly euphoric, refreshing and atmospheric!

The album “Giving Up” by Barcelona-based producer and singer Plastic DJ, is the very best that the blended genres of Deep House, Downtempo and Electro have to offer. The thing that sets Plastic DJ so far above his contemporaries is that he’s genuinely talented as a musical composer, and stunningly enchanting as a singer. The music is of a baroque complexity, and here’s no overpowering bass or wailing synths. It’s like listening to a dream. You’ll play this in your car when you want to relax, at home when you’re at the beach or sitting on the porch, or as

One Step From Everywhere: “Somewhere in Between” – an insistent rhythmic thrust, adorned with fiery guitar work, and soaring vocals

One Step From Everywhere is a Seattle based band that does not limit themselves to genre or style. Primarily a rock band, with a passion for playing live, they are not afraid to add shades of any style that may strike a chord within them.  Their album, “Somewhere In Between”, is a full and complete artistic statement that can function equally well as an introduction to and summation of the varied strengths of this band. The production and engineering also aids immeasurably in this regard. The sumptuous mixes place the listener deep within the instrumental interplay of a band whose

Kingdom Atlas: “Severe Spheres” – ripping rock combined with lucid moments of intense and beautiful melody

Kingdom Atlas is a Georgia-based hard rock band that was originally launched as Rising Tide in 2013by, Grant Purvis with friends Nick Blake and Adam Chiarella while studying music with them at Georgia Southern University. The lineup of Purvis (vocals, guitars) and Blake (guitars, keyboards), along with Devin Ruiz (bass), Aaron Coburn (drums) and Cody Barber who replaced Chiarella as lead guitarist in 2015, was stable until the groups disbanded in 2017 due to schedule conflicts and some members graduating. In 2018, Purvis, Blake, Coburn, and Barber reformed with the new name Kingdom Atlas to record their debut album “Severe

Tiaday Ball drops two new singles – “Current” and “Good To You”

Tiaday Ball has released two follow up singles to her first release “Favors”. The songs “Current” and “Good To You”, are both now available anywhere you get digital music from. Tiaday stated: “R&B has been the foundation of my life in music since I can remember. Gospel, soul and R&B were always playing in the house or being sung by my father who was also a singer and he loved Stevie Wonder, Otis Redding, Donny Hathaway, etc. One of the first songs I ever learned how to REALLY train singing along to was “A Song For You” by Donny Hathaway.

DAV!D&CLARA: “Repair” – rugged and intense!

The man and machine duo of DAV!D (David Castillo) and his computer CLARA, better known as DAV!D&CLARA, are back with a new single in 2019, called “Repair”. The track is taken from the upcoming album, “CONFESSIONS OF THE MACHINE” to be released early 2020. Much of this latest single displays a minimalist, almost survivalist element, as if every movement, gesture, and note is conserved and used for maximum effect. DAV!D’s songwriting principle seems to be “less is more”, a sentiment CLARA seems to adhere to perfectly. Together they have an artistic sensibility that’s far from common. The song is based

Catch up with Boston based group Urban Lights Band

Boston, MA based Urban Lights Band is an eclectic group of musicians and artists who harness the power of all styles of music to create unforgettable experiences. They are seasoned professionals committed to providing quality musical showcases that bring various audiences together. Their global mission is simple; aspire to inspire! If you are in the Boston area you can find them at:  May 25th 2019 – Darryl’s Corner Bar & Kitchen- Boston, MA June 20th, 2019 – The Milky Way – Jamaica Plain June 21st 2019 -The Middle East Night Club (Corner Room) – Cambridge, MA Hook up with Urban

Royal: “Letter To Cecil” narrates his hardships, his grind and his contributions

Royal is a hip hop artist who currently resides in Hockessin, Delaware. He understands the importance of giving back and he performs at dozens of middle schools and high schools. In the past, he has donated the proceeds from concerts and albums entirely to the community, spreading his generosity to the surrounding neighborhoods. Royal has performed alongside artists such as Waka Flocka, Meek Mill, Yo Gotti, YG, and Tory Lanez. His latest project is the single, “Letter To Cecil”. Here Royal seems to be hungrier than ever and is out to remind hip-hop of the abilities that should eventually bring

