BlackMayo is a platinum hip-hop Producer and Artist!

Generating over 55 million views from his credits alone Bloomington, Indiana’s, BlackMayo ​is a name to know.​ BlackMayo, is a platinum hip-hop Producer and Artist best known for his hit producing Lil Mosey’s single “Pull Up”, which has reached over 30 million views on YouTube since its release. He initially began to make a name for himself by posting and later selling type beats on YouTube, and has since gained popularity through producing songs such as the single “Valentino” by 24kGoldn that has amassed 22 million views on YouTube. Other artists he’s worked with includes house hold names such as

INTERVIEW: Minneapolis based Christian emcee F’RAEL

F’RAEL is a Minneapolis based Christian emcee, youth pastor, husband and father. F’RAEL aims to create quality sound that will minister to the hearts & minds of young people to draw them closer to their creator. He also aims to promote a musical atmosphere of love, healing, deliverance and relationship in Jesus. F’RAEL brings a Gospel message to the world in Hip-Hop form. His music has been featured on multiple sites and magazines including; USAToday.com, Rapzilla.com, ’Rep Da King Magazine’ and reviewed by iamentertainment.com, Afrockin, and more. F’RAEL was also invited to minister at the largest Christian festivals in the

Lorenzo Bazzoni – “The Thrill” – Sweeping strings and excellent percussion complement each other

I would imagine that by now most of you would be familiar with Italian prog-rock, cinematic and symphonic-styled composer, Lorenzo Armando Aldo Bazzoni, as he has appeared on our blogs on previous occasions. Last month, Lorenzo released another musical piece, entitled “The Thrill”, which is described as a composition meant to remind us of the thrilling moments in our lives. As you can expect, the progressive feel is prominent throughout the record, contrasted by the rich orchestrated parts and dynamic choral interludes. The sounds are as atmospheric and mesmerizing as ever, whilst also being addictively catchy, plus the melodies actively

Natalie Jean and Rory Gardiner – “Not Over You” is a beautifully polished piece of work

Artists like Natalie Jean and Rory Gardiner are blurring the lines between country, pop and rock, and creating new fans for all these genres in the process. Great heart-felt lyrics, melodic harmonies and inspiring lead vocals. Storytellers with something worthwhile to say and saying it beautifully to a broad audience. Regardless of genre, good music like this will always stand on its own and attract an ever-growing audience.  It’s easy to see they’re not just in it for commercial ends, Natalie Jean and Rory Gardiner appear to love their craft and keep refining it while their own musical preferences continue

Flyguytk & BigMoneyAce Deliver Anthemic & Groovy Trap/Jazz Fusion Single ‘Religions’

About The Release Flyguytk releases an anthemic, grand, and powerful trap/jazz single ‘Religions,’ featuring BigMoneyAce. The release features a groovy beat with a vocal performance that will grasp the listener. ‘Religions’ will hook the listeners in with the lyricism and mesmerizing instrumentation. The single delivers an uplifting progression, a driving bassline, and a raw, uplifting vocal by the artist. Undoubtedly, the single has the ability to resonate with the listener as it contains a unique style and sound that will have people playing it over and over. Flyguytk does an outstanding job of keeping the track refreshing and engaging through

Soul Singer Randy Hall Drops New Solo Single “A New Way of Love” Following Vault Hit with Late Jazz Legend Miles Davis

After years spent in a lucrative retreat from the spotlight, multi-faceted musician/singer Randy Hall is in the midst of a hot streak as a recording artist as hot as his home base: Las Vegas! Randy Hall has enjoyed international chart-topping success with his solo single “How Do You Want Your Love” (co-composed with Kevin Toney, founding keyboardist of Donald Byrd’s Blackbyrds band) which vaulted over superstars such as Charlie Wilson and Usher to hit the top of the U.K. Soul Chart and several others from Brazil to Germany. Next, Hall had the honor of hitting the top of those same

DEEPSYSTEM – “Dame Locura” – This is a kaleidoscope not just of colorful sound, but of ideas too!

When it comes to passionate electro-driven tunes and seductive dancefloor Latin rhythms, few European-based artists can match DEEPSYSTEM for prolificacy and quality. “Dame Locura” is the latest single brilliantly put together by Socoliuc Andrei Marian, Joel the Alien and Murariu Andrei Ionut. This song once again proves that DEEPSYSTEM remains a power player in the globalization of the Latino music, as it continues to showcase his colorful flow and spirit as a beacon in the European movement. DEEPSYSTEM has expertly curated his status by bringing new audiences into his world without compromise, as he still sings and raps in Spanish

Kindle Flame – “Get In My Bag” – an exceptional flow and a gift for conveying emotion through personal experience

