Neave Zaria releases the highly anticipated piano ballad ‘Patience Of A Saint’

Neave Zaria is a 19 year old singer-songwriter from the UK who possesses a talent way beyond her years. Heavily compared to Adele & Amy Winehouse, Neave was brought up listening to classic jazz and soul singers such as Nina Simone, Aretha Franklin & Etta James. Influenced by these musical legends and inspired by everyday life Neave has become an accomplished and prolific songwriter. Debut single ‘If I See You’ was released in March 2020 and has been playlisted all around the world, receiving glowing reviews from the music press. Hot off the heels of ‘If I See You’, her

In ‘The Book of Vision’ Composer Hanan Townshend Blurs The Line Between Science and Spirituality

Townshend weaves a spellbinding tapestry of sounds in Carlo Hintermann’s directorial debut about hopes, dreams, and death Composer Hanan Townshend’s new score for The Book of Vision is now available on Amazon. The Terrence Malick production marks swiz documentarian Carlo Hintermann’s directorial debut. “This film faces the reality of life and death, our hopes and fears, and inspires us to live life to the fullest,” says Townshend of the mind-bending journey. Hintermann describes The Book of Vision as “a game of mirrors between two dimensions, inspired by the type of storytelling in video games.” The production’s international cast includes Charles Dance (“Game of Thrones”), Lotte Verbeek (“Outlander,” “The Borgias”), Sverrir Gudnason

Ute – “Happiness Together” – thoughtfully sung beautiful music from a strong female singer

Ute is a singer, born in Germany, whose heart is in the USA, alongside a huge part of her fans. Ute’s best friend, Grammy winner Kurt Wipfli, is also her producer, and many of her songs are originally written and composed by him as well. Her latest single is, is the love ballad, “Happiness Together”. “It is about that once in a lifetime story when you realize that the person right next to you is the one who you want to spend the rest of your life with,” explains Ute. This is thoughtfully sung, beautiful music from a strong female

Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Solomon’s Architects – “The Edge Of It All” goes beyond pure musical pastiche

Bryant Micheal Waghorn can make your head spin with his creativity and output as a singer, songwriter, project leader and musical collaborator. The album, “The Edge Of It All” by his pet project Solomon’s Architects, featuring multi-instrumentalist and producer Luc Michaud, as well as collaborator Josie Elysia, is a nod to the great pop, prog and rock crossover artists such as Peter Gabriel, the elaborate tropes of The Mars Volta, the complex bombast of King Crimson and the shuddering rhythms of Rush, with a thick smudging of REM-styled, organic singer-songwriter flair. Add a clear-headed ear for melody and arrangement to the equation, and you’re almost halfway to understanding the Solomon’s Architects musical vision. Consider that the album’s title track, “The Edge of it All”, was written in 2002, and you’ll understand that this project spans 17 years of musical growth. Hence it promises one hectic genre blend, thirteen-song journey, right from the start.

Fans may likely argue forever about the perfect genre categorization of this album, but we’ll all be able to agree that lyrically Bryant Micheal Waghorn is just as one would hope for – deep, thoughtful and uncompromising. While the musical scale of the album is grandiose, Waghorn’s storytelling abilities are just as strong.

Each of his songs expands his sonic pallet with a variety of instrumentation, influences, and effects. Solomon’s Architects’ borderless approach to music is underlined by the warm, lush production that recreates the fondly remembered organic sound of classic rock records. The band’s sound is enveloped in a pristinely preserved musical framework which empowers its transformative potential.

However, Bryant Micheal Waghorn goes beyond pure musical pastiche as his visceral songwriting emerges song after song. Each track reveals glimpses of the conceptual coherence and deeply felt emotions that makes this record as excellent as it is. The larger point is that with his creativity, comes authenticity and that is as much what makes Solomon’s Architects’ music transcendent as is his ability to write a great song.

The album opens with the strong percussion of the titular track as cleanly picked guitar notes build the suspense. From there the song soars with strings and layered instrumentation that set the tone of explosions to come. Solomon’s Architects never give away the good parts without the listener having to earn it by paying attention.

“You Can Fly” runs on an aggressive guitar riff, incessant drums and high flying vocals. Waghorn’s voice counters with the rhythms perfectly and he does a brilliant job of adding urgency to the lyrics. “Everything Changes” is more melodic and catchy with chugging guitars and breathy vocals, that drip with emotion. At times the stop-start rhythms are bone-crushing.

“Creature” is another song that will stick in your head long after the album has finished. The captivating Pete Gabriel flavors abound here, as it does on the sprawling “Try Again”. “The Day You Tell Me” forges some delightful string and vocal arrangements, while “Gone Astray” is simply breathtaking.

It is hard to imagine anyone else having the ability to shape a simple song in such a manner.  It is a continuous flow of one idea that keeps evolving. The vocal harmonies on this song alone might make this album worth a listen. Solomon’s Architects are masters of song construction.  No song on this album is just a repeat of parts.

Each song is its own story; each follows its own progression and has its own purpose. “No Time For That” is every bit as inventive and exciting as anything else on this recording, and one of my absolute favorites. It ensnared me in its powerfully emotive web. Moving ahead the album never loses momentum, or variety in sound.

From the upbeat “The Look in Your Eyes”, to the warm organic tones of “Healing Time”, the rich acoustic strum of “All I Need From You”, and the story of Waghorn’s journey into freemasonry on “So Mote It Be”, which similarly impressed me with its engrossing tale, Solomon’s Architects’ brand of organic rock refuses to stand still. Hence, it’s no surprise that each component part of their sound is immaculate.

By the time the album closes with “The Search”, it’s clear that Solomon’s Architects fuse a compelling musical depth with their undeniable soaring choruses, proving that it is possible to write interesting, mature, intelligent, hard-hitting and legitimately progressive music in an accessible way. There are still a few days left, but overall, “The Edge Of It All” by Solomon’s Architects, may just be the best independently produced album I have heard all year!

Solomon’s Architects will be releasing their brand new sophomore album in the summertime of 2020, called “Jet Fuel Juliet”.



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