Tohi: “Out The Box” – emotional music you can chill or groove to!

Tohi is a rap artist currently based in Los Angeles, CA. He started his musical career as the first Persian rapper at the age of 13. He was forced to perform illegally in his native Tehran, where rap has been banned. In order to chase his dreams, Tohi located to Dubai for two years where he was able to create music openly, followed by a move to London. As he continued to build his career Tohi performed at major venues such as Barclaycard Arena Hamburg and The Global Arena Stockholm and HMV Forum London O2 and won awards, including Best

Bearzerk – An executive music team with a proven track record

Music management teams really are the industry’s Swiss Army knife. They can really transform careers. Where there’s a special artist, chances are there’s a special collective behind them, plotting moves behind the scenes. The best of the bunch tend to connect dots swiftly, think outside the box without losing sight of the little things, and, above all else, maintain a degree of close affinity and proximity to the artist and the music business itself. Music management companies exist to protect and nurture the business and creative interests of those they work with. It takes one set of skills to help

Exit 22 Music: “Just As You Are” has cracked the code for the modern music world

Barely a few months after the release of their previous single, Exit 22 Music and Chris Calamera are back with the new record “Just As You Are”. And it seems like the only rule of the New York City-based project is: there are no rules. They are mixing genres and experimenting with different styles and the result is the unique sound of Exit 22. Whenever the Calamera project drops a new release my expectations are extremely high. The song starts off slow and soulfully, and then loads itself with energy. The female vocals, as always, has never sounded so strong.

Michael Peloso and Natalie Jean: “Lost & Found” – absolutely compelling!

Michael Peloso and Natalie Jean have released their latest collaboration single, “Lost & Found”. The two are no strangers to each other, having worked together on the multi-nominated, and award-winning track, “The Letting Go” with Levi Moore. Michael and Natalie also joined forces on Josie Award nominated track “Please Don’t”, as well as the 2017 single “Alive”. Michael Peloso is a New Jersey-based lyricist/songwriter who writes undeniably touching, honest lyrics with a sense of simplicity that are uniquely all his own. Natalie Jean is has achieved recognition across the most diverse of musical genres and quite comfortable performs in English,

Deane Nesbitt Jr. – “Soundtracks in the Sand” – The meticulous sculpting of soundscapes

Although Deane Nesbitt Jr. has composed music for years, he does not read music. His unique background consists of practicing law for 16 years, co-founding an investment management company and writing an illustrated history of a 1912 investment bank. Deane’s music has been aired on more than 300 radio stations across America and Canada. His recent CD, “Music in Search of a Movie”, won the Philby Award in the United States for being one of the top 100 music CDs of 2015 and the Best Dramatic Music of the year. The album ranked on five CMJ charts for New World

ROSABEL: “The Album” – Compositions of the highest quality

ROSABEL the DJ duo consisting of Ralphi Rosario and Abel Aguilera met in 1989 during the Winter Music Conference in Miami. For the better part of 25 years the two have been generating dance hits, and more recently, tag-team DJing for the masses around the globe. They dropped their first creation in 1994, with “La Puta” released via Groovilious, a part of Strictly Rhythm records out of New York. The continued dropping independent releases and filling floors each summer on Tommy Boy Records/NYC, and have since, officially remixed such artists as Lady Gaga, Beyoncé, Rihanna, Madonna, Katy Perry, Cher, Gloria

elconEstharoe – Experimental electronica from a Greek master of the Theremin

Experimental electronica from a Greek master of the Theremin, no loops or presets are used in the creation of the elconEstharoe sonic environment. The album has already picked up a favorable review in the highly regarded Electronic Sound Magazine Theremin Master and Synthesist Lambro Papazois is a Greek sound designer and the man behind elconEstharoe. The Hyper-real Soundscapes of elconEstharoe are at the vanguard of experimental electronica. Through his work with elconEstharoe, Lambro is acutely aware of his acoustic environment and in particular the natural resources around him, utilizing the biophony, anthropophony and the sacred power of sound. From within

Sabotaj: “The 5 Elements” – The forgotten roots of Hip Hop

Leonard Fischer artistically known as Sabotaj, had his introduction to the world of hip hop during 1979, the same year Sugarhill Gang released its groundbreaking track “Rapper’s Delight”. Throughout the rough years of his upbringing in South Central Los Angeles, the rapper – whose parents divorced when he was just 3 – was brought up alongside his younger brother by his mom and grandmother. Despite any hardships and struggles, he always managed to find solace in hip-hop, especially via the radio station, KDAY and the radio deejay Greg Mack. Here Sabotaj discovered Eric B. & Rakim, KRS-One, Public Enemy, The

How To Change The World? Watch Black Camaileon’s “One Nation” Music Video Here!

