LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

Lord Doom: “II” – a mind-boggling array of sounds

Lord Doom leads the SGV trio Doom Squad who put on shows and support the growth of their local scene. Starting his own label and building a home studio, Lord Doom began working on a follow up to last year’s self-titled EP. Self-produced and written, the 25 y/o rapper aims to strike emotion rather than a turn up. The new album entitled simply “II” features beats that aren’t just made, but composed very well, and never monotonous. It fuses genres and sounds in a great blend that fits perfectly. The most immediately arresting feature of this album, is the production;

Inactive Spaz: “Who’s Knockin?” – a unique wryness and a resonating range

“Who’s Knockin?” is an intimate, stripped-down song that highlights Inactive Spaz’s instantly recognizable voice, incisive songwriting, and rustic acoustic guitar work. Inactive Spaz is a one man project that weaves its way through blues, rock and folk soundscapes. No matter which style or instrumentation is used, Inactive Spaz has one common denominator – a deep gravelly and world-weary voice that carries each song to it’s visceral and emotional conclusion.

Everything that was good about the early singer-songwriter era is here: great vocals, poignant lyrics, and odd melodies that grow on you because they are attractive without being too commercial. The overall aura of the voice and music has a kind a Van Morrison and Tom Waits quality to it, only a whole lot rawer.

“Who’s Knockin?” is a musically pared down affair. The arrangement is sparse. It has acoustic guitar strumming and a voice dominating the texture. There are no drums; there are no hard rocking frills, but the track does not suffer in their absence.

Instead, we hear Inactive Spaz’s indomitable, whiskey-stained voice growling and twirling with unbridled energy. The record is atmospheric and spontaneous sounding, while the production feels live and not ornate as modern recorded music can be.

Inactive Spaz sounds like his delivering a stream of consciousness straight from his mindset with no pre-written script to hold his thoughts back. And as with all great music there is a certain amount of angst present in the vocals and lyricism.

He writes for his own voice, an instrument with a unique wryness and a resonating range, which means his melodies are immediate, to the core, as if he’s making them up on the spot. More crucially, his songs are crammed with stray details and wonderfully skewed insights.

“Who’s Knockin?” is as sparse lyrically as it is musically, following the ‘no-fat-only-lean-meat’ theory. The result is that the mood and atmosphere of the song is mainly implied by the affecting vocals and then supported by the strumming acoustic guitar.

Inactive Spaz sets a high standard for himself in the writing and performing of his songs, while he leaves the recordings to be rudimentary and raw, as if you were attending a live show.  It is a musical experience that is compelling, moving, and nutritious, almost primordial and a much needed anomaly in these times of gloss and hype.

OFFICIAL LINKS: SOUNDCLOUDFACEBOOKYOUTUBE

About The Author

Reply