Heavy AmericA: “Motor Honey (Peace)” – It’s rock. Pure and simple.

A couple of years ago, the bands to emulate in modern rock were those that flooded the radios with wickedly catchy upbeat power pop tunes. Then came the neo-metal-driven climate, where even the tame end of the spectrum became heavier. On their new single, “Motor Honey (Peace)”, Boston based three piece rock group Heavy AmericA, proves themselves among the best in the alternative rock genre with a track loaded with hooks for mainstream appeal, but with an energy and drive that keeps them from sounding like mere imitators. The new release which has all the potential to climb the rock

Scotty Seed: One of the more original and thoroughly enjoyable alternative listens of the year!

Proud of his Italian heritage and his role in the LGTBQ community as a queer artist, Scotty Seed is a musician based in the East Village of New York City. Obsessed with art, including fashion and music, Scotty, originally a Jersey boy, started taking songwriting and production seriously in his twenties. Influenced by elements of industrial, pop, grunge, PC music, electronic, and screamo music, he counts artists like Crystal Castles, Marilyn Manson, Hole, David Bowie, Madonna, and Depeche Mode among his inspirations. Fighting an ongoing battle with bipolar disorder, making music provides him with an escape from his mental health

Suburbs: “Sound of the Sea” – a rewarding new project

Suburbs is an indie rock band from Scheveningen, Netherland launched in 1995. The band that has its roots in the eighties and nineties achieved national exposure when they won the national contest “De Grote Prijs van Nederland” (The Grand Prize of the Netherlands), the largest and longest-running music competition in the country.  As of the summer of 2013 Suburbs has started a new chapter. Lead singer Arie Spaans and 2 early band members set to work to bring their old sound back. The following year they started dropping singles and video clips leasing to their mini EP “Masters” in 2016.

Martone: “Erogenous Zone” keeps the adrenaline and emotions flowing!

It was 5 years ago that pop superstar, Sam Smith, stepped up to the plate and showed the world that love songs don’t have to be heteronormative to be beloved. Smith came out publicly, stating that he wanted to be clear on what his album was about. “It’s about a guy and that’s what I wanted people to know.” He was also completely aware of how important his success is to the public narrative. Hearing your humanity represented and validated by pop culture is important, and many LGBT supporting musicians have since been stepping up to share their experiences. The

Red Tan: “Don’t You Dare!” – Vocally anchored and soulful!

Red Tan is a young widow and single mom. Living in an unfamiliar environment while suffering depression and anxiety has been a challenge that she was able to put into music on her single “Don’t You Dare!” It’s an inspirational anthem meant to help others overcome their struggles and difficulties, and achieve their goals. In the meantime it has been a healing medicine for the singer-songwriter herself, helping her to become a stronger and better person. Red Tan’s ability to create deep thoughtful music, her timeless voice, and her capacity to be so introspective, makes her extremely relatable to any

Albert J: “Grow” embraces both aural diversity and true inspiration

Albert J (formerly known as f.o.c.u.s.) is an American hip-hop recording artist residing in Tampa Florida. Moving through Maryland, DC, Virginia, NC, California and now Florida, Albert J got to experience a lot of diverse music and inspirations. From bands ranging from Sigur Ros and Coldplay to Linkin Park and Incubus, as well as many Hip-Hop influences from DMX, Kid Cudi, Mos Def and Busta Rhymes, Albert J grew up with a wide palette of sound. His 3 mixtapes “Youth Religion” (Dec 2013) “Remember” (March 2014) and “YR2” (April 2015), garnered serious attention in the Hip-hop scene, finally leading up

Knarly Jones: “Redemption” takes us on an epic journey

“Redemption”, is Detroit-based EDM producer, Knarly Jones’ second drop in a series of four releases this summer, preceded by “Atonement” which was released in June. After spending time away from music to study mathematics and physics, Knarly returns to the electronic music scene with a refined cinematic style and a slew of new releases. “Redemption” combines cinematic scoring elements with classic electro-house feel and heavy drops to create a unique sound for 2019. Knarly goes into his bag of tricks and creates an enlightening, varied soundscape that unleashes bass all over your face. With all of this to dive into, it’s

Maxime: “The Honest Me Pt.1” – a unique piece of work!

