AP Project – “Out of The Blue” – Smooth, beautiful mixes, innovative style and very cool grooves

The AP Project is a band formed by students from the conservatory of music in Naples (Italy). Its members include band leader Arcangelo Pezzella (guitar), Guido Foi (piano and keyboards), Alessandro Petricciuolo (bass), and Francesco Pellegrino (drums), and features Angela Addezio (vocals). Though the group comes from a jazz background, they prefer not to label their music in any way. “We all come from jazz,” says Pezzella, “but we all go somewhere else. That’s the best feature of our album,” he continues, “It’s a sonic journey through different yet similar soundscapes.” The AP Project took shape about a year ago,

Solomon’s Architects – “The Edge Of It All” goes beyond pure musical pastiche

Bryant Micheal Waghorn can make your head spin with his creativity and output as a singer, songwriter, project leader and musical collaborator. The album, “The Edge Of It All” by his pet project Solomon’s Architects, featuring multi-instrumentalist and producer Luc Michaud, as well as collaborator Josie Elysia, is a nod to the great pop, prog and rock crossover artists such as Peter Gabriel, the elaborate tropes of The Mars Volta, the complex bombast of King Crimson and the shuddering rhythms of Rush, with a thick smudging of REM-styled, organic singer-songwriter flair. Add a clear-headed ear for melody and arrangement to

Matt Draco – “Get Off” – a cautionary tone that’s burned into every word!

Raised in Inglewood, California, Matt Draco’s prowess blends his aggressive West Coast personality with his nimble New York inspired rhyme schemes. As a child he studied the lyricism of creatives such as Notorious B.I.G, J. Cole, and Jay-Z, and by the time he was 14, Matt also taught himself how to compose orchestral music, enhancing his musical understanding and vision. By the age of 18, Matt Draco had the honor of conducting University Preparatory School’s orchestra twice, with two different pieces composed by himself. He then returned to his native Hip-hop roots releasing a series of freestyles and singles on

Kiing Dee! – “Black Kings (ft. King Los) flows with such a captivating style!

Kiing Dee! has been boxing since the age of 6. He grew up in the Pawtucket/Providence area where he fights out of Big Six Boxing academy. He has won many regional tournaments as well as fighting in the 2016 Olympic Trials Qualifiers and previously being ranked #2 in the country. Kiing Dee! went professional in 2018 but an Achilles injury changed his life. It forced him to do the only thing he could do while recovering on his couch and that was make music. Once he realized that people actually liked his music, he decided to take it seriously. Constantly

DREAM BIG EMPIRE presents Blacc Cuzz – “Wadd Up Doe” – outbursts of authenticity and real Hip-Hop

Blacc Cuzz is committed to forging a glorious way forward in his career. More importantly, he’s underscoring his critical lapses in the past for sake of the young guns who may admire him. At this stage, the Pittsburgh, PA, born and raised creative, who fashions himself as a self-made businessman in the mold of Jay-Z, is well aware of his status as an artist and record label boss at Dream Big Empire. The good-natured don of the working class can rap like the most vulgar deacon you’ll ever meet, driven by reactionary outbursts of authenticity and real Hip-Hop. Much like

Ramirez Coiva – “I’m Walking Away” shines in the way the guitar and string arrangements are so well put together

Ramirez Coiva regards himself as a Citizen of the World, who has been writing and making music since 2000. His single “I’m Walking Away” was written and recorded in Istanbul (Turkey), a couple of years ago. The song is a hybrid between the alternative rock guitar sound of the past and a look toward a more modern, sleeker pop sound. One thing is clear on this track, there are very few people that can match Ramirez Coiva’s all-embracing songwriting talent. Regardless of style, whether it’s heavy guitars or strings, keyboards and drums, a great song is a great song, and

“Time” – The new single and video release by APKLYPZ

“Time” in the world of APKLYPZ is the unknown march into darkness. The trippy mind-bending perceptions of infinity. The psychedelic wanderings of a consciousness loose in the cosmos. The groove between space and time, the analog and the digital, reality and illusion.  Audiovisual artist APKLYPZ combines dense dreamy trip-hop and psychedelic visuals to create a cinematic experience called a “form of escapism” by Electro Wow. Every APKLYPZ production is a vivid world of expression and “…an enthralling and emotive listen which is accompanied by a spellbinding video”. Seasoned by decades as a bass auteur and years as a globetrotting

