Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Yuki Ato Narayan – “Dispel Any Fears” – entrancing sonic tapestries!

Yuki Ato Narayan is an Ambient, Chillout and Neo-Classical music composer, with a growing catalog of works which captured the attention of the media, and fans alike. I recently came across her album, “Dispel Any Fears”, and was stunned at how beautiful and impacting this music is. Yuki does enough in this one hour listening experience, to secure her a place in the hearts and minds of anybody who appreciates the power of instrumental music. Presented here, are 9 lusciously rich and varied ambient tracks, offering different tones and textures, as well as delicate whiffs of intoxicatingly scented sound.

Right from the opening title track, “Dispel Any Fears”, the idea that there is no physical boundary that marks the edge of Yuki Ato Narayan’s creativity, is apparent. She captures and understands the concept of creativity on so many levels and expresses it, by means of musical form, through magnificent melodies and all-embracing ambiance.

This is not the type of music that will require time and patience to sink in. This is immediately accessible to your senses, as Yuki builds her arrangements gently through mellifluous structures that mesmerize. As in any serious instrumental work, expect tracks that hover around the 7 minute mark, as the composer passionately weaves and wanders her palette of musical colors across each sonic landscape.

“Waves with Crescent Moon” is coaxed in on a resonating piano motif, as Yuki Ato Narayan constructs her instrumental narrative, on a recurring keyboard theme. “Pervading the Ocean” sounds almost like a continuation of the previous track’s theme, with powerful piano keys dominating the soundscape and propelling the momentum.

Once the undulating musical swells kick in, on “Smells with Safron and Sandalwood”, the last thing you will want, is for it to end. The shimmering keys and looping bassline hold you almost hypnotically to their impulses. This is the one that will leave a mark on you and will stick with you for the rest of the day. Yuki Ato Narayan’s profound musical approach and knack for creating picturesque imagery is in full force, all across this album.

Not least, on the reverberating rhythmic undercurrents of “Lord of Sleep”, or the twinkly, ethereal atmosphere found on “Supposed to Sustain”, which is spacious yet captivating at the same time. “The Source of Life” has a deep, reflective vibe thanks to the transcendent soundscape and flourishing piano dynamics. The production is spot on capturing the sublimely metaphysical nuances that this track has to offer.

Through her music – whether intentionally or not – somehow Yuki Ato Narayan never fails to channel the intricacies of what makes our existence, and this planet, so compellingly fascinating. Both, “Melted Capture Rocks” and “Get Up With The Ordinary”, are moving compositions built around the vigorous mechanics of Yuki’s commanding piano lines, which are as persuasive as they are accomplished. They are sheer bliss to listen to with great headphones.

From start to end, on this album, Yuki Ato Narayan seems to effortlessly deliver mood-inducing, life-altering sonic soundscapes that are capable of embracing, captivating and mutating your senses and emotions. These entrancing sonic tapestries will weave themselves into the very core of your being. “Dispel Any Fears” is a world you can live inside and experience in many ways.



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