Voice in the Attic – “Warts & All” – his strongest record thus far

I discovered BC Bogey aka Voice in the Attic during 2015, listening to the single “Over”, and fell in love with this project instantly. BC Bogey is a critically acclaimed songwriter, multi-instrumentalist, award-winning music video director and classically trained singer, who works with Grammy-winning musicians and sound engineers from Europe and the USA. The way he can easily glide through the organic chill of some songs, into the homey, campfire-like tunes, then to the fully fleshed-out modern twist of others, will always surprise me. He puts so much effort into the music and the lyrics, it’s always worth supporting him.

ECHOGLASS – “Hard” – Blistering guitars, muscular bass and drums

The Lancashire, Blackburn-based collective, ECHOGLASS, is a musical vehicle for core members DA McKenna, Remmy and Bo, who release their creations through Darkhouse Recordings. Their work is musically and lyrically distinct, and from the beginning they have always transcended the generic constraints of UK indie pop, punk and rock. Reinventing their blended sound on each release. While most of their contemporaries are electronic based clones, ECHOGLASS’ latest single “Hard”, inspires and delights with its guitar driven engine room. Going against the current tide, the band’s music is intense, introspective and acutely observant – a wholly alternative world view. The lead vocals are

Kee Beez – “Keep It 100” – cocked, locked, and ready to rock!

Kee Beez grew up in the SF Bay area California with his ability to produce, perform and record. The Rap and Hiphop artist is fresh off his 10 track project “Keep It 100” from Da Kee Records. The recording has a refreshing flow to it that hip hop albums lately have been totally lacking. It exhibits a hip hop artist, holding out his pen-game and showing you a compass pointing to the true core of the hip hop culture that most albums fail to point to as of recent years. And it’s not just someone barely mumbling over lyrics with

Abeille – “Feels” – sensitivity and consummate craftsmanship

Abeille (meaning ‘honeybee’ in French) is an indie jazz-pop duo out of Nashville and Portland. This long distance project is made up of Emily Jewel and Samuel Terrazzino, who currently released their debut single “Feels”. “This song goes past the meaning of just two individuals finding each other,” explains the duo, continuing: “At the time this song was written we had just started playing music together again after a multi-year hiatus of minimal contact. This song was the turning point in our relationship from being just friends to something more.” They have since gone from being just friends, to a

DopeAMean – “Blue Faces” – There are plenty of highlights to be raved about!

DopeAMean born Josephis Wade, started rapping in 2004 with a rap group formerly known as Y.B.E. (Young Black Entrepreneurs). A decorated US Army Veteran, Wade was born in Columbus Georgia USA, to Lisa Denise Ceesay Pollard – a single mother. Raised in Metro-Atlanta, Ga and Auburn, Al, DopeAMean currently resides in Denver, and is the proud owner of the record label, Every-Thing Dope LLC. His latest project is 14 track album, “Blue Faces”. It’s enthralling on a sonic level, and the rapper keeps up lyrically, his flow more than malleable enough to fit with any groove put forward. It is

Frado180 – an instrumental artist and aspiring Hip hop producer from New York City, NY

Starting out as a passionate hip-hip DJ at the age of 15, Frado180 worked hard at the local gas station in order to own his first Turntable. And he never had to look back as a local group 2 in Room with hit single “Wiggle it” fame soon discovered his talent and helped him produce his first demo. At that moment his propulsive force of music truly began to take shape by its zig-zagging through genres, settling on moments of analogue clarity as well as digital refraction. Frado180 got his first real break when he landed a gig at a

Nachamuni – “Deep Down” a total floor filler with an infectious groove!

