Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

Bishop Battle – “The Ransom (Part 1)” – nuanced and confident

Recording artist, songwriter, musician, actor, and Marine Corps veteran, Bishop Battle has released his latest single “The Ransom (Part 1)”. The track somehow manages to be nostalgic but modern at the same time. Drawing from what sounds like influences from Darkwave, with a dash of added pop power and 21st century production, this track may just be one of the best things I have heard all year. I didn’t have to listen long to know that this was my kind of music. I really like music that is dark and edgy, and Bishop Battle is definitely that. The entire arrangement, with its cascading piano notes, manages to evoke a heart-wrenching poignancy. It’s the kind of achievement you have no choice but to respect, regardless of your genre preference. In nearly every instance, Bishop Battle’s judgment when it comes to guiding the musical arrangement or choosing the vocal nuance, is spot-on.

The facility with which Bishop Battle can summon a seemingly endless number of melancholy hooks is simply stunning. The lyrics are extremely intelligent and thoughtful, without being artsy, evoking a deep mood and subsequent sentiments.

Where the singer-songwriter’s voice reaches for his upper register to amplify the drama, his understated performance-tones in the verses, serves to deepen the emotional impact of the song. It’s a rare thing: an already great song made even better through vocal interpretation. Its epic scale is then further amplified by the soaring string arrangement.

In the end, the most impressive feature of this new recording is Bishop Battle’s voice. His vocals here are nuanced and confident. He is less apt to jump right to his highest range to convey emotion, favoring quieter gradations of tone or variations of grit.

When his voice breaks during the opening chorus of “The Ransom (Part 1)”, the song enters a new stratosphere of beauty. It’s a kind of artistic sincerity, and it is a definitive moment on a track which, taken as a whole, could possibly present a career-defining performance.

Fortunately for the listener, Bishop Battle is such an ambitious musician who produces and delivers quality music creations. Blending synths with strings, and pianos, he still manages to give the song a completely different atmosphere to the sound of his current electronic contemporaries, getting more depth, arcs of suspense and intensity.

And of course, as mentioned before, Bishop Battle also made it to approach the song vocally in a different way – restrained and soft in places, and more powerful, soaring and full of emotion in others. The listener is swept away in the subtle, but grandiose production, and the understated, yet luscious sounds are a delight on every repeated listen.

“The Ransom (Part 1)” is melodic, alternative and progressive music, with a cinematic scope. It leans on the lyric and the vocal for its initial impact, as Bishop Battle imbues the melody with an earnestness that almost aches, but ends up being an all-round gorgeous tune. It will put you in the right mood from the start, to fully appreciate it.

OFFICIAL LINKS: WEBSITEFACEBOOKTWITTERSOUNDCLOUDYOUTUBEINSTAGRAMSPOTIFY

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.