Solomon’s Architects – “The Edge Of It All” goes beyond pure musical pastiche

Bryant Micheal Waghorn can make your head spin with his creativity and output as a singer, songwriter, project leader and musical collaborator. The album, “The Edge Of It All” by his pet project Solomon’s Architects, featuring multi-instrumentalist and producer Luc Michaud, as well as collaborator Josie Elysia, is a nod to the great pop, prog and rock crossover artists such as Peter Gabriel, the elaborate tropes of The Mars Volta, the complex bombast of King Crimson and the shuddering rhythms of Rush, with a thick smudging of REM-styled, organic singer-songwriter flair. Add a clear-headed ear for melody and arrangement to

Matt Draco – “Get Off” – a cautionary tone that’s burned into every word!

Raised in Inglewood, California, Matt Draco’s prowess blends his aggressive West Coast personality with his nimble New York inspired rhyme schemes. As a child he studied the lyricism of creatives such as Notorious B.I.G, J. Cole, and Jay-Z, and by the time he was 14, Matt also taught himself how to compose orchestral music, enhancing his musical understanding and vision. By the age of 18, Matt Draco had the honor of conducting University Preparatory School’s orchestra twice, with two different pieces composed by himself. He then returned to his native Hip-hop roots releasing a series of freestyles and singles on

Kiing Dee! – “Black Kings (ft. King Los) flows with such a captivating style!

Kiing Dee! has been boxing since the age of 6. He grew up in the Pawtucket/Providence area where he fights out of Big Six Boxing academy. He has won many regional tournaments as well as fighting in the 2016 Olympic Trials Qualifiers and previously being ranked #2 in the country. Kiing Dee! went professional in 2018 but an Achilles injury changed his life. It forced him to do the only thing he could do while recovering on his couch and that was make music. Once he realized that people actually liked his music, he decided to take it seriously. Constantly

DREAM BIG EMPIRE presents Blacc Cuzz – “Wadd Up Doe” – outbursts of authenticity and real Hip-Hop

Blacc Cuzz is committed to forging a glorious way forward in his career. More importantly, he’s underscoring his critical lapses in the past for sake of the young guns who may admire him. At this stage, the Pittsburgh, PA, born and raised creative, who fashions himself as a self-made businessman in the mold of Jay-Z, is well aware of his status as an artist and record label boss at Dream Big Empire. The good-natured don of the working class can rap like the most vulgar deacon you’ll ever meet, driven by reactionary outbursts of authenticity and real Hip-Hop. Much like

Ramirez Coiva – “I’m Walking Away” shines in the way the guitar and string arrangements are so well put together

Ramirez Coiva regards himself as a Citizen of the World, who has been writing and making music since 2000. His single “I’m Walking Away” was written and recorded in Istanbul (Turkey), a couple of years ago. The song is a hybrid between the alternative rock guitar sound of the past and a look toward a more modern, sleeker pop sound. One thing is clear on this track, there are very few people that can match Ramirez Coiva’s all-embracing songwriting talent. Regardless of style, whether it’s heavy guitars or strings, keyboards and drums, a great song is a great song, and

“Time” – The new single and video release by APKLYPZ

“Time” in the world of APKLYPZ is the unknown march into darkness. The trippy mind-bending perceptions of infinity. The psychedelic wanderings of a consciousness loose in the cosmos. The groove between space and time, the analog and the digital, reality and illusion.  Audiovisual artist APKLYPZ combines dense dreamy trip-hop and psychedelic visuals to create a cinematic experience called a “form of escapism” by Electro Wow. Every APKLYPZ production is a vivid world of expression and “…an enthralling and emotive listen which is accompanied by a spellbinding video”. Seasoned by decades as a bass auteur and years as a globetrotting

“KETAMER” – Doc Ketamer is absolutely at the top of his game

Doc Ketamer is a DJ / producer born in Naples. At the age of 20 he started traveling throughout Europe organizing juggling shows. From the year 2000 he began to collaborate and play with different sound systems. In those years he focused on live sets. In this same period he founded the KML sound system KML, which almost immediately joined the larger collective Black Sheep. After this experience, and having played all over Europe, DJ Ketamer – as he was called then – rediscovered his passion for vinyl and began playing different styles on various occasions in social centers and

International Independent Entertainer, Cips is preparing his latest album and tour!

