M.C. ZackAttack: “Rap Or Die!” – on his daily grind!

Zachery Duncan, or rather M.C. ZackAttack , has been influenced by new age lyrical poets who speak their mind through music since 2010. Soon he’ll be releasing his newest mixtape “Mind Over Madness”. M.C. ZackAttack  has recently dropped his single, “Rap Or Die!” Let me start off by saying this track isn’t for everyone, you either love it or hate it, I would say it’s a hit and miss for certain people.  We all know that the quality of hip-hop has gone downhill, with a lot of artists either going for shock value with vulgar lyrics or relying heavily on glossy production

MoEoStAr: “Algorythmic Intelligence” – You’ll find a sense of comfort in the quaintness

Norwegian Independent producer Mattias Gillis Winge Rudh better known as MoEoStAr, played the clarinet and saxophone in various bands while growing up. He started producing in the 1990s, but gave it up while pursuing an engineering degree. For a period in his life, he was simply an active music listener, until he discovered the new production software via a smartphone app. In 2016 he started the “less than a $1000 Album” project, where he aims to produce and release a full album on a $1000 budget. In the meantime MoEoStAr has dropped the single, “Algorythmic Intelligence”. Notwithstanding its modern technological

J.Dot & KD: “To Whom It May Concern” – Low on frills and rich with introspection!

I noticed that J.Dot makes his best music when he’s rapping about being a responsible man, or when he’s creating something with substance and meaning, as opposed to trying to make contemporary radio hits or battle rhymes (although he is an excellent wordsmith).  This is mostly what happens on his 4 track EP, “To Whom It May Concern”, that narrates the evolution of relationships in its various forms. To put it all in perspective, this sounds like a powerful and mature work. Something tells me J.Dot experienced things that impacted him over the past years and this album is bred

Jack Soundfield: “Shine” – You can dig deep or soar to the shore

By profession Jack Soundfield is an engineer who has travelled around the world. He has lived in Canada, Germany and Switzerland. Besides uncovering the secrets of the globe Jack has a passion for music and experimenting with instruments and sounds.  “Before publishing a song, it is mine alone,” says Soundfield. “After publishing it, anyone can listen to it and decide whether to identify with it, or love it, or both.” Jack, who has been composing music since 2009, recently released his debut album, entitled “Shine”. “I have to admit,” explained Soundfield, “that my girlfriend – a solfège teacher of the

G.H. Hat: “Piano Jam 2 (Ode To Kygo)” – an authentic human expression

Modern acceptance, or lack there of, in electronic music hardly comes as a surprise. Just look back through the history of music and how the 17th century technology spread. Musicians no longer had to master a particular bow technique on the violin or cello in order to play the perfect note – They just had to press a key. Can you imagine the horror of the purists at the time? They probably all thought that the piano was destroying the soul of the music. What it did though was simplify things. It reduced what was really essential and human. People

JaVez: “When I Was Uptown” has the power to captivate audiences

JaVez is a 23 year old Maryland recording artist who sings, raps, produces, and mixes his own music. The self-taught Baltimore area artist has a penchant for Kanye West, Usher, Jay Z, J. Cole, Kendrick Lamar, and Chris Brown. He also grew up listening to singers like Brian McKnight and R. Kelly. JaVez plans to one day be a successful CEO of a record label and iconic recording artist. JaVez is the true definition of an artist, he isn’t afraid to be himself and put himself out there. The lyrics alone prove that. Add in some fantastic production and the

HR Live At CBGB’s 1984 – an essential part of alternative music and punk culture

HR is most well known as the lead singer of revolutionary reggae punk rock band Bad Brains. In their day Bad Brains could have been easily mentioned in the same breath as The Ramones, The Sex Pistols or The Clash, such was their greatness. Yet the band has evolved many times in its long history, playing across many genres of music including jazz, hardcore punk, alternative rock and reggae. HR has been making music since 1976 with Bad Brains, and along the way until today, he has been acclaimed for his reckless punk screaming just as much as he has

Callum Crighton: “The Rose” – a strong ear-catching melody

Even while everything I know about my musical taste should violently reject the cheese-camp synth pop and adorable mainstream swoon songs of the 80’s, I’ve enjoyed that music ever since I was first tricked into listening to the smooth, velvety crooning of the Brit pop chart invasion during that period. I can’t really explain why I loved that music so much, I guess for the same reason people eat cheesecake: It’s loaded with sugar, almost unbearably sweet, and probably isn’t the healthiest for you, but goddamn if it doesn’t make you feel so good inside when you eat it up.

Virgil Blue: “Pain Of Loss” – gorgeous washes of sound

Virgil Blue has released his debut EP entitled “Pain Of Loss”. Inspired and influenced by Prince and Sade, Virgil, a multi-instrumentalist who started out making music at the age of six, when he picked up the saxophone, produced much of the music that can be heard on this EP. Virgil who recently moved from the suburbs of Detroit to LA has put together 6 smooth trance-like tracks that that flaunts ambient, RnB and trip-hop flavors. If you’re looking for something atmospheric and hypnotizing, then this recording may be of serious interest to you. Fragile, tender and soulful, Virgil Blue’s voice will

Big Chris: ‘Bad Timing’ – high quality production and seamless transitions

After a successful release of his last single ‘F The World’ in Summer of 2016, UK based RnB artist and producer Big Chris releases his newest album ‘Bad Timing’ available via all major media providers. Recorded by Big Chris and John Robinson at Clique Studios, London and Miami Live, Miami. The album mix was finalized by Mixbytrip at Circle House Miami. Inspirations of The Dream, Mike Posner and R Kelly can be heard throughout. This album has some really original, unique, futuristic cuts on it, as would be expected. Big Chris is a more audacious artist than most in the R&B game right now, because he says what

Inactive Spaz: “Who’s Knockin?” – a unique wryness and a resonating range

“Who’s Knockin?” is an intimate, stripped-down song that highlights Inactive Spaz’s instantly recognizable voice, incisive songwriting, and rustic acoustic guitar work. Inactive Spaz is a one man project that weaves its way through blues, rock and folk soundscapes. No matter which style or instrumentation is used, Inactive Spaz has one common denominator – a deep gravelly and world-weary voice that carries each song to it’s visceral and emotional conclusion.

Everything that was good about the early singer-songwriter era is here: great vocals, poignant lyrics, and odd melodies that grow on you because they are attractive without being too commercial. The overall aura of the voice and music has a kind a Van Morrison and Tom Waits quality to it, only a whole lot rawer.

“Who’s Knockin?” is a musically pared down affair. The arrangement is sparse. It has acoustic guitar strumming and a voice dominating the texture. There are no drums; there are no hard rocking frills, but the track does not suffer in their absence.

Instead, we hear Inactive Spaz’s indomitable, whiskey-stained voice growling and twirling with unbridled energy