“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Andree Cassielll – “Alimento” – a universality that makes him a perfect fit for the modern era!

The Mexico City native, Andree Cassielll, possesses a down-to-earth humility in his vocal tone that makes his storytelling raps feel like they’re always coming from a place of truth over fiction. Considering the producer and artist, predominantly sings and raps in Spanish, which I cannot understand, that’s an impressive feat. The trap-inspired beats flicker in and out as Andree becomes more invested in his storytelling, and it truly feels like you’re on the phone with a rambling friend. He’s a poet, capable of transporting you somewhere otherworldly with his sound. His music has a genuine fluidity, and if he continues

EH – “Mirrors” lets it fly with the fret-board work to thoroughly rock you!

Baltimore rock guitar ace EH reaffirms his top-of-the-heap status on his new 7 track album “Mirrors”. It’s a superlative set of new music full of tightly-written, engaging instrumentals that don’t need a singer up front to rock hard and hold your attention. This type of writing is EH’s trademark, and is one of the main reasons he will develop a audience. While many other technically-proficient rock guitarists mainly play for other guitar players, EH seems to play for the people. He relies less on continuous shredding and more, on dynamically impacting riffs. EH gets us going with his opening track, “Pounding

Boonie Mayfield – “While Black (Red Light, Blue Light, E’s and R’s)” – sentiments nurtured by a history of prejudice

Solomon Vaughn aka Boonie Mayfield has always traded dazzlingly intricate verses, intellectual thoughts and propulsive rhymes, over inventive, nonlinear productions, and his latest release “While Black (Red Light, Blue Light, E’s and R’s)” re-proposes that peerless aesthetic, while adding an ulterior dose of consciousness, and reinforcing his hard-won authenticity. “This song is a 2-part storyteller based on some of my personal experiences with racism; from getting racially profiled by police, dealing with stereotypes while dating and the ugly side of interacting on social media,” explained Boonie. “I was inspired to display some of the scenarios I’ve gone through on a

Sassy Vee – “In My Dreams” has a fantastic chill dance rhythm running its course

Longing, hope, and a need to believe in reality, pour out of “In My Dreams”, the new singer by singer-songwriter Sassy Vee. It’s a clear, accomplished cry from the heart, exorcising its illusions by declaring them bluntly. “In my dreams we’re together. Holding hands and making plans forever. I wish it were true, but I cannot be with you. You have another.” The song introduces Sassy’s strengths: a voice with sultry intensity, songwriting that goes directly to the point and a production that is well aware of both EDM and Pop. The song’s arrangement is lucid and uncluttered, placing all

Adrian Davis Releases Brand New Single: ‘We Can Do It’

July 2020 – This year has not been the easiest by a long shot, with lock-down rules keeping people indoor and breaking havoc on our lifestyles. In addition to that, we are all experiencing social and political tension, casting even more uncertainty on these hard times. Having said that, there is still hope: We Can Do It! Such is the positive message behind Adrian Davis’ brand new single release, and its inspiring title. His music is a great example of what happens when there is a special synergy in a production. Everything feels absolutely balanced, with a stark attention to

Max M continues to expand his musical catalog with his new track ‘Imaginary Problems’

The emerging legacy of artist, deejay, and producer Max M has captured the attention of music lovers from around the world. Max M’s passion for DJing and music production began during his teen years. He would later begin a successful career in Computer Science and gain renown as an IT expert before returning to the music world a few months ago. Max M’s heralded return was marked by the release of two singles Under Water and Never Wanna Leave, which were ranked first and fifth on the American DJ site Digital DJ Pool. Max M continues to expand his musical

Shari Rowe Releases Inspiring New Single, “The Heavy”

Country artist Shari Rowe delivers a message of conviction in her newest single, “The Heavy,” a song of awakening meant to encourage listeners to be a helping hand to those who need it most. “We wrote ‘The Heavy’ to inspire,” says Shari Rowe. “We can all relate. Getting that news, feeling that pain, losing sleep over the things we see in the world, grieving the loss of loved ones. ’The Heavy’ comes into our lives in many ways, and we have the power to lighten the load for each other. We all have opportunities, big or small, to be the

Maki – “Atlas Hacked” is as substantial as it metaphysical, in its approach

It’s sometimes hard to find the words that accurately bring justice to avant-garde electronic works. With an artist like Maki you almost only have to mention his name for fans of the underground independent scene, to understand the potential for a great album of music. Maki should be an instantly recognizable global name within the mainstream electronic world of sound. His latest release, “Atlas Hacked”, is a classic album in the making. And I do not say this lightly. There is a growing body of research that has examined the impact on adolescents and adults of internet and social media

KERRIA Takes Powerful Stand to Encourage People to Speak Up with “No More”

Gibraltarian singer-songwriter KERRIA is saying “No More” in the most powerful way possible. Her new single is an emotive masterpiece and presented with such intensity, it is impossible to ignore. The lyrics were inspired from the singer’s previous abusive relationship and takes us deep into her soul. It is rare that a performer will share such deep honesty with the world and KERRIA has not only held nothing back, she’s gone a step further. The accompanying video for this amazing track features 90 TikTok Influencers assuring it will reach their combined fanbases of more than four million people around the

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has a hard-to-describe 80’s nostalgic-yet-futuristic feel.

No, seriously, a lot of people rate things 5-stars but this is genuinely a 5-star single. Ok, let me clarify. I hate dance music that is repetitive, unimaginative, and beat the few good ideas they have to death within the first minute they appear.

Lots of EDM music is especially well known for the “throw it at the wall and hope it sticks” kind of music that has made it both, one of the most fascinating, vibrant and terrible genres of music ever made. Gual has come to save electronic dance music from mediocrity. Gual has ridden in on a range of synths, adorned with bags of melody and groove, to spread to all who will accept it.

And there is no reason why you should not accept it. I know I’m risking over-hype here, which I don’t mean to do, because this is hardly an original track. In fact, the very premise of “Get Down” is utilizing sounds from the 70’s and 80’s to recreate that old school vibe.

Except “Get Down” goes beyond that, it takes those years of experience, and crafts one of the best nu-disco tracks of the year. It rarely rests on its laurels from the opening bars, offering buoyancy and dynamism in a jam that lasts just under four minutes, providing an enjoyable auditory experience.

Flipping the script on a lot of modern electronic records, Gual delivers a bright, uplifting production that rides on a thumping beat. The producer guides listeners through driving horn stabs, arch-funk bass lines, and true synth menace among the swirling choral soars, and whiplash handclaps. “Get Down” re-frames the monotone, four-to-the-flour compositional ethos that we’ve come to expect from EDM.

Happily stuck somewhere in glorious dance era, Gual refuses to acknowledge the eulogy for classic synth sounds from iconic instruments of that era. Instead, he revels in them, often preferring moving funky basslines, and classic thick scattering horns, over futuristic sounds invented in the last few years.

The production is perfection, and if you’re into classic disco musical clichés that defined electronic music in that era, such as the iconic hyperactive clap accompaniment, “Get Down” becomes a celebration of nostalgia and perhaps a narrative into something deeper. The trip back is lots of fun. It is surprisingly beautiful in tone, and its retro-wave 80’s groove, total wonderfulness!

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