“THE VOICE” SINGER-SONGWRITER KEYE KATCHER RELEASES HIS FIRST SINGLE: THE MASSIVE POWER-VOCAL DRIVEN “INFECTED” ALONGSIDE AN UNMISSABLE MUSIC VIDEO.  Striking songs, unique power vocals, captivating visuals. One of the youngest and most memorable live show candidates from the 2nd season of “The Voice of Germany” loves to reinvent himself. He wrote the official “Pride Song” for Berlin and has toured the whole country with his live shows and is a leading supporter of the LGBTQI* scene. On January 10th 2020, Keye Katcher released the intense, sinister pop song “Infected”. A visual feast of a music video paired with a

BentleyRecords Signing Liber Electro are back with their long-awaited album “Fuel”!

Three years have passed after the first release and Liber Electro are now back with their long-awaited album “Fuel” signed to the international label BentleyRecords. We give thanks to the whole Bentley Records team, and, in particular, Jessica J for patience and Luca Dayz! A lot has changed during these years: members, sound, quality. Nevertheless, Liber Electro managed to keep their vigor and uncompromising attitude on the album “Fuel” The 11 tracks found on “Fuel” were mixed at Ivaneysound in Kiev by Dmitry Ivaney – a fact that already testifies to the high-quality product. Recording features: Liudmyla Vasylieva – vocals,

Pete Vagabond – “Without You” (feat. Kireina Michan) – effortless expanding synths and elegant uplifting vocals

Using an assortment of DAWs since childhood, Pete Vagabond has been making music for many years. Only recently did he decide to share my music. Inspired by what’s trending, combined with the sound of the 90’s, Vagabond makes electronic music, mostly with a definite progressive house twist. His latest single is “Without You” (feat. Kireina Michan). With an element old school candor, the best part of Pete Vagabond’s production is its uncanny ability to grow on you, stick in your head and stay there to the point that you just might find yourself humming the melody or bassline in the

On “Variations” June O owns his style and the environment he thrusts the listener into

June O aka Michael O’Connor, is a 17 year old Colombian/American from Texas. By shining light on his artistic prowess, his EP project “Variations” allows the performer to prove himself as both a singer and rapper. Here he provides various musical experiences for listeners as he moves from rap to rock soundscapes. June O steps outside of his comfort zone, and outside of the box as he experiments with different flows. The addition of alternative styles is a positive step for any upcoming musician’s career. The presence of these stylistic changes on the EP makes a statement that features and

MINOH – “The Witness” – The grit-filled production is near flawless

Jamin Oh (guitar, vocals) and Frank Strozyk (drums) first met in the 5th grade. They then played together in a metal hardcore band called The Bierfront. Twenty years later, the Korean classical guitarist and the German geology professor met again and started to write songs as a side project which in 2019 officially became MINOH. The Asian progressive post-rock duo are currently working on their debut EP, set for release in October 2020. In the meantime they have dropped the stunning single and accompanying video, “The Witness”, which addresses the increasingly dystopian state of the world. MINOH is anything but

Strangers Of Necessity – “Abundance” – dripping with jazzy soul!

Every once in a while, there comes a track that arrives out of the left field and takes people by surprise. One that can prematurely declared an instant classic and actually lives up to the title. I love all types of music, but my taste is irrelevant. What is relevant is the fact that the single, “Abundance” by Midwest duo Strangers Of Necessity, will be considered great years from now. The track speaks to a generation of people struggling to prosper and find harmony, in a confusing, stressful modern environment. The duo bring forth their mindset and experiences, with immaculate flow

The Love Theme – “Hold On” – one mighty swirl of dance-floor groove

“Hold On” is a groovy cauldron of electronic shades and textures. Part dubstep, part soul, part funk, pretty much all breaks; there’s a rhythmic melting pot attitude that runs through the track, which ricochets off the walls with crusty slapping drums and long-dark-tunnel basslines. This is the latest track by The Love Theme – the brainchild of producer Dominic Owen on his Smokersblend record label. The cut is taken off an upcoming album, out later this year. “Hold On” is an absolute monster of a tune with soulful vocal chants, and some funky bluesy guitar throughout. As with a lot


NEW ALBUM MYSTIC OUT NOW VIA STRANGE MAIN/STRANGE MUSIC NEW VIDEO FOR “GOODBYE” With authentic storytelling and varying sounds, Mackenzie Nicole bares her soul and shares her most intimate emotions, thoughts, and struggles throughout the songs on her new album Mystic out now on Strange Main (the pop music division of Strange Music.) “It’s a story I needed to tell,” Mackenzie explains. “I’m not the only person who’s been through this. I’m not the only person who has broken down and felt like the only one in the world.” With a desire to reach others who are struggling and further

Matthew J Van Howe – “Emergent Narrative” – a deluge of his sonic palette!

