Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

Roger Cole & Paul Barrere: ‘Lost In The Sound’ – their most rewarding record yet!

If you are a Radiohead fan, with a penchant for legends like Pink Floyd and King Crimson, then Roger Cole & Paul Barrere will be an easy band to fall in love with. Thick haunting atmosphere, lots of bleeps and beeps, intense melodies, beautiful vocals and mystery-veiled lyrics, are part of the deal on their latest, freshly baked album “Lost in the Sound”. The riffs and parts are tight, intense little affairs with so much power as to build a cinematic degree of tension. These are well-oiled high-thread-count arrangements that draw their texture from an array of stringed instruments and keyboards, building lush layered harmonies. It’s a beautiful sound that shows it’s depth on repeat listens. Multiple listens reveal a rich complexity that becomes increasingly engaging. I encourage you to listen to “Lost in the Sound” several times prior to forming a conclusive opinion about this incredible album.

I believe Roger and Paul to be gifted musicians that don’t just pick up their instruments and play for some cash, but put great thought into what they do and equally would like to be proud of the sounds they create. More and more often music is referenced by other bands – “oh, it sounds like so and so” or “so and so is the new blahblah”. In fact I made the same error right on the opening line of this review.

To be truthfully honest, Roger Cole & Paul Barrere manages to sidestep these identifiers creating their own music without falling into the pit of preconceived notions. What they do have in common with the aforementioned bands though, is timeless music.

When I first started telling people about Roger Cole & Paul Barrere, I’d find myself at a loss for words, when asked to describe what it sounded like. Expansive, harmonic, bluesish, rockish, but always elusively avoiding falling into one definitive sound, which is the strength of their music, and this album in particular. Ideally, great bands will evolve and not keep putting out different versions of the same song, which is what they do.

Lyrically, Roger Cole & Paul Barrere veer between thinly veiled allegories of weighty, real-world disquiet, and terse, unknowable personal impressions. By cutting themselves off from a hurry-everywhere-and-everything society, Roger and Paul have successfully realized their most rewarding record yet.

Where the somnambulant rock sway of opener ‘In My Prison’ and the  lead single ‘Lost In The Sound’ present a rich wealth of epic atmospheric and melodic finesse, mid-album highlight ‘Let It Go’ – with its rhythmic flourishes and darkly harmonic twists and turns – makes for borderline grandstanding stuff.

Elsewhere, the shrewd shifts and almost-imperceptible tonal changes on mid-album peaks ‘All That I Need’ and ‘Final Curtain’ capture the band’s knack for exquisite chord changes that reward a keen ear. Woven with sweeping arrangements – not least on ‘Political Freak Show’’Roger Cole & Paul Barrere have once more mined majesty from honoring the craft of the song, not to mention the profound air of musical wanderlust that is forged when Roger and Paul bang heads.

Both masters of understated flourishes – delivering many moments of instrumental and vocal brilliance that marry classic, prog and art-rock influences, Roger Cole & Paul Barrere notch up at times, to a realm of straight-up virtuosic finesse.

The duo has been able to indulge as many whims as they’ve felt right. Listen to the amusing ‘Your Annoying’, or the oblique and artsy ‘Indifference’, as well as my favorite, ‘Grain of Sand’. The sounds captured, as lusciously organic as they are, are perfect for the overall pitch of this release.

This is music stemming from a place that few artists can access. The songs are focused and determined. It’s like hearing the past half a century of rock music playing in one single album, which sounds—thrillingly and reassuringly—like the future to me! Out via Better Daze Records the album ‘Lost In The Sound’ is available now!

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