Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Towards Zero: “Reveries” – dynamic and three-dimensional!

Towards Zero is a band from Ceres, CA, who have released their debut EP entitled “Reveries”.  What the band has accomplished on their first recording is truly phenomenal. They have crafted an EP that is so impacting, yet mellow that you don’t even realize that it’s had an effect on you until it slowly starts to seep its way into random moments throughout the day. At the same time the album is truly dynamic, incorporating the best of rock, progressive, pop, electronic and indie into a tight, cohesive collection that is over before you want it to be. Though seemingly negative, this actually warrants the inevitable repeat listens that will undoubtedly follow. Crystal male and female led vocals are layered over fascinating music that seems to have a mind of its own. Trippy bubbly sounds follow with snappy appeal. You never know what to expect next but may find yourself just enjoying the ride. Jangly guitar accentuates as catchy lyrics flow into addictive grooves.

From the opening track, the sounds are entertaining, intellectual, and lucid, while several musical styles are explored. In “Intro”, the synths takes center stage and is profoundly beautiful in creativity. The vocals are especially dreamy and you’ll feel like you’re seeing the sound in psychedelic swirls.

As the second track “OMW” slides in, you’ll hear traces of wonderful, unusual new blends of sound and harmony. Where most of today’s music is canned, packaged, and corporate surveyed, this feels clean and alive. Towards Zero is anything but predictable. Other than the fact that excellence flows in abundance from their musical and artistic expressions, their music is engaging on an emotional level.

Towards Zero are not content to repeat themselves, nor are they afraid to confront difficult musical ideas that many artists don’t frequent. They are crafting music way beyond the masses. On “My Bones”, they take the luxury of intriguing solos, complex songwriting and expansive sounds, and complement them with the melodic smoothness, the warmth, and the earthly core of their sound.

The female vocals and harmonies are at their most captivating on this one as the music flows like a winding river. With great depth of soundstage and beautiful complexity this song should be listened to on headphones or a great audio system to hear the nuances Towards Zero place in there, and the crafty positioning of the instruments.

“Thief In The Night” might just be the EP’s centerpiece. The music is full of fast swells and quieter lulls; building to peaks and then releases. The guitar work and an emphasis on percussion brings moments of intensity between spaces of lush and intricate vocal arrangements. The band paint a story that is constantly chasing the flux of memory and the metaphysical concern of trust.

The tremendously infectious rhythm relentlessly driving the dynamic of the track forwards. “Viola” delivers excellent sound design and production. Its amazing ear candy for active, focused listening. The sound, from acoustic to electric, is very dynamic and three-dimensional, innovative and gorgeous.

There are artists who choose to make music because it’s their calling. It comes from their core and they have the burning desire to create something that will ignite our imagination – Towards Zero falls decidedly into this category. “Viola” allows Towards Zero to explore an almost epic avant-garde palette, incorporating bits of prog with several other styles blended into one.

As usual, the band delivers poignant and thought-provoking ideas with a superlative arrangement, enthralling melodies and vocals, and touching lyricism. My only question is: If Towards Zero have set the bar this high on their debut, where the heck are they planning to go to next?

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