“KETAMER” – Doc Ketamer is absolutely at the top of his game

Doc Ketamer is a DJ / producer born in Naples. At the age of 20 he started traveling throughout Europe organizing juggling shows. From the year 2000 he began to collaborate and play with different sound systems. In those years he focused on live sets. In this same period he founded the KML sound system KML, which almost immediately joined the larger collective Black Sheep. After this experience, and having played all over Europe, DJ Ketamer – as he was called then – rediscovered his passion for vinyl and began playing different styles on various occasions in social centers and

International Independent Entertainer, Cips is preparing his latest album and tour!

Cips, pronounced (Sip’s) is an international independent entertainer who has done various showcases and has toured multiple times across Canada and United States. Cips has currently accomplished three Canadian tours and two American tours so far. Performing in various major cities across Canada and United States such as Vancouver, Toronto, New York, Miami, Houston, Detroit, Chicago, Pittsburgh, Philadelphia, etc. Cips has also worked alongside various artists in the music Industry such as Sayzee, Big Trill, Merkules, Stitches, and many more. His latest project titled ‘Codeine Cowboyz’ was completely created, mixed and mastered in Miami, FL, produced by Supply & Demand,

THE BRKN releases “The Motions” from their upcoming debut EP titled “No. 3”

Punk n’ Rock newcomers THE BRKN debuted their first single and accompanying video for the song “Your Existence” this summer and the buzz started to build. The band has already racked up over 113k streams on Spotify playlists. See the video for Your Existence here – https://youtu.be/vSJiJrb87h4 THE BRKN is Jacob Cade – Vox and lead guitar, Kick Stevens – rhythm guitarist, Mike Bokenkamp – drums and Tristan Verghese – bass. The band recently released the second song and video for “The Motions” from their upcoming debut EP titled “No. 3” which will be out in early 2020. See the

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has a hard-to-describe 80’s nostalgic-yet-futuristic feel.

No, seriously, a lot of people rate things 5-stars but this is genuinely a 5-star single. Ok, let me clarify. I hate dance music that is repetitive, unimaginative, and beat the few good ideas they have to death within the first minute they appear.

Lots of EDM music is especially well known for the “throw it at the wall and hope it sticks” kind of music that has made it both, one of the most fascinating, vibrant and terrible genres of music ever made. Gual has come to save electronic dance music from mediocrity. Gual has ridden in on a range of synths, adorned with bags of melody and groove, to spread to all who will accept it.

And there is no reason why you should not accept it. I know I’m risking over-hype here, which I don’t mean to do, because this is hardly an original track. In fact, the very premise of “Get Down” is utilizing sounds from the 70’s and 80’s to recreate that old school vibe.

Except “Get Down” goes beyond that, it takes those years of experience, and crafts one of the best nu-disco tracks of the year. It rarely rests on its laurels from the opening bars, offering buoyancy and dynamism in a jam that lasts just under four minutes, providing an enjoyable auditory experience.

Flipping the script on a lot of modern electronic records, Gual delivers a bright, uplifting production that rides on a thumping beat. The producer guides listeners through driving horn stabs, arch-funk bass lines, and true synth menace among the swirling choral soars, and whiplash handclaps. “Get Down” re-frames the monotone, four-to-the-flour compositional ethos that we’ve come to expect from EDM.

Happily stuck somewhere in glorious dance era, Gual refuses to acknowledge the eulogy for classic synth sounds from iconic instruments of that era. Instead, he revels in them, often preferring moving funky basslines, and classic thick scattering horns, over futuristic sounds invented in the last few years.

The production is perfection, and if you’re into classic disco musical clichés that defined electronic music in that era, such as the iconic hyperactive clap accompaniment, “Get Down” becomes a celebration of nostalgia and perhaps a narrative into something deeper. The trip back is lots of fun. It is surprisingly beautiful in tone, and its retro-wave 80’s groove, total wonderfulness!

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