De Boss announces a new upcoming album entitled “GENESIS”

After his single “Take That” dominated Spotify and Apple Music, De Boss has announced a new album entitled “GENESIS”. The Nigerian-American ATL based artist detailed what the album will sound like and also explained its overall theme. “It’s about taking off a load, putting everyone in their rightful place and just enjoying life, while ignoring negativity” De Boss said, continuing. “So many catastrophes and everything going on in the world. And you want to enjoy life, as long as you have it to the fullest.” The album will be the second solo effort and studio album of De Boss. “Life

PULSE drop their new Cyber Future Metal Single “New Elastic Freak” along with the Sci-Fi Video

PULSE act with their new Cyber Future Metal Single “New Elastic Freak” along with its music video in a bizarre interplay between sexual disorder and alien-obduction Last Week, the release of the new PULSE single “New Elastic Freak” is the third one taken from the brilliant Cyber Future Metal album “Adjusting The Space”, to be released via NRT-Records on November 6th, 2020. The ambiguous “New Elastic Freak” is about a psychopathic sexual disorder with a sex doll resp. the examination of a dead alien body. This ecstatically intense single is not only recommended to fans of Rammstein, Pain or The

Neave Zaria releases the highly anticipated piano ballad ‘Patience Of A Saint’

Neave Zaria is a 19 year old singer-songwriter from the UK who possesses a talent way beyond her years. Heavily compared to Adele & Amy Winehouse, Neave was brought up listening to classic jazz and soul singers such as Nina Simone, Aretha Franklin & Etta James. Influenced by these musical legends and inspired by everyday life Neave has become an accomplished and prolific songwriter. Debut single ‘If I See You’ was released in March 2020 and has been playlisted all around the world, receiving glowing reviews from the music press. Hot off the heels of ‘If I See You’, her

In ‘The Book of Vision’ Composer Hanan Townshend Blurs The Line Between Science and Spirituality

Townshend weaves a spellbinding tapestry of sounds in Carlo Hintermann’s directorial debut about hopes, dreams, and death Composer Hanan Townshend’s new score for The Book of Vision is now available on Amazon. The Terrence Malick production marks swiz documentarian Carlo Hintermann’s directorial debut. “This film faces the reality of life and death, our hopes and fears, and inspires us to live life to the fullest,” says Townshend of the mind-bending journey. Hintermann describes The Book of Vision as “a game of mirrors between two dimensions, inspired by the type of storytelling in video games.” The production’s international cast includes Charles Dance (“Game of Thrones”), Lotte Verbeek (“Outlander,” “The Borgias”), Sverrir Gudnason

Ute – “Happiness Together” – thoughtfully sung beautiful music from a strong female singer

Ute is a singer, born in Germany, whose heart is in the USA, alongside a huge part of her fans. Ute’s best friend, Grammy winner Kurt Wipfli, is also her producer, and many of her songs are originally written and composed by him as well. Her latest single is, is the love ballad, “Happiness Together”. “It is about that once in a lifetime story when you realize that the person right next to you is the one who you want to spend the rest of your life with,” explains Ute. This is thoughtfully sung, beautiful music from a strong female

Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Naddí – “Quarantine Freestyle (93′ Til Infinity beat)” – a master-class in rhyme construction and flow

“Quarantine Freestyle (93′ Til Infinity beat)” makes me wish there were more artists like Naddí. I had to listen to the songs in his catalog a couple times to fully grasp the level of craft used in most of his songs. I still feel like I’m getting more out of several songs every time I hear them after a couple of plays. I think Naddí not only represents a much needed level of originality in hip-hop, but also a much desired level of synergy between the production and the emcees. There is no conscious competition felt between the beat and the bars, each is just doing its thing naturally and beautifully, to the best of its possibilities, without pretense. There really isn’t much else out there like this.

“Quarantine Freestyle (93′ Til Infinity beat)” is a master-class in rhyme construction and flow, as Naddí continuously drops an onslaught of quotables over a banging drumbeat, warm shimmering keys, and wildly blowing horns. Naddí’s artistry lies in his lyrics.

He’s a poet, first and foremost – sometimes explicit, sometimes profound, always focused. Every ounce of brilliance that he provides, stems from his skills as a writer, whether that’s his pen game, or freestyling off the dome, as is done on this track. “Quarantine Freestyle (93′ Til Infinity beat)” does a great job at easing the listener into Naddí’s left-of-center aesthetic.

Naddí proves his ability to create music that endures without ever compromising his vision, elevating his skills without ever chasing trends. Naddí creates jams like “Quarantine Freestyle (93′ Til Infinity beat)” that are simultaneously effortless and complex — perfect for a nice pair of headphones.

Unlike many of his contemporaries, and notwithstanding his music’s accessibility, Naddí has a level of substance that can rival avant-garde artists. Hip-hop is in an interesting state at the moment. Aside from a typically crapshoot mainstream, the underground has also has its share of misfires.

Many promising artists seem to have lost their edge, substance, and confidence as of late. But there’s still plenty of promise for the future thanks to artists like Naddí, who will surely find his sweet spot within hip hop’s ongoing history.

Running through his catalog, it’s clear that Naddí has been steady laying in the cut — always honing his sound, always evolving his style, and, most importantly, always having fun doing it. “Quarantine Freestyle (93′ Til Infinity beat)” is rooted in the bare-bones fundamentals of hip-hop – bars, beat and flow. It’s also looser, richer, and more wonderfully alive than anything Naddí’s contemporaries are currently doing.

“Quarantine Freestyle (93′ Til Infinity beat)” comes across as a bold statement of purpose from an artist that’s found musical bliss, mining his fruitful patch of the hip-hop universe. It is a celebration of that lost era of hip-hop when rapping rhymes was more about entertainment and creativity than simply making bank.

Naddí is part of a relatively small but prolific group of artists, whose minds are set to the task of creating captivating, lyrical and technically proficient hip-hop. Of that group, Naddí, an artist out of the DMV, gets my vote as a movement leader.

Also lookout for ‘Farenheight’, a song released on April 10th. It is another captivating piece written and sung eloquently by Naddí in such a way that leaves an auditory aftertaste that’s hard to match. Everything in this song was luckily carried out and improved. Starting with producer and songwriter Scott Black’s production, passing on to Naddí’s vocals, finally, we have Lorena translating the cinematography so effortlessly.


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