‘The World We Live In’ EP by ‘Redford’ is Out Now on Glasstone Records

Simon Ratcliffe (BASEMENT JAXX): “Redford have a unique fresh and lush sound with strong heartfelt songs, gorgeous melodies – not to mention superb musicianship.” Mastered by Greg Brooker (Dejstil feat Peter Hook – Joy Division / New Order, You Love Her Coz She’s Dead, Micky Diana) Polish indie-rockers Redford have announced their arrival with a brand new single, cinematic video clip and a new Ep on Glasstone Records. The new Ep The World We Live In is on streaming platforms now, and you can watch the video for the single To The Morning below on YouTube.  With a brand

Iskar D’Abrel: “Ruins of You” – a compelling musical depth

Perhaps Iskar D’Abrel’s only misfortune is releasing his music at the wrong time.  Had he dropped the track “Ruins of You” in the 70’s, 80’s or even early nineties, he surely would have been recognized universally along with other greats of those eras.  It was a time where artists were not defined by a specific genre and allowed to approach different styles of music with a creative freedom almost totally lost today. Iskar is a master of song construction.  No song in his catalog is just a repeat of parts.  Each song is its own story; each follows its own

SUPADAMN: “Pick the Party Up” – an eargasm that will take you to party heaven

SUPADAMN has been on his grind for a while now. He just gets more focused and more ambitious with every passing day. His latest 7 track project, “Pick the Party Up” dropped worldwide on the 3rd August 2018, and confirms the previous statement. This is his third album release, and follows his critically acclaimed album “Floor It”. A potential heavyweight in the underground circuit since 2016, the sharp-tongued rapper born in n Santa Monica has steadily – and deservedly – been earning widespread respect across the independent hip-hop community. SUPADAMN passion and devotion to the grind certainly pays off with this new release. Although each previous album showcased his progression behind the mic, resulting in pervasive critical applause, this seems to be his most confident work.

SUPADAMN kicks off the affair with his signature confidence and energy on the ambient, self-referencing opening track, delivering one his most cogent mission statements yet; “Can’t Miss”. The track is a hard-hitting, braggadocious expose of the artist’s declared ambition.

He then proceeds to practice what he preaches on the banging title track, “Pick the Party Up”,  during which he exposes the transparency and bravado of his anthemic-styled rhymes. The atmospheric, multi-textured soundscape, is an eargasm that will take you to party heaven.

Good taste in music is obviously another of SUPADAMN’s many laudable qualities, to which “Hold This Shit Down” ft. Buddha, plays testimony. A thumping beat sits comfortably under a melodic motif that groovily drives this thing all across the floor. SUPADAMN’s ability to develop interesting concepts and tell incredible stories, comes to the fore here.

The rapper’s signature syncopated style pushes forward as he pounds through the verse on top of clamorous percussion and a hypnotizing whistling effect on “Bigger the Hoop” ft. Phresh.

Aiding the dichotomous quality of the track are SUPADAMN’s bellowing vocals, and Phresh’s resonant rhymes meshing against the minimal instrumental. “Fast Life” welcomes in a big booming bassline, shuffling hi-hats and steady handclaps.

SUPADAMN’s voice takes on a more urgent flow and forward leaning momentum, as if he’s pulling the music along with him. It’s impossible to not get that involuntary head nod when listening to this. And the way the production evolves is also awesome. The song just sounds epic.

“Legacy” rides in on a bluesy and soulful guitar riff. This masterfully balances SUPADAMN’s banging and introspective styles quite realistically. From track to track, SUPADAMN’s exposes his shifting perspectives which keeps the album moving at a good clip.

And this track is one of his musical perspectives that I like best. The song has a fantastic beat, and a really good hook too. It’s definitely one of the better tracks on the album. This is one of those songs that seems like it would be super powerful if performed live.

Where the closing track, “Showtime” ft. Phresh, stands apart from the rest of his work is in the fleshing out of the gravy-smothered goodness of SUPADAMN’s strongest productions, adding the little artistic flourishes that transform song building into works of actual art that will stand the test of time. It sounds like every good component of his prior musical compositions is in here. Consider the head-nodding beat, the vocal arrangements, the snaking bassline and the energetic flows.

There’s something to be said for consistency. Almost every successful artist has a distinctive sonic identity that singles them out. This closing track seems to do just that. Add in SUPADAMN’s aptitude to stay grounded by his craft, and his ability to stay true to himself as an individual, and you have an artist that is confident and ready to “Pick the Party Up”!

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