Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

Toni Castells: 2045: The Year Man Becomes Immortal? – The emotion is very compelling

Toni Castells is a Hispano-British composer currently based in London. A lecturer at Imperial College London and the London College of Music, his sonic worlds transpire an inherited precocious classical training with an inventive use of modern technologies to create unique and distinctive soundscapes. Castells latest musical endeavor is entitled ‘2045: The Year Man Becomes Immortal?’ which explores the prediction by computer engineer and futurologist Ray Kurzweil that the year 2045 will see the start of a new era in which human and artificial intelligence will merge, man will cease to age and so acquire the potential to live indefinitely. In the original interview with Kurzweil

POOL MOON ELEPHANT: “FLUKY ISLAND” – a relentless appetite for new music

Released June 21 via the Symphonic Distribution label, “FLUKY ISLAND” is the brand new 5-track EP from electronic duo POOL MOON ELEPHANT. A storming journey through various rhythmic styles, combining the duo’s skills to create imaginative feel-good moments, the EP spearheads a new wave of indie dance electro-inspired tracks while embracing the love for warm synths, sparkling heights, gentle electric textures and deep drums. POOL MOON ELEPHANT is the moniker under which the Swiss electronic music duo composed of Riccardo Studer and Ivan Nurchis, undertake their creative journey through the electronic world of music and animation. Both have double-decade experiences in audio-visuals, and working for film and TV

The Hooplas: “Midas Touch” – a statement of intent!

The Hooplas are a modern progressive rock group from Ocean City, MD. Twin brothers Adam (Vocals/Guitar) and Ben Martin (Bass/Vocal) started the band. While their musical influences might not be identical, they share the love of making music. Musicians Cody Bush (Lead Guitar/Vocals), Lovechile (Drummer) and Seth Paul (Synth) round out the band’s roster and form the unique, fresh sound that defines The Hooplas. From their “American Junk EP” comes the band’s latest single “Midas Touch”.The musicianship on this single is impeccable. Flawless guitar riffs changeup like Adam’s voice, from wall-shaking, twin guitar rhythm crunch, to the divine solos straight from the

Inactive Spaz: “Who’s Knockin?” – a unique wryness and a resonating range

“Who’s Knockin?” is an intimate, stripped-down song that highlights Inactive Spaz’s instantly recognizable voice, incisive songwriting, and rustic acoustic guitar work. Inactive Spaz is a one man project that weaves its way through blues, rock and folk soundscapes. No matter which style or instrumentation is used, Inactive Spaz has one common denominator – a deep gravelly and world-weary voice that carries each song to it’s visceral and emotional conclusion.

Everything that was good about the early singer-songwriter era is here: great vocals, poignant lyrics, and odd melodies that grow on you because they are attractive without being too commercial. The overall aura of the voice and music has a kind a Van Morrison and Tom Waits quality to it, only a whole lot rawer.

“Who’s Knockin?” is a musically pared down affair. The arrangement is sparse. It has acoustic guitar strumming and a voice dominating the texture. There are no drums; there are no hard rocking frills, but the track does not suffer in their absence.

Instead, we hear Inactive Spaz’s indomitable, whiskey-stained voice growling and twirling with unbridled energy. The record is atmospheric and spontaneous sounding, while the production feels live and not ornate as modern recorded music can be.

Inactive Spaz sounds like his delivering a stream of consciousness straight from his mindset with no pre-written script to hold his thoughts back. And as with all great music there is a certain amount of angst present in the vocals and lyricism.

He writes for his own voice, an instrument with a unique wryness and a resonating range, which means his melodies are immediate, to the core, as if he’s making them up on the spot. More crucially, his songs are crammed with stray details and wonderfully skewed insights.

“Who’s Knockin?” is as sparse lyrically as it is musically, following the ‘no-fat-only-lean-meat’ theory. The result is that the mood and atmosphere of the song is mainly implied by the affecting vocals and then supported by the strumming acoustic guitar.

Inactive Spaz sets a high standard for himself in the writing and performing of his songs, while he leaves the recordings to be rudimentary and raw, as if you were attending a live show.  It is a musical experience that is compelling, moving, and nutritious, almost primordial and a much needed anomaly in these times of gloss and hype.

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