You could call this ambient, experimental, drone, avant-garde, cinematic or simply electronic music, the fact is “Emergent Narrative”, is so impactful it’s like it’s its own genre. It’s as if some new musical form has been created from retro synthwave sounds, and ultra-modern avant-garde motifs. I was stunned by the textures, and the moods that got stuck in my head, along with the intensity and dynamic depth. This is an album to hear again and again. Loud, raucous, serene, gentle, stretching, insistent, melodic, dissonant. It is a collection of 12 musical pieces with simple one-word titles. Meaning, the Chicago composer,

Andy Pett – “Back Again” turns hurt into art with great results on this song

Experience with adversity builds exemplary character and a spirit of resilience that allows artists to deliver great music. Their personal stories provides them with original ideas and profound insight to rap or sing about, creating a relatable feeling of vulnerability that fans emotionally connect with. Many prominent artists from today’s culture have battled through adversity to become widely accepted and beloved. There is an interesting argument – and quite a lot of statistics lean toward this theory – that adversity is necessary to become successful.  The bottom line seems to be that many artists lack the ambition to succeed because

The Jake Stutsman Band – “Drifter” delivers a vast range of impressive nuances

How do you blend the big band sound, with cinematic electronics and guitar pyrotechnics? You infuse the influences of Stevie Ray Vaughan, Eric Clapton, and Robert Cray, with The Brian Setzer Orchestra and allow it to instill and mature in the mindset of an Alaska based musician, Indiana native, father, husband, and guitar player who goes by the project name of The Jake Stutsman Band. The proof of the materialization of the aforementioned amalgam can be savored in the single “Drifter”. Guitarist Jake Stutsman arrived at this project via concert band experience and a 3-piece instrumental progressive rock band, called Sonic Karma which he founded with school mates.

Balancing between big-room melodic electronics and old-school guitar progressions, “Drifter” delivers a vast range of nuances that will satisfy your needs. Embracing the current trends in EDM to utilizing non-electronic elements, such as the electric guitar, the single builds into a full-blown orchestrated anthem.

Stretching just over 3-minutes, the instrumental track settles into a driving groove, where the guitar melody arrangements allow for breathing room between the massive synth and percussive peaks.

There was much excitement and a high level of expectation when I first loaded this single into the player, especially during this time of an ever changing musical expectation from the rise of lesser known underground artists.  What can we expect from this single? Well for starters “Drifter” exceeds expectations, as The Jake Stutsman Band captivates, intrigues and moves the listeners to new sonic heights with an unusual blend of styles and genres on one single track.

The song comes alive with the strong guitar voicings enclosed around inspiring chord progressions and a very uplifting bass line. Intense and euphoric; “Drifter” emblematizes the artistic diligence that ceaselessly drives Stutsman throughout this project.

And is ample proof of the artist’s exhaustive commitment to his craft. The dexterity of Jake Stutsman’s production, paired with his acute ear for the radio-driven maximalist sound that befits today’s airwaves are apparent on this track.

Neatly packaged alongside the aforementioned elements, “Drifter” also exudes Stutman’s affinity for the larger-than-life instrumental domination that resides on this track. And with the same stroke of his pen, Jake Stutsman effortlessly turns the musical tables with inclusions that scale modern guitar music’s stylistic continuum.

The delight of “Drifter” is the question that it begs: does The Jake Stutsman Band have a sonic comfort zone? If it does, it’s nearly impossible to discern along the chromatic length of this nuanced single.

From the fiery guitar plucks to the thumping percussive motifs and the gargantuan synth-lines, Jake Stutsman proves he trembles at the foot of no aural opportunity. With its broad assembly of sonic elements, anthemic chord progressions, instrumental constructions, and ear-catching concepts and guitar hooks – across this studio showing – resonate poignantly or spike listeners’ adrenaline (often both successively).

“Drifter” is proof not only of The Jake Stutsman Band’s creativity, but also of the artist’s absolute performance ardor. Sheer talent and hard work are keywords here.



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