Sabrina Matola – “For you” – is fueled by the power and intensity of her voice

Sabrina Matola is an experienced vocalist and performer. She has played in live music venues and toured with bands, from as early as 12 years old. Known abroad as ”The Spiritual Voice”, Sabrina has collaboration credits with David Peaston, Loleatta Holloway, Amy Winehouse, Robert Timothy West and others. Working her way through a variety of styles, including Soul, Motown, Disco, Jazz, and Pop, her influences include, Aretha Franklin, Etta James, Ella Fitzgerald, Diana Krall, Nina Simone, Patti LaBelle, Whitney Houston, and Jill Scott. I must admit to being a bit, well, more than a bit, puzzled as to why Sabrina

DEEPSYSTEM – “Anda Linda” – a zesty groove and a humid atmosphere!

DEEPSYSTEM, Europe’s underground ambassador of reggaeton and Latin trap — has remade the future of Spanish-language hip-hop in his image. If there is a revolution to be had in the new crossover market, this artist has done so by sticking to his guns, and mining reggaeton’s sonic riches for dancefloor gold. Rather than offer audiences lyrical signposts to what he’s thinking, DEEPSYSTEM makes you come to him, with a shared sense of explosive, downright sensual musicality and a hypnotically propulsive rhythm. Few others could do as much, in the European region. Furthermore, the man is consistent, putting out track after

Neave Zaria’s ‘Never The Same’ Is Evocative Of The Golden Era Of Jazz & Blues

Neave Zaria’s latest track ‘Never The Same’ is a soft yet impassioned exploration of our deepest infatuations and frustrations. The composition is steady but energetic, and the jazz spirit comes in hot from the get-go. Zaria’s voice bears a strong resemblance to that of the greatest blues singers of all time: Etta James and Aretha Franklin. The most modern comparisons would be to Adele and Norah Jones, but even then there’s a striking vulnerability in Zaria’s vocals that makes her stand apart. It helps that the English singer is just nineteen, but she demonstrates a superb ability at striking the

Sam and Sounds Guaranteed to Make You Smile with New Single “Cloud 9”

UK indie artist Sam and Sounds has just released a brand-new single that will have you both grinning and grooving. The singer songwriter has just dropped “Cloud 9,” offering endless feel-good vibes and some much-needed positivity in today’s world. With his debut EP due to land in October this year, this track is the second teaser to what we can expect. It follows his first single release which came out in April, “Do It All Again,” that soon became an instant smash hit. Sam and Sounds has already netted an impressive 41,000 Spotify streams, with 23,000 monthly listeners and a

Cymbalik – “A New Positive”- the alchemical combination of quality, creativity, and alluring empathy

There are a lot of new producers that are coming to the scene this years, and some that have been in the game for a while, but few are as exciting has Cymbalik AKA Jose Serpas who hails out of Denver, CO. If you’re a part of the people who don’t know who Cymbalik is just yet, then expect him to be all over your music queue in the next couple of years. With his crazy beats and smooth melodies it’s expected that he makes some big jumps in the industry very soon. Cymbalik works with modern day techniques while

Best friends in New York City make dope a hip-hop song during quarantine and are donating ALL proceeds to charity

The producer Christos “XOS” Angelidis created the instrumental for the record “ICE COLD” while recovering from the sever virus COVID-19 in his Queens, New York home. His close friend and colleague, Laquan “REVL TVLK” Priester, from Brooklyn, New York, now living in Los Angeles, wrote the lyrics and rapped over the song. “ICE COLD” is a result of the inspiration being based from the cold winter months of New York City. Furthermore, the duo – being from New York City, the U.S. epicenter of the outbreak – has experienced firsthand the devastation of the virus. XOS lost four coworkers as

Steve Sperandeo – “Contagious Emotions” – intimate storytelling that inebriates the senses

Like all works of music, there are always going to be some you absolutely love and some you only like. “Contagious Emotions” by Steve Sperandeo one is going on the absolute love list. Steve has added some jazzy, bluesy touches in this album, while maintaining a soft organic-rock style made of elegant guitar work and graceful melody. It’s a masterful blend by a thoughtful musician. But be forewarned, Steve’s music needs more than a single playing to fully savor its nuances. So grab a drink of your choice, sit back and enjoy the storytelling as Steve Sperandeo delivers 11 unhurried

