Andy Pett – “Back Again” turns hurt into art with great results on this song

Experience with adversity builds exemplary character and a spirit of resilience that allows artists to deliver great music. Their personal stories provides them with original ideas and profound insight to rap or sing about, creating a relatable feeling of vulnerability that fans emotionally connect with. Many prominent artists from today’s culture have battled through adversity to become widely accepted and beloved. There is an interesting argument – and quite a lot of statistics lean toward this theory – that adversity is necessary to become successful.  The bottom line seems to be that many artists lack the ambition to succeed because

Onicks – “High” is a deep slow-burn

With its enigmatic beauty, intoxicating depth and intense emotion, the follow-up to “High” is one of the most intriguing records of the year so far. The lyrics are elliptical and fragmented, touching on addiction, identity and eroticism. The track’s mood is druggy, dislocated and tortured – there are frequent metaphoric references to substances and psychedelics – the shape-shifting structure of “High” will capture your attention from top to bottom. Snapshots of elusive love and fleeting lust are scattered throughout – for whom, or for what, is where you need to read between the lines. Born and raised in the San

Midwest Hiphop duo Strangers Of Necessity drop their new single “Abundance”

Strangers Of Necessity are an American hip-hop duo, based in the Midwest, consisting of prolific producer, CoryaYo and veteran lyricist, Fooch the MC. They linked via Twitter and quickly became friends, sparking an immediate chemistry and need to make quality music together; hence the name Strangers Of Necessity. They instantly began recording music and doing shows locally, generating a nice buzz in the area. Their sound is best described as a fresh take on that golden era of hip-hop, blending tasteful jazz and soul samples, crisp snares, boomy kicks on wonky patterns with a soulful delivery, dense schemes and potent

Kilo M.O.E. – ‘Fly G’z and Palm Treez’ – serves as the perfect canvas for the rapper’s elite lyricism

The Baltimore-based producer, songwriter, rapper, Kilo M.O.E.’s evolution over his past three albums has been inspiring to see. I’ll always admire artists who push themselves creatively, and that’s exactly what, Kilo M.O.E. has done on his fourth studio album, ‘Fly G’z and Palm Treez’, and it pays off in leaps and bounds. Each instrumental is rich and developed, serving as the perfect canvas for the rapper’s elite lyricism. Something that this recording and Kilo M.O.E.’s recent albums have done well is allow him the freedom to rap for the sake of his craft within the confines of the album’s larger

Jim Wyly – “You Took Me” – It’s rhythmically tight, warm and edgy

Texas singer songwriter Jim Wyly is back with another soul-stirring track from his “The Artisan” album. Over 40 years deep into his craft, the Austin troubadour sounds like a home-cooked meal. He deals out comfort food for the head, heart, and soul. All of this serves his finely drawn guitar lines, bourbon-stained-like vocals, and funky acoustic-driven grooves as thick as molasses. A subtle blend of blues, country, folk and southern rock runs right down the middle of “You Took Me”. “Musicians’ musician” is an overused term. Why wouldn’t anyone with two good ears appreciate Jim Wyly? As Jim doesn’t cater

Hanen Release Brand New Video For The Song “Breathe”

It’s never been easier for artists to stay independent. Of course you can get good music producers, good visual directors for videos, good rappers and good singers to feature on your track without a great budget, but you have to search the world over to find deals you can afford, or convince creatives to work with you. Texas born artist, now living in the LA area, Hanen, somehow got it all together on his latest track called “Breathe”. He sings soulfully and raps with an urban edge all by himself, backed by an atmospheric slow-burning, and ear-warming beat made by

Angry B – “Hey Corona! (Nice to Meet Ya)” – reflects the realities with a good dose of wit

On his latest single, “Hey Corona! (Nice to Meet Ya)”, underground music hobbyist Angry B pinned his rap skills and dark wit, to the sounds of mainstream pop and a funky EDM template. He blurs the lines between genres with the top of the charts — and only the top — in his sights. As can be deciphered from the song title, Angry B pulls his aspirations from the dramatic Covid-19 disease hitting mankind across the globe. “It’s one of the most critical situations we’ve had and there will be a lot of sad stories connected with it,” says Angry