“Deep Down” is the new EDM single from electronic music producer Nachamuni, who is based in Vienna Austria. The track extends the reach of his signature sound. Most significantly, the Deep House track showcases a shift toward the high-minded, super-precise catchy pop production vibe of most modern electronic producers. The growling basslines have the potential to draw law enforcement officers to your doorstep, depending on the decibel level and kindness of your neighbors. Its structure dominates the landscape with both breathtaking impact and precision. The track refuses to recycle an old beat, gradually building from a melodic and soulful vocal

Alysha Releases Official Video for “David Attenborough”

A bit over a month ago, London born Alysha, a 17 year old teen with enormous talent as a singer and songwriter, would have probably not imagined for her career to catapult in such a sort of magical way. Every artist, before they begin their road to stardom and even throughout, always dream all they want to do to achieve their goals. We hear many stories of singers that were many times turned down by the industry, one that said industry sometimes gets a tough reality check, when they realize that the artist is now a superstar (on a different

Matthew Schultz x Gyptian Present ‘Turn Me Up’

Multi-Talented U.S. artist, Matthew Schultz unveils his latest crossover cut, ‘Turn Me Up’ – a fire collaboration with revered Reggae-Dancehall singer Gyptian. Matthew Schultz and Gyptian touch down with a standout reggae-influenced dance track featuring hypnotic synths & punchy percussion. Coupled with a languid, chilled out dance vibe and mesmeric rhythms – ‘Turn Me Up’ is the perfect song for radio, streaming & dance floors alike. Along with a remix from X-Change – the single is positioned for a whole host of love worldwide. Matthew Schultz is a multi-instrumentalist, producer, singer and performer who started out playing guitar in Chris

“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

Vintage rockers KAATO drop “Somebody, Someday”, from the album “Slam!

KAATO is a Nashville, Tennessee based rock band, made up of Kurt Lowney (vocals), Mika Nuutinen (bass), Hunter Lovan (lead guitar), and Christopher Williams (drums). Originally from Australia, the band was founded in 2011 by singer/songwriter Kurt Lowney. KAATO had their first international tour co-headlining with Mitch Malloy in the UK after their self-titled album was released in 2016. Kurt and Mika made the move to Nashville permanent, in 2018, and started work on their newest album “Slam!” from their home studio, which allowed them to fine-tune their sound until they got exactly what they wanted. Glam rock, Vintage rock, Classic rock, call it what you may, but this standard of rock authenticity in the modern age is hardly ever achieved by lesser bands. If KAATO was dropping their brand new single – “Somebody, Someday”, which is taken off their “Slam!” album – during the eighties, they would have achieved mega status.

Fate would have it that the band are forced to exist in an era dominated by computer-aided music and pseudo street preachers. Thank the stars this doesn’t stop the band from pursing their own lane and bringing joy to millions or nostalgic hard rock fans. With KAATO you’ll find something heavy and powerful, with fresh and outstanding riffs, and well-executed vocals.

“Somebody, Someday”, for instance, shows offs Kurt Lowney’s range and summarizes his vocal performances very well. But the whole band is operating at peak level, and billowing with kick-ass dynamism.

For any other current independent classic rock group, the level of precision seen on “Somebody, Someday” would be uncommon, if not unheard of. That’s not to say that the track is devoured by overproduced, compressed, crystalized sounds.

On the contrary – it’s gritty and somewhat raw, all of which adds to the character of the record. This is a track with an overtone of distorted riffs, layered with a bright lead melody, surrounded by high-pitched and emotional singing, all while riding the currents of the banging and fluid rhythm section.

And in a way, Kurt Lowney’s voice takes advantage of this, using his high range to play upon the listener’s expectations and twisting them with screams, harmonies, and emotional cries that take the listener on an emotional journey which, in the hands of any other singer, might leave the listener feeling overwhelmed.

It’s truly worth noting that, while the vocals and Hunter Lovan’s explosive guitar take the prize for being most instantly noticeable on the track, the rhythm section really keeps the track and sets an incredibly stable ground for everyone to flourish on.

The active bass work of Mika Nuutinen creates a rapid flow of energy not usually heard on the bass line that adds an extra dimension to the song. Christopher Williams’ drumming can heralded as inspired and tasteful, providing a deceivingly powerful and complex performance.

“Somebody, Someday” showcases KAATO technical strengths without flaunting them, asserts itself without being overbearing, and varies enough to stay interesting, but never deviates far enough to lose the listener’s attention. Perhaps most importantly, however, it stays fun and enjoyable throughout while still managing to remain intelligent, intriguing, and fresh. Not bad for something called Vintage rock!

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