Cips, pronounced (Sip’s) is an international independent entertainer who has done various showcases and has toured multiple times across Canada and United States. Cips has currently accomplished three Canadian tours and two American tours so far. Performing in various major cities across Canada and United States such as Vancouver, Toronto, New York, Miami, Houston, Detroit, Chicago, Pittsburgh, Philadelphia, etc. Cips has also worked alongside various artists in the music Industry such as Sayzee, Big Trill, Merkules, Stitches, and many more. His latest project titled ‘Codeine Cowboyz’ was completely created, mixed and mastered in Miami, FL, produced by Supply & Demand,

THE BRKN releases “The Motions” from their upcoming debut EP titled “No. 3”

Punk n’ Rock newcomers THE BRKN debuted their first single and accompanying video for the song “Your Existence” this summer and the buzz started to build. The band has already racked up over 113k streams on Spotify playlists. See the video for Your Existence here – https://youtu.be/vSJiJrb87h4 THE BRKN is Jacob Cade – Vox and lead guitar, Kick Stevens – rhythm guitarist, Mike Bokenkamp – drums and Tristan Verghese – bass. The band recently released the second song and video for “The Motions” from their upcoming debut EP titled “No. 3” which will be out in early 2020. See the

Moonie Music Releases “Good Vibes” From The Album “Carolina Kid”

An unequivocal depiction of truly operating in the assurance and faith of purpose. We say it’s the spirit that comes from the Most High, others may call it a good vibe! Moonie Music, who previously starred in the “Man Up” movie as Brian co-starring alongside Lecrae. He also worked alongside KB, Trip Lee and Reach records while on the Man Up tour. He has music featuring Sho Baraka in the Christian arena and music featuring Da Baby and Renni Rucci in the secular arena. His new album “Carolina Kid” is a ministry album and was released 11/18/2019. He has re-dedicated

aVIE: “Chutney Chasers” – a living, breathing organism that mutates and grows

“Chutney Chasers” is just one volume of aVIE’s upcoming project, aVIEonearth, which documents a common man’s life on Earth. Each part of the project that he releases will explore its own world of emotions.  As it relates to R&B, this is music of the future, steeped in the rhythms and sonics of the today, ingeniously invented for a 21st century audience. It will surely be appreciated by your ears, and you’ll find that after giving this a spin, it has in many ways changed your conception of R&B and music overall. A Classic. This dark and experimental urban recording, refined with electronics, is space age technology left to us by some alien teleported into aVIE’s body. It is truly a work of indie art, whichever way you look at it. And you will find yourself lost in every song without knowing really if you’re in a chorus or verse, but you won’t want to turn it off. One of “Chutney Chasers” greatest strength lies in aVIE’s understanding of how to create mood by weaving an impossibly complex instrumental palette, as he explores the adventures of his life.

The sounds seem representative of staggeringly diverse bodies of work, and yet none of them jar or sound misplaced; they’re all on the same mission, which is to contribute to an atmosphere of creeping disquiet. The EP’s clash of styles, both instrumentally and tonally create a psychedelic claustrophobia that is entirely representative of the narratives.

The genius of this record is that aVIE has managed to apply those sonic intricacies to his thematic approach. Everything from aVIE’s voice to the crackle of the snare and thump of the bass drum is treated with a delicate mastery, by the musician based out Houston, TX.

This 6 track package so sultry on the ear that spinning this record feels like both a carnal and otherworldly experience. When the opening title track arrives, there is no fanfare. No hyped statement of purpose or musical parting of the clouds. What we get is a warm keyboard intro, an errant bass slap, and panning jerky drums.

The man’s voice is multitudinous and angular when he sings: “nine out of ten times, I think she cares for me.” You reel amidst the splendor of this track, as you try to make sense of it, then give up and relax into the pocket of a perfect groove that’s already there.

And in that commitment to upholding the groove, we find warmth and evidence that we’re still moving forward despite the assault on our senses. Dark though it may be, the music itself invites repeated listens and rewards with serious loveliness. “Tapwater” is a surging mass of new soul built from classic thought and a rebel spirit – an unending angst and beautiful struggle.

“The Self” sparks the renaissance of slow-jam, melody driven soul, in a futuristic space, with its velvety harmonies, erudite instrumental and bombast. “New Feathers” is somehow the past, present, and future all in one. Both narcotic and weary, it feels like a living, breathing organism that mutates and grows.

The beauty of this record is in the balance: between the technical and the personal, certainly, but also between tightly constructed harmonies and melodies, and the more free-flowing sense of rhythm. “Midnight Oil” sees aVIE venture into rap territory, and it’s successful to a surprising degree.

The acoustic driven “Take Care” benefits from being so poignant, relaxed, and seductive at the same time. This is the track that gives the best shine to aVIE’s vocal textures, as it’s the most stripped down. All-round though, “Chutney Chasers” confirms that music holds the power to challenge and comfort, to take us someplace spiritual and existential. It’s beautifully, devastatingly human. Its aVIE’s life story.

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