Izzie’s Caravan – “Leo’s Guitar EP” – an understated guitar virtuoso

On the recording, “Leo’s Guitar EP”, Izzie’s Caravan and his guitar conspire to use every single crayon within the blue color box to deliver one of the best underground independent studio blues releases I’ve heard this year. Among others, Izzie takes his cue from greats such as Lightnin’ Hopkins, Buddy Guy, John Lee Hooker, and Eric Clapton. So you can expect a wide and wholesome finger bending spectrum of sounds. The aforementioned guitar heroes are points of reference, not simple deductions for resemblance. The opening song, “Two’s In The Bush”, has a highway drive, and jangly timbre that’s upbeat and

‘Mind Blown’ – The Video and Brand New Single by EyeKonic

EyeKonik is an artist with a focus on creating punchy and appealing pop music with a personal twist. Recently, he released a brand new single called ‘Mind Blown’. What really makes this track stands out is definitely the fact that it’s so well produced, and the performance value is excellent as well. EyeKonik sings with passion and intensity, and the artist’s vocals soar through the atmospheric melodies and punchy tones of this mix. Fans of artists as diverse as Mac Miller, Michael Jackson, Prince, and Eminem are definitely going to enjoy this amazing single. Check out the newly released music

Sundance Jump with W. Dire Wolff release the Indie Rock Video “Zodiac Killer”

Zodiac Killer is a wild Indie Rock song with crazy slide guitar laid over a rockabilly beat. The song is about a woman who frequents a night club called Zodiacs by nights, and cruises around town by day. Deep Purple Sage is a CD, Vinyl, and Digital release by Sundance Jump with W. Dire Wolff. The album blends Alternative Rock with Psychedelic Acid Rock. Recorded in Joshua Tree, California at Skylab Studios; the album has an underlying desert theme.  The LP is recorded in the old school style of Acid Rock vintage tube amp guitar sounds, mixed through analog

Zans Harkov – “Planet 1095” fits neatly within the composer’s overarching conceptual aims

Initially inspired by Minimalism and composers like Philip Glass Zans Harkov moved on to succumb to the allure of Techno, Trance, Hardstyle and Drum & Bass. He also had an affinity for the grit of analog sounds that he would pick up from from Synthwave artists such as Kravinsky, Perturbator, and Mitch Murder, among others. Recently Zans dropped his debut single, entitled “Planet 1095”. The concept of his artistic persona is that of a robot A.I. from the 80’s with a goal of taking over earth. “The track is a vision of what home world is like,” says Zans. Born out of this experiment, the new track embraces the space-age sonic palate with a synth-heavy production.

“Planet 1095” flips between energized, uplifting production and dark, ominous passages. The synths and subtle melodies have a clear 80’s influence, incorporating rumbling synthwave with ethereal motifs that create contrasting moods which somehow fit together perfectly.

The song brings Zans music out from hovering over the beauty of Earth and into a larger galaxy. A somber beauty reigns supreme underneath the throbbing synths and rolling percussion.

The tidal waves of a lived life in the vast universe can ebb and flow in response to the gravitational pull of the emotional experience forged by the nostalgia of home. Zans Harkov has figured out how to portray these feelings in a deeply nuanced way through his machines.

Through we’re talking about robot A.I., there’s an emotional resonance here; less about visceral thrills and more about a connection to the moment.

This track is busting at the seams with neo-futuristic attitude and retro wooziness. Giant swaths of synth are accompanied by thumping basslines and electronic drums, as Zans Harkov blends bombast with an equal amount of eerie beauty and thoughtful sonic introspection.

It’s amazing when a composer can walk the line between ambient and active, which Zans has done consistently here. He builds a tune that is by turn mechanized, organic, and cinematic.

The shimmering sounds and blasting beat makes you feel like you’ve fallen into the soundtrack to a sci-fi movie, which you kind of have, given that there’s an intricate narrative behind the Zans Harkov artistic story.

It seems like Zans has set himself the personal challenge of seeing how much narrative can possibly be conveyed through electronic music, without the aid of lyrics. And to be honest, the song fits neatly within the composer’s overarching conceptual aims.

Zans Harkov displays a complete mastery of his craft, building up his sounds in an analog synth language ample enough to express shifting moods and paint a series of sonic imagery dedicated to the song’s theme. If you close your eyes, you’re taken on a mysterious journey through a Blade Runner-styled mission and an Inception-styled Hans Zimmer epic.

“Planet 1095” is a very interesting take on the rise of modern cinematic synthwave, and although we’re amongst a flourish of artists popping up, Zans Harkov stands out above for now.



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