Heistheartist – “Boom” (Love Version) – transposes crystal-clear artistry through spiritual glistening

Heistheartist is an American Christian singer-songwriter from Central Islip, NY. Formerly a secular neo-soul singer signed to Bentley Records under his biological name LeeMann Bassey, Heistheartist discovered that his true calling was with the Lord, after hearing an inspiring sermon by TD Jakes online one day. That day he was inspired to teach the world about the Lord like TD Jakes did with his Sermon, but through music. The song “Boom” – a song that mixes sensuality with religion – is actually based on a dream that Heistheartist had one night, in which he had relations with an angel. “Boom”

Bobby Royale – “Live Jazz at Staarsound” – There is an artistic quality in the music that cannot be overlooked

Some see hip-hop and jazz as an unholy alliance, maybe even the vulgarization of jazz. But other musicians see the genre-melding as a positive development. Every so often, in some corner of the globe in fact, you’ll find a handful of jazz musicians experimenting with jazz and hip-hop hybrids. In some ways the musical connection would seem inevitable. After all, early gospel, blues and jazz employed call-and-response cadences dealing with the same themes prevalent in hip-hop today. For some, though, the similarities end there. Straight ahead jazz musicians who have had their music sampled appreciate their work being exposed to

J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

K-Blitz – “Toxic Love” and “Remix” brings head poppin’ fire!

K-Blitz is a rapper/singer originally from Montreal, Quebec, Canada. He moved first to Ontario and then to Edmonton, Alberta Canada in order to further his career. K-Blitz has been making music for 20 years, releasing multiple projects and featuring on radio rotation across Canada. The prolific artist has always challenged himself to give his fans new music on a frequent basis, including his New Sound Saturdays, where he released 52 songs in 52 weeks in 2015, as well as quarterly mixtapes. He won Prairie rap album of the year in 2016 at the Canadian Urban Music Awards and was nominated for Edmonton hip hop artist of the year in both 2018 and 2019.

Many artists, especially today, are often categorized and put into boxes that can be difficult for them to get out of. Fans and critics, admittedly including myself, tend to prematurely brand artists based on the content of their previous work. But one artist who is truly a beast entirely of his own is K-Blitz – the cat raps, sings and just simply brings head poppin’ fire!

His latest tracks “Toxic Love” and “Remix”, taken from his upcoming project “Paroxysm”, prove that a song can have some cleverness to it or even a more focused idea, than watered just down rap clichés and still be a banger. These tracks are completely juxtaposed in their differences, both lyrically and musically.

On “Toxic Love”, K-Blitz is smooth, melodic and flowing with the wind, while on “Remix”, he is brash, loud and aggressive, fitting the hard-hitting narrative with his gravelly vocal attack. What these songs prove, is that its’ production and flow that make a hit, not generic lyrics.

“Toxic Love” and “Remix” delivers dedicated music that primarily functions as a wind tunnel, blasting away inhibitions. It is totally exhilarating, and not just because K-Blitz’s frenzied, shapeshifting delivery and explosive, hair-trigger beats propel it forward from start to finish.

K-Blitz raps like he has a hurricane at his back. As with his previous work, K-Blitz ability to shift between flows and merge different styles is utterly mesmerizing. “Toxic Love” and “Remix” proves that beyond reasonable doubt.

The Canadian emcee rides the industrial beat on “Remix” with such an abrasive intensity. The way his flow relentlessly shifts on here, is pretty incredible, with this track in particular demonstrating his stylistic diversity as an emcee.

Listening to “Toxic Love”, on the other hand, feels like driving down the highway with the windows down and wind in your hair and throwing your ass in a circle for maximum booty-bass impact. The track rides a trunk-rattling bass line, which prompts a steady involuntary head nod.

Both these aforementioned tracks flexes diversity in flow, style, and delivery, all while playing with clever bars and meaningful sentiments. If K-Blitz isn’t in your rotation, you’re sleeping!

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