JunesFlow – “Challenge” produced by Mark Cooper, and new visual shot by Desmond Travis

Never-mind your car, or drinks at the bar, or how many chains you wear; to settle it once and for all, that’s the only reason we’re here. It’s a …CHALLENGE!” The album “Long Live Jit” is still in a league of its own as it continues to shine light on Detroit’s vast dance history, and its progression. “Challenge” is the joint from JunesFlow, produced by Mark Cooper, and new visual shot by Desmond Travis. Check for the video and witness what happens when the battle is “on sight”!  “To me, ‘Challenge’ is a song that’s strictly here to provoke

Jim Wyly Performs “Wildman of the Thicket” From The Album “The Artisan”

Jim Wyly at J P Hops House, Houston, Texas singing ‘Wildman Of The Thicket’. A Bigfoot Legend from Deep East Texas.  For years as a member of several bands including Movin Target and The Lunar Rollers, Jim Wyly has been widely regarded by his peers as a master of the songwriting craft. At the young age of 71, Wyly stepped away from the sound and life of being in a band and released his solo debut, “The Artisan”. A roots Americana and blues flavored recording, the album includes the track “Wildman of the Thicket”, a song about the Bigfoot

DaKing – “CryptoBoom” is a vibe from start to finish!

“CryptoBoom” is the second single by Moscow artist DaKing who is currently working on album which will feature previously unheard of 3D stereo effects. As can be gaged by the title, the song is inspired by escalation of cryptocurrencies. DaKing falls into the category of nu-wave rappers. You can hear a bit of his flow, hooks, and ad-lib driven rap style in the music of today’s newest up and comers. DaKing verses have a way of feeling like extended hooks. He loves to chant as his ad-libs swirl in the background. Sometimes he even delivers a rapid-fire flow. The project

Fifth – “Cost of Doin’ Business” – a depth you can feel in your chest

Fifth is an artist who has bars and knows how to spit lyrical content…better than most you will find nowadays. If you like artists with substance, then the Pittsburg, CA native is your man. Fifth, whose moniker is the suffix of his full name, has featured on the show “Leah Remini: Scientology and The Aftermath: The Jehovah’s Witnesses”. He is currently riding the wave of his latest single release – “Cost of Doin’ Business”. The whole track is well-produced and engineered. Everything from the instrumental to the vocals, are mastered properly and flow nicely. In addition to putting out a

Haze Daze – “Shadows” is rich and inviting!

Self-awareness is key, and Haze Daze getting in touch with that allows him to separate himself from the pack, reaching territory where only a handful others reside. But of course his latest track, “Shadows” is also the embodiment of the current culture. The song is the unification of the SoundCloud elite sound and the figures who came directly before, it’s an embracement of that short but rich history. Knowing your strengths or limitations is a skill that few have. Haze Daze on “Shadows”, is not only able to avoid any potential limits, but also accentuate his strengths. The track is

Menes Rebazzar Kedar – “Quantum Helix: Fractal Galaxy” – A voyage into the development of ideas and emotions!

The New York-based artist Menes Rebazzar Kedar fuses a potpourri of musical flavors on his new album “Quantum Helix: Fractal Galaxy”. From hip-hop to blues, rock, soul and electronic stylings, the artist crafts 9 eclectic tracks that defy strict categorization. The music on this album isn’t just a critic or fan pleaser but it’s clear that what Kedar wanted most was to make a recording that actually carries some vestige of meaningful depth. A truly excellent work sounds like putting a stethoscope up to the heart and mind of its creator. The album is very ambitious, and provides one of

“ENVY” – Framing Hanley is a great band who are fresh and adventurous

1.5 million downloads, over 150 million digital streams, and in excess of 40 million video views, certifies that Framing Hanley are not your simple garden variety of rock n roll band.  Kenneth Nixon (vocals), Ryan Belcher (guitars), Jonathan Stoye (bass), Shad Teems (drums) and Nic Brooks (guitar) make up the reformed Framing Hanley who release “ENVY” – their first album in 6 years – via Thermal Entertainment on 2-21-20. Believe the hype, this album is extraordinary from start to finish. “ENVY” is the right place to start if you are at all interested in hearing this incredible band. Not one

Foolish Senpai – Loyalty Everlasting (Ft. E-Man) | Official Music Video

Michael Curry, known by fans as Foolish Senpai, is an upcoming Hip-Hop artist who stands out for his creative vision and the undoubtedly alternative taste of his music. Senpai has been consistent, early into 2020 releasing new visuals for his music. He presents “Loyalty Everlasting” with contributions from E-Man this go around. Keep an eye out for Foolish Senpai as he keeps adding to his catalog of videos.  MORE ABOUT: The word “senpai”, is rooted in Japanese culture and relates to the “senpai-kohai system” which underlies nearly all relationships. Senpai (先輩) in most cases means “master” or “teacher”. Michael

Merce Gold – “Gold Standard” – consistently deliver good music, captivating atmospheres, and ponderable rhymes!

