Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

Vessel Decimal: “CONVERSION: Level Two” sounds like the band’s finest hour yet

Those of us who are fans of the Cleveland founded band, Vessel Decimal, might occasionally wonder why they aren’t more popular. Well, the answer is simple, and it says a lot about the culture in which we live. Vessel Decimal’s music requires one to think. Not just about the lyrics, or not about some indefinable concept, or whatever. No, you actually have to listen to their music in order to get it. That means that, in order to really appreciate Vessel Decimal you have to take the time to focus, to actually concentrate on the music. Sadly, the majority of people these days either aren’t inclined, or aren’t capable of such sustained listening. Which is why the radio air-waves are filled with garbage; that foul-sounding stuff that recording-label marketers think we want to hear, or believe we are just barely intelligent enough to comprehend.

“CONVERSION: Level Two” is an album that will require all of your attention – this is not background music. If you want to get the most out of this powerful collection of songs, you need to set aside some time and focus. Otherwise, this may sound like chaotic noise.

There’s a lot going on here, and if your mind wanders, or you get distracted, you are going to miss something important. No question. When looking at the 13 songs that make up this album, the first thing you need to focus on is the band’s overall songwriting. The quality of melodies, rhythm structures, and direction of the songs are fantastic.

For all the appreciation the band get for their ability to craft monstrous riffs, they also understand two key components that other proponents of this genre forget about: melody and songwriting. “CONVERSION: Level Two” is the band’s best album yet because their genuine sense of sonic joy filters through just about every note, but also because Vessel Decimal pay careful attention to their songwriting and lyrical abilities.

I don’t have any difficulty in saying this album sounds like the band’s finest hour yet. From the moment they open with the introductory “Inner Circle” the band starts working its way towards climactic crescendos.

The songs are packed with all the things you’d expect from the band at this point: flawlessly executed metal grooves, crushing guitar riffs, cinematic synth interludes, and ravaging vocals, all held together by rampant percussion and impacting lyricism.

The technical nature, highly skilled musicianship and sheer harshness that Vessel Decimal display over the crushing “Denominator” and “Neighborhood Watch”, will help open the minds of young music fans in an extraordinary new way. Setting the bar at a new level, on “Half a Million”, the band set out to wow audiences, raising expectations of what to expect.

While mostly bold, Vessel Decimal also crosses boundaries with a sound that is not only pleasing to metal heads, but teetering on the epic cinematic realm in “A Learning Process”. Ripping in with crashing drums and a mixture of screams and growls on “All Emotions”, frustration and anger flow through the instrumental and vocals while a guitar solo steps in as a pinnacle of the two emotions.

Leading with no pause, “New Stimuli” comes next with a tempo that morphs into a steadier beat.  Mixing it up some, “No Suppression” is up next with a diverse sonic range and Darkwave style vocals. The vocals float in and out of the beat, and extends its darker electronic theme.

“The Tomb of Santa Claus” takes Vessel Decimal back to the chugging, grinding rhythm followed by an ominous post-rock attitude. Vessel Decimal keep the audience guessing during the opening bars of “Upcycling” before shifting the energy into overdrive and plying on the lyrical pressure: “Smells like the snakes have made peace with the rats. They twist and turn in the woodpile. They keep it growing – the stockpile.”

“Organic Program” again falls back into the darkwave and industrial slumber as it crawls hauntingly in the shadows. “Spontaneous Harmony” features three distinct vocal styles that blend and weave their way through the arrangement in succession. This brings us to the final piano driven track – “Admit It” which rides out on a set of clean vocals in a melding of shadowy echoes and eerie tones.

Overall, “CONVERSION: Level Two” is very diverse within each track, while keeping a similar theme throughout the album. The tracks shift gears often, but smoothly, allowing all of the different aspects to be appreciated. It leads into arguably Vessel Decimal’s most immaculate recording yet. The vocals are mostly harsh-sounding and full of power, working in tandem with the crushing guitars and magnificent orchestration to create climactic crescendos of epic proportions.  What more could you want from a band like this?

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