Maxime Boublil was born in Paris, France, into a musical theater family. His father Alain, wrote the musical adaptation of Les Miserables and Miss Saigon, his mother was the first Cosette in Les Miserables in France. As a child Maxime played the cello and then went on to study photography Academy of Arts University in San Francisco, but he discovered what he really wanted to do, when he picked a guitar in a friend’s dorm room. After studying Music in Visual Media, Maxime went on to pursue a career as an engineer at Furstock Studios with three-time aria award-winning engineer

Absolute Doubt: “When Nightmares Become Dreams” – extreme melancholic chill!

John Francis, known by his artist name Absolute Doubt, is an up-and-coming rapper with a talent for freestyling. He works with a number of artists and producers on his latest EP “When Nightmares Become Dreams”, including Lucki, Jay Storm, and Downtime. The project imbues most of the tropes in contemporary swaggy rap music with an omnipresent breeziness that feels endemic to a luxurious daydream. The 2-song release consists of mid-tempo, gently forlorn hip-hop, padded out with New Age trap gauze. The music is pervaded by an all-embracing sonic fog. Absolute Doubt is best when he is pitted against gently fibrillating

Darshae Kiér: “Translation” – poised to take its place on the global stage

Darshae Kiér is a pop artist based in Miami, FL. After the untimely death of his parents, he entered the foster care system where he was shuffled from foster home to foster home. Despite his rough start in life, Darshae has always been determined to rise above and lead with positivity. Inspired by artists like Aretha Franklin, Sam Cook, Prince, Christina Aguilera, Justin Timberlake, and Coldplay, Darshae latest single “Translation” rides on a steamy Reggaeton beat, and strives to spread the artist’s message of hope and inspiration. His melodic flow and lyrical style are potent. He creates hooks with ease,

Vintage rockers KAATO drop “Somebody, Someday”, from the album “Slam!

KAATO is a Nashville, Tennessee based rock band, made up of Kurt Lowney (vocals), Mika Nuutinen (bass), Hunter Lovan (lead guitar), and Christopher Williams (drums). Originally from Australia, the band was founded in 2011 by singer/songwriter Kurt Lowney. KAATO had their first international tour co-headlining with Mitch Malloy in the UK after their self-titled album was released in 2016. Kurt and Mika made the move to Nashville permanent, in 2018, and started work on their newest album “Slam!” from their home studio, which allowed them to fine-tune their sound until they got exactly what they wanted. Glam rock, Vintage rock, Classic rock, call it what you may, but this standard of rock authenticity in the modern age is hardly ever achieved by lesser bands. If KAATO was dropping their brand new single – “Somebody, Someday”, which is taken off their “Slam!” album – during the eighties, they would have achieved mega status.

Fate would have it that the band are forced to exist in an era dominated by computer-aided music and pseudo street preachers. Thank the stars this doesn’t stop the band from pursing their own lane and bringing joy to millions or nostalgic hard rock fans. With KAATO you’ll find something heavy and powerful, with fresh and outstanding riffs, and well-executed vocals.

“Somebody, Someday”, for instance, shows offs Kurt Lowney’s range and summarizes his vocal performances very well. But the whole band is operating at peak level, and billowing with kick-ass dynamism.

For any other current independent classic rock group, the level of precision seen on “Somebody, Someday” would be uncommon, if not unheard of. That’s not to say that the track is devoured by overproduced, compressed, crystalized sounds.

On the contrary – it’s gritty and somewhat raw, all of which adds to the character of the record. This is a track with an overtone of distorted riffs, layered with a bright lead melody, surrounded by high-pitched and emotional singing, all while riding the currents of the banging and fluid rhythm section.

And in a way, Kurt Lowney’s voice takes advantage of this, using his high range to play upon the listener’s expectations and twisting them with screams, harmonies, and emotional cries that take the listener on an emotional journey which, in the hands of any other singer, might leave the listener feeling overwhelmed.

It’s truly worth noting that, while the vocals and Hunter Lovan’s explosive guitar take the prize for being most instantly noticeable on the track, the rhythm section really keeps the track and sets an incredibly stable ground for everyone to flourish on.

The active bass work of Mika Nuutinen creates a rapid flow of energy not usually heard on the bass line that adds an extra dimension to the song. Christopher Williams’ drumming can heralded as inspired and tasteful, providing a deceivingly powerful and complex performance.

“Somebody, Someday” showcases KAATO technical strengths without flaunting them, asserts itself without being overbearing, and varies enough to stay interesting, but never deviates far enough to lose the listener’s attention. Perhaps most importantly, however, it stays fun and enjoyable throughout while still managing to remain intelligent, intriguing, and fresh. Not bad for something called Vintage rock!

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