Hailing from New York, multi-talented artist Black Camaileon wants to make a huge positive impact on the world. You just have to pay attention to the lyrics of his new single “One Nation”, which calls for unity and peace. Sadly, division in any form is affecting people’s life, especially so in the USA. What’s more, there’s no better way to use music, the universal language of the world, to send positive vibes in every corner of the planet. “One Nation” comes in the form of a Hip-Hop/Rap song with a vintage feel to it. One way or another, its instrumentation

The 10:04s: ‘Everything Is Going To Be Alright / ‘North’ – emotionally connects and inspirits!

The 10:04s have toured extensively up and down the UK, playing with various bands from Idlewild to The Proclaimers, The Cribs to The 1975 and with the Pet Shop Boys on the main stage at Edinburgh Hogmanay’s ‘Gig In The Gardens’.  The band’s new AA single, ‘Everything Is Going To Be Alright / ‘North’, is created by a version of themselves that sounds both increasingly world-weary and stunningly refreshed. The 10:04s, who can be described as the usual independent underdogs, may well end up with a strong candidate for the most ambitious alternative rock track of the year. ‘Everything Is Going To

aVIE: “Chutney Chasers” – a living, breathing organism that mutates and grows

“Chutney Chasers” is just one volume of aVIE’s upcoming project, aVIEonearth, which documents a common man’s life on Earth. Each part of the project that he releases will explore its own world of emotions.  As it relates to R&B, this is music of the future, steeped in the rhythms and sonics of the today, ingeniously invented for a 21st century audience. It will surely be appreciated by your ears, and you’ll find that after giving this a spin, it has in many ways changed your conception of R&B and music overall. A Classic. This dark and experimental urban recording, refined with electronics, is space age technology left to us by some alien teleported into aVIE’s body. It is truly a work of indie art, whichever way you look at it. And you will find yourself lost in every song without knowing really if you’re in a chorus or verse, but you won’t want to turn it off. One of “Chutney Chasers” greatest strength lies in aVIE’s understanding of how to create mood by weaving an impossibly complex instrumental palette, as he explores the adventures of his life.

The sounds seem representative of staggeringly diverse bodies of work, and yet none of them jar or sound misplaced; they’re all on the same mission, which is to contribute to an atmosphere of creeping disquiet. The EP’s clash of styles, both instrumentally and tonally create a psychedelic claustrophobia that is entirely representative of the narratives.

The genius of this record is that aVIE has managed to apply those sonic intricacies to his thematic approach. Everything from aVIE’s voice to the crackle of the snare and thump of the bass drum is treated with a delicate mastery, by the musician based out Houston, TX.

This 6 track package so sultry on the ear that spinning this record feels like both a carnal and otherworldly experience. When the opening title track arrives, there is no fanfare. No hyped statement of purpose or musical parting of the clouds. What we get is a warm keyboard intro, an errant bass slap, and panning jerky drums.

The man’s voice is multitudinous and angular when he sings: “nine out of ten times, I think she cares for me.” You reel amidst the splendor of this track, as you try to make sense of it, then give up and relax into the pocket of a perfect groove that’s already there.

And in that commitment to upholding the groove, we find warmth and evidence that we’re still moving forward despite the assault on our senses. Dark though it may be, the music itself invites repeated listens and rewards with serious loveliness. “Tapwater” is a surging mass of new soul built from classic thought and a rebel spirit – an unending angst and beautiful struggle.

“The Self” sparks the renaissance of slow-jam, melody driven soul, in a futuristic space, with its velvety harmonies, erudite instrumental and bombast. “New Feathers” is somehow the past, present, and future all in one. Both narcotic and weary, it feels like a living, breathing organism that mutates and grows.

The beauty of this record is in the balance: between the technical and the personal, certainly, but also between tightly constructed harmonies and melodies, and the more free-flowing sense of rhythm. “Midnight Oil” sees aVIE venture into rap territory, and it’s successful to a surprising degree.

The acoustic driven “Take Care” benefits from being so poignant, relaxed, and seductive at the same time. This is the track that gives the best shine to aVIE’s vocal textures, as it’s the most stripped down. All-round though, “Chutney Chasers” confirms that music holds the power to challenge and comfort, to take us someplace spiritual and existential. It’s beautifully, devastatingly human. Its aVIE’s life story.

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