Kevon McCready, known to his friends and family as Killa, goes by the moniker of Kindle Flame. “The Church Has knowledge but No flame, I feel like God sent me to kindle the flame,” the artist is quoted as saying. Emerging from his hometown of Crisfield, MD, Flame has been in the game for over 2o years with more than a decade of engineering experience under his belt. Now Chief Executive Operator at Flame Studio, Kindle Flame represents the new generation of Christian rappers. He is a minister, counselor, father, husband, and business owner, whose environment cultivated his interest in

Den – “3 in the Morning” – witty and explicit lines abound

Den started out in the 2010, using the moniker Den Den So Relentless. He dropped a planned trilogy of underground mixtapes – “Runnin On E” , “Game of Love” , and “Gone” . He then to step away from music to attend college full-time.  In 2015, Den lost everything important to him, including his home. To continue school he worked two full-time jobs, sleeping between classes or during lunch breaks. He graduated later that year, but in 2016 Den was involved in an accident that almost cost him his life. He says that his near-death experience taught him an important

LS Muzik Group Presents Dru Yates & Blac Lou Caine off the upcoming “Real Muzik Revisited: R&B/Hip-Hop Vol.1” Compilation!

In the pantheon of yearly debates, the topic of best hip-hop compilation albums isn’t a discussion that usually comes up, but it should. For over 25 years, releases from labels top labels have serviced the world with song collections that capture the imagination of fans, serving up a hodgepodge of unexpected talents and collaborations. While some of these projects come across as thinly veiled promo materials, the best among theme combine superb production and memorable singles that stand as musical accomplishments rather than just raw teaser exhibitions. When Death Row unloaded their first soundtrack in 1994, they helped set the

aVIE: “Chutney Chasers” – a living, breathing organism that mutates and grows

“Chutney Chasers” is just one volume of aVIE’s upcoming project, aVIEonearth, which documents a common man’s life on Earth. Each part of the project that he releases will explore its own world of emotions.  As it relates to R&B, this is music of the future, steeped in the rhythms and sonics of the today, ingeniously invented for a 21st century audience. It will surely be appreciated by your ears, and you’ll find that after giving this a spin, it has in many ways changed your conception of R&B and music overall. A Classic. This dark and experimental urban recording, refined with electronics, is space age technology left to us by some alien teleported into aVIE’s body. It is truly a work of indie art, whichever way you look at it. And you will find yourself lost in every song without knowing really if you’re in a chorus or verse, but you won’t want to turn it off. One of “Chutney Chasers” greatest strength lies in aVIE’s understanding of how to create mood by weaving an impossibly complex instrumental palette, as he explores the adventures of his life.

The sounds seem representative of staggeringly diverse bodies of work, and yet none of them jar or sound misplaced; they’re all on the same mission, which is to contribute to an atmosphere of creeping disquiet. The EP’s clash of styles, both instrumentally and tonally create a psychedelic claustrophobia that is entirely representative of the narratives.

The genius of this record is that aVIE has managed to apply those sonic intricacies to his thematic approach. Everything from aVIE’s voice to the crackle of the snare and thump of the bass drum is treated with a delicate mastery, by the musician based out Houston, TX.

This 6 track package so sultry on the ear that spinning this record feels like both a carnal and otherworldly experience. When the opening title track arrives, there is no fanfare. No hyped statement of purpose or musical parting of the clouds. What we get is a warm keyboard intro, an errant bass slap, and panning jerky drums.

The man’s voice is multitudinous and angular when he sings: “nine out of ten times, I think she cares for me.” You reel amidst the splendor of this track, as you try to make sense of it, then give up and relax into the pocket of a perfect groove that’s already there.

And in that commitment to upholding the groove, we find warmth and evidence that we’re still moving forward despite the assault on our senses. Dark though it may be, the music itself invites repeated listens and rewards with serious loveliness. “Tapwater” is a surging mass of new soul built from classic thought and a rebel spirit – an unending angst and beautiful struggle.

“The Self” sparks the renaissance of slow-jam, melody driven soul, in a futuristic space, with its velvety harmonies, erudite instrumental and bombast. “New Feathers” is somehow the past, present, and future all in one. Both narcotic and weary, it feels like a living, breathing organism that mutates and grows.

The beauty of this record is in the balance: between the technical and the personal, certainly, but also between tightly constructed harmonies and melodies, and the more free-flowing sense of rhythm. “Midnight Oil” sees aVIE venture into rap territory, and it’s successful to a surprising degree.

The acoustic driven “Take Care” benefits from being so poignant, relaxed, and seductive at the same time. This is the track that gives the best shine to aVIE’s vocal textures, as it’s the most stripped down. All-round though, “Chutney Chasers” confirms that music holds the power to challenge and comfort, to take us someplace spiritual and existential. It’s beautifully, devastatingly human. Its aVIE’s life story.

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