Merce Gold is a hip-hop artist from North Carolina. He is an artist/CEO of Family Over Entertainment, an entertainment company started by Merce and his brother Louis.  “Gold Standard”, released on 2/2/20, is Merce Gold’s 3rd project, his previous “1993” was released Feb 18th, 2019 and is also available on all streaming platforms. The key element that makes this latest album’s atmosphere really enjoyable for me is the overall lushness of it. The beats especially are as gritty and smoothly layered, and as colorful as the narratives. Another reason that the album is a really enjoyable piece, is that it

Lyt Lyfe Presents The Official Video for the Single “10-4” by CHANGE

The music is booming and hard-edged “10-4”until it’s suddenly dulcet and sweeping, matching the fury and then tenderness with which Change performs throughout. The shift in tone doesn’t feel jarring, but instead like it was building up to that the entire time, a testament to how dynamic and complex the production is. It creates an anthemic, banging experience that is just as important as the words rapped. Hip-hop music, with its lack of filter and abrasive nature, has always been a vehicle by which men who uphold a veneer of toughness and masculine bravado can share their feelings. Part of

They Made Monsters: “Reverse the Curse” explores a variety of emotions

Steve Lock is from Swansea in Wales (UK). He has been creating music since 2007 and has been impacting the alternative indie scene with his project They Made Monsters. Merging a blend of Hip-hop, Electronic and Alternative Rock flavors, Steve has finally put together his debut album, entitled “Reverse the Curse”. It contains eight tracks that were born out of Steve’s struggles and pains – his addictive demons, the suffering of abuse and loss, and the fact of turning towards faith to overcome his personal hardships, which eventually brought him to this point. Steve’s talent as a performer is to be commended – besides his singing he has a blistering rap flow; he is an incredible storyteller, with narratives that can be both deeply personal and spiritual, and oftentimes plain entertaining.

On this debut album, Steve Lock aka They Made Monsters shows his hunger to gain respect. His songs are full of the confidence and swagger of a man on a mission who will not be stopped. He is comfortable talking about his struggles in life, and still has an uplifting message of hope for humanity brought about through his faith.

They Made Monsters bursts out of the gates here with an unstoppable power and there isn’t a single weak track in the bunch. If you consider yourself even a passing fan of underground hip hop and alternative rock and electronica you must add this album to your library immediately. Simply put, it is essential. He explores a variety of emotions on several tracks and does so effectively on the opening track.

Driven by a dominant piano, “But for the Thirst” is an exploration through the darker side of sound and is at times disturbing, as They Made Monsters layers the track with low register raps and soaring choruses. Steve compliments the rhythm and energy of the music perfectly, as he paints a clear picture of his personal experiences.

Up next is the drum and bass rhythm of “Jungle Love” (feat. Sharon O’Brien). She sings: “I won’t wait no / I have to have you / I love you ooh.” He replies: “Why don’t you just let me go now / why don’t you just let me / you won’t let me go.” Works this one out for yourself. There’s something going on here.

They Made Monsters dive right into socio-political commentary on the intense alternative rock sound of “Stir Things” (Radio Version). “They drop the bombs / tell us what’s wrong / string us along / but this time they’ve gone too far,” sings Steve. Rarely do you hear such a mix of emotional candidness, artistic vision, skill, and awareness.

There is a genuine strength to every word, as he flexes his songwriting skills, painting visions of the world that his window looks out to. The words: “Trying to find that place / that doesn’t know you well / it’s like trying to hide your face / in places where you dwell,” brings us right into the visceral blend of “Penitence”, which moves through moments of darkness and light within a pummeling alternating soundscape. This could possibly be the best track on the album.

They Made Monsters is vivid and his delivery is solid on “Time To Breathe” (feat. Sharon O’Brien) which blends an insistent beat with melodic vocals and Steve’s articulate rhymes. “You’re Precious”, sees Steve immerse himself in an alternative synthesizer fest that shuffles between tempos, moods and tones.

“Divine Interventions” balances on the border between darkwave and Motown soul in an arena-ready track with strong anthemic and spiritual tendencies. As usual, Steve incorporates a lot of start-stop tempo changes into the track to keep his listeners challenged. Finally the album close with a more fleshed out version of “Stir Things” (Don’t Turn Off The Light Version), which has the catchiest keyboard hooks on the entire recording.

They Made Monsters put together some fantastic production here and seriously deserves love for the amount of commitment and energy he put into making an album this well thought out and impacting, and with this much sonic variety. The release date for “Reverse the Curse” is  set for the 7th December 2018.

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