Hookdiggy: “On My Way” ft. Sunja Dannette – full feel-good potential

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Tony Marino: “Family and Friends” – a wildly rhythmic demonstration of every crowd-pleasing twist

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GentleBeatz: “Soul City” – the rhythm and flow of free form poetry

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Success in the music business has always depended on connections. The only way to make it was to know the right people or be lucky enough to play in front of someone with influence. Today, everything has changed. Younk now allows artists to get their music heard by listeners, quickly build a fanbase, and even create professionally produced Tracks and music videos with recording industry experts (when they receive enough support from the community). Younk’s group of show-business experts and world-famous producers make, for the first time, the music business transparent and accessible for all. There’s no red tape to

SKOWT is Revolutionizing the Independent Music Industry!

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Wes Yee is a music producer and podcaster turned artist. He is the host of the top ranked podcast, The Music Journal, which he also audio engineers and produces the music for. He grew up playing music he didn’t like on instruments that he did like, which ultimately led to him becoming a producer of music that he is passionate about. After years of working behind the scenes, the artists he worked with inspired him to want to start putting out his own music under his name. If you ask Wes Yee what took him so long to finally put

Dreamstate: “Two Hands” grabs you at first listen and becomes more meaningful every time through

Maryland based music group Dreamstate is made up of Josh Hilson, Tyler Gagnon, and Kyle Santos. All of who come from diverse musical backgrounds, ranging from country music to Hip Hop and R&B. They’ve blended their influences into smooth R&B melodies, overlaying lush electronic pop sounds in their very own DreamLabs studio. 2018 saw the release of the band’s critically acclaimed debut EP “Take Care”. From which comes the single, “Two Hands”, which also has a video in the making. It’s an emotionally moving track which features a catchy and uplifting chorus with the impressive vocal style of lead singer

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From Dubai to The Globe, Raveland Celebrates The New Year with His Fans with “Resolution 19”

Electronic dance music producer and DJ, Raveland, goes independent with his latest progressive house single Resolution 19. After releasing 4 singles with the music giant Universal Music MENA in 2017 and 2018, the electronic dance music producer and DJ, Raveland, decides to try going independent with his latest progressive house single Resolution 19. The Egyptian artist has signed to Universal Music MENA in 2017 and released his first official single Re, which has achieved a high reach worldwide throughout the music platforms like Spotify, Anghami and even YouTube through its official music video. The EDM producer has been touring locally

They Made Monsters: “Reverse the Curse” explores a variety of emotions

Steve Lock is from Swansea in Wales (UK). He has been creating music since 2007 and has been impacting the alternative indie scene with his project They Made Monsters. Merging a blend of Hip-hop, Electronic and Alternative Rock flavors, Steve has finally put together his debut album, entitled “Reverse the Curse”. It contains eight tracks that were born out of Steve’s struggles and pains – his addictive demons, the suffering of abuse and loss, and the fact of turning towards faith to overcome his personal hardships, which eventually brought him to this point. Steve’s talent as a performer is to be commended – besides his singing he has a blistering rap flow; he is an incredible storyteller, with narratives that can be both deeply personal and spiritual, and oftentimes plain entertaining.

On this debut album, Steve Lock aka They Made Monsters shows his hunger to gain respect. His songs are full of the confidence and swagger of a man on a mission who will not be stopped. He is comfortable talking about his struggles in life, and still has an uplifting message of hope for humanity brought about through his faith.

They Made Monsters bursts out of the gates here with an unstoppable power and there isn’t a single weak track in the bunch. If you consider yourself even a passing fan of underground hip hop and alternative rock and electronica you must add this album to your library immediately. Simply put, it is essential. He explores a variety of emotions on several tracks and does so effectively on the opening track.

Driven by a dominant piano, “But for the Thirst” is an exploration through the darker side of sound and is at times disturbing, as They Made Monsters layers the track with low register raps and soaring choruses. Steve compliments the rhythm and energy of the music perfectly, as he paints a clear picture of his personal experiences.

Up next is the drum and bass rhythm of “Jungle Love” (feat. Sharon O’Brien). She sings: “I won’t wait no / I have to have you / I love you ooh.” He replies: “Why don’t you just let me go now / why don’t you just let me / you won’t let me go.” Works this one out for yourself. There’s something going on here.

They Made Monsters dive right into socio-political commentary on the intense alternative rock sound of “Stir Things” (Radio Version). “They drop the bombs / tell us what’s wrong / string us along / but this time they’ve gone too far,” sings Steve. Rarely do you hear such a mix of emotional candidness, artistic vision, skill, and awareness.

There is a genuine strength to every word, as he flexes his songwriting skills, painting visions of the world that his window looks out to. The words: “Trying to find that place / that doesn’t know you well / it’s like trying to hide your face / in places where you dwell,” brings us right into the visceral blend of “Penitence”, which moves through moments of darkness and light within a pummeling alternating soundscape. This could possibly be the best track on the album.

They Made Monsters is vivid and his delivery is solid on “Time To Breathe” (feat. Sharon O’Brien) which blends an insistent beat with melodic vocals and Steve’s articulate rhymes. “You’re Precious”, sees Steve immerse himself in an alternative synthesizer fest that shuffles between tempos, moods and tones.

“Divine Interventions” balances on the border between darkwave and Motown soul in an arena-ready track with strong anthemic and spiritual tendencies. As usual, Steve incorporates a lot of start-stop tempo changes into the track to keep his listeners challenged. Finally the album close with a more fleshed out version of “Stir Things” (Don’t Turn Off The Light Version), which has the catchiest keyboard hooks on the entire recording.

They Made Monsters put together some fantastic production here and seriously deserves love for the amount of commitment and energy he put into making an album this well thought out and impacting, and with this much sonic variety. The release date for “Reverse the Curse” is  set for the 7th December 2018.

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