Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Freddy Angel: “Sound of The Dark Cloud” incorporates a feeling of new methodical, creative steps

Freddy Angel, an independent electronic music producer/vocalist, as well as a multimedia fashion blogger, was born in New York City, and grew up living in Miami, Florida where he currently resides. Freddy who studied advance arts in Miami, also played both the French horn and trumpet throughout his years in junior high and high school. Freddy Angel’s passion for producing electronic dance music was born in 2004, when he first heard the fast paced rhythm and beats of big beat and drum ‘n’ bass music. Freddy released his debut album “Beyond These Stars” in 2008, and this year, during February, he dropped his latest EP “Sound of The Dark Cloud”.

“Sound of The Dark Cloud” is an EP composed of both introspection and innovation. I constantly imagined avant-garde stories coming to life alongside these diverse musical pieces. Freddy has a sound that I feel will resonate into a new generation of electronic artists; starting off with “Just A Demonstration (Intro)”.

The Freddy Angel EP cover

The Freddy Angel EP cover

He not only takes an existing feel from modern day EDM music and implements it into the EP, but also incorporates a feeling of new methodical, creative steps toward the, literal, future of electronic music as well, by constantly shaping each song as an evolution in the EP, creating a progressing flow that is nothing less than extraordinary and captivating to listen to. Each song fed my expanding anticipation toward the next.

The pulsating rhythms will hook you immediately from the bass induced darkstep track “Don’t Jump”, into the breakbeat of “Deadly Sniper”, until you’re eerily drawn away into the distorted drum and bass beauty of the very brief “Bonus Track (Drum N Bass Freestyle)”. It won’t fail to leave you with a universal curiosity lingering in your mind upon its haunting conclusion. What’s next?

Freddy Angel is without a doubt one of the more eclectic music makers not officially in the main stream business. His tracks speak to the soul, flow endlessly and by the time they’re done you are hitting repeat without knowing it. This is a rare EP that is great all around, and at the same time is able to incorporate many styles of electronic music into such a small package.

The music on “Sound of The Dark Cloud” is engaging and complex enough to hold your attention, while still maintaining the upbeat rhythms and otherworldly sound that only electronica can capture. This music will earn many genre descriptions, but beyond the genre descriptions, Freddy Angel displays a free-form spirit that seeks to indulge and break through expectations and conventions. These songs do not particularly speak to any specific fancy but rather earn their right to be appreciated after multiple listening.

For me, what separates Freddy Angel from many electronic artists is that he really does do his own thing. It seems like so many other artists just piece together bass noise and drum beats in this genre. Freddy mixes it up with some very different styles, rap verses, big beats, and some great synth sounds. With “Sound of The Dark Cloud” you realize that Freddy Angel is creative enough not just to make his own music, but literally create alternative sounds for others to follow.

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