Franco Esteve: “The Hunt” – a backdrop to life itself

Three years in the making, the loosely tied together, classical crossover, concept album, “The Hunt”, represents a masterwork for Puerto Rican multi-disciplinary artist, Franco Esteve. The award-winning filmmaker and music composer, once again forges his intense-storytelling, and vivid imagery-driven compositional skills. Esteve’s music not only engages the ears but also intrigues the mind and feeds the soul. “With The Hunt, I wanted to do something different, expressing through classical, orchestral music, the images and feelings one gets from life itself,” explains Franco Esteve, continuing: “Whether it’s the drive of ‘The Hunt’, the insomnia of ‘The Wait’, or the sadness of

Plastic DJ: “Giving Up” – Truly euphoric, refreshing and atmospheric!

The album “Giving Up” by Barcelona-based producer and singer Plastic DJ, is the very best that the blended genres of Deep House, Downtempo and Electro have to offer. The thing that sets Plastic DJ so far above his contemporaries is that he’s genuinely talented as a musical composer, and stunningly enchanting as a singer. The music is of a baroque complexity, and here’s no overpowering bass or wailing synths. It’s like listening to a dream. You’ll play this in your car when you want to relax, at home when you’re at the beach or sitting on the porch, or as

One Step From Everywhere: “Somewhere in Between” – an insistent rhythmic thrust, adorned with fiery guitar work, and soaring vocals

One Step From Everywhere is a Seattle based band that does not limit themselves to genre or style. Primarily a rock band, with a passion for playing live, they are not afraid to add shades of any style that may strike a chord within them.  Their album, “Somewhere In Between”, is a full and complete artistic statement that can function equally well as an introduction to and summation of the varied strengths of this band. The production and engineering also aids immeasurably in this regard. The sumptuous mixes place the listener deep within the instrumental interplay of a band whose

Kingdom Atlas: “Severe Spheres” – ripping rock combined with lucid moments of intense and beautiful melody

Kingdom Atlas is a Georgia-based hard rock band that was originally launched as Rising Tide in 2013by, Grant Purvis with friends Nick Blake and Adam Chiarella while studying music with them at Georgia Southern University. The lineup of Purvis (vocals, guitars) and Blake (guitars, keyboards), along with Devin Ruiz (bass), Aaron Coburn (drums) and Cody Barber who replaced Chiarella as lead guitarist in 2015, was stable until the groups disbanded in 2017 due to schedule conflicts and some members graduating. In 2018, Purvis, Blake, Coburn, and Barber reformed with the new name Kingdom Atlas to record their debut album “Severe

Tiaday Ball drops two new singles – “Current” and “Good To You”

Tiaday Ball has released two follow up singles to her first release “Favors”. The songs “Current” and “Good To You”, are both now available anywhere you get digital music from. Tiaday stated: “R&B has been the foundation of my life in music since I can remember. Gospel, soul and R&B were always playing in the house or being sung by my father who was also a singer and he loved Stevie Wonder, Otis Redding, Donny Hathaway, etc. One of the first songs I ever learned how to REALLY train singing along to was “A Song For You” by Donny Hathaway.

DAV!D&CLARA: “Repair” – rugged and intense!

The man and machine duo of DAV!D (David Castillo) and his computer CLARA, better known as DAV!D&CLARA, are back with a new single in 2019, called “Repair”. The track is taken from the upcoming album, “CONFESSIONS OF THE MACHINE” to be released early 2020. Much of this latest single displays a minimalist, almost survivalist element, as if every movement, gesture, and note is conserved and used for maximum effect. DAV!D’s songwriting principle seems to be “less is more”, a sentiment CLARA seems to adhere to perfectly. Together they have an artistic sensibility that’s far from common. The song is based

Catch up with Boston based group Urban Lights Band

Boston, MA based Urban Lights Band is an eclectic group of musicians and artists who harness the power of all styles of music to create unforgettable experiences. They are seasoned professionals committed to providing quality musical showcases that bring various audiences together. Their global mission is simple; aspire to inspire! If you are in the Boston area you can find them at:  May 25th 2019 – Darryl’s Corner Bar & Kitchen- Boston, MA June 20th, 2019 – The Milky Way – Jamaica Plain June 21st 2019 -The Middle East Night Club (Corner Room) – Cambridge, MA Hook up with Urban

Royal: “Letter To Cecil” narrates his hardships, his grind and his contributions

Royal is a hip hop artist who currently resides in Hockessin, Delaware. He understands the importance of giving back and he performs at dozens of middle schools and high schools. In the past, he has donated the proceeds from concerts and albums entirely to the community, spreading his generosity to the surrounding neighborhoods. Royal has performed alongside artists such as Waka Flocka, Meek Mill, Yo Gotti, YG, and Tory Lanez. His latest project is the single, “Letter To Cecil”. Here Royal seems to be hungrier than ever and is out to remind hip-hop of the abilities that should eventually bring

‘The World We Live In’ EP by ‘Redford’ is Out Now on Glasstone Records

Simon Ratcliffe (BASEMENT JAXX): “Redford have a unique fresh and lush sound with strong heartfelt songs, gorgeous melodies – not to mention superb musicianship.” Mastered by Greg Brooker (Dejstil feat Peter Hook – Joy Division / New Order, You Love Her Coz She’s Dead, Micky Diana) Polish indie-rockers Redford have announced their arrival with a brand new single, cinematic video clip and a new Ep on Glasstone Records. The new Ep The World We Live In is on streaming platforms now, and you can watch the video for the single To The Morning below on YouTube.  With a brand

Iskar D’Abrel: “Ruins of You” – a compelling musical depth

Perhaps Iskar D’Abrel’s only misfortune is releasing his music at the wrong time.  Had he dropped the track “Ruins of You” in the 70’s, 80’s or even early nineties, he surely would have been recognized universally along with other greats of those eras.  It was a time where artists were not defined by a specific genre and allowed to approach different styles of music with a creative freedom almost totally lost today. Iskar is a master of song construction.  No song in his catalog is just a repeat of parts.  Each song is its own story; each follows its own

Infectious Rhythm: “Silhouette” – a steady impacting beat, retro analogue sounding synths

I’ve always loved Infectious Rhythm since I first him about a year back with “Daydreams”. To be quite honest, I think the good thing about this independent electronic music producer is that he is consistent. He doesn’t have songs that repeat or sound the same, or at least, I don’t think so. I think what he does is adhere to a certain theme in each release, with a great level of creativity that becomes apparent the more you listen to it. I like it because it shows me that this artist knows who he is are and he knows the kinds of sounds he want to make, which is seemingly simple, yet very dynamic.

Every song has a story, which in turn has a conflict and conflict resolution with a climactic scenario that completes the whole story and that’s a beautiful thing. A few month ago I was thrilled by the track “Waves”, which showcased a much more luscious synth sound, compared to Infectious Rhythm’s earlier works.

The latest single, “Silhouette” sticks to a similar sonic aesthetic – a steady impacting beat, retro analogue sounding synths, and a fluctuating, but discernible melody. The music is complex enough to be interesting but not so erudite that it leaves the average listener, feeling like they’re not getting the gist if it, or are disaffected because the music is meant to impress rather than express an idea or emotion.

For those who know the technicalities of music there is a lot to sink their teeth into and analyze, but on the surface, anybody can enjoy this, which is unusual for instrumental electronic music.

Infectious Rhythm is described as a producer inspired by retro sounds and house, or dance music. To be fair it’s a bit more profound than that. It’s not just about the beat and sound. The songwriting and vision is very intricate and well-crafted, and the creativity is first-rate.

But there’s something special and magical about “Silhouette”. Firstly, it transcends genres and musical eras, and would have been relevant during the eighties or nineties, as it is today. Secondly it has that chillwave element so perfectly executed by Tycho’s ‘Dive’, Toro Y Moi’s ‘Causers Of This’ and Neon Indian’s ‘Era Extrana’.

What’s different about this record compared to the aforementioned one’s everyone seems to love, is that “Silhouette” has an urgent atmosphere under that chill façade. Infectious Rhythm’s use of the Yamaha CS80’s sounds, gives the tune a rich resonating canvas which is driven relentlessly by the underlying heavy hitting percussion.

Infectious Rhythm is simply a genius. His melodies are dreamy and bring you to a mindset of ethereal bliss, while the banging percussion and rhythm, grabs your attention and holds it from start till finish. If anyone out there is looking for that nostalgic synth sound and feel, together with chill electro goodness, this will do the job.

Whatever genre you want to put “Silhouette” in, Infectious Rhythm owns it. This guy deserves so much more attention, as he delivers beautiful synthetic soundscapes. Like all previous releases from Infectious Rhythm, this track is a very interesting take on the rising of modern synthwave and although we’re amongst a huge wave of artists popping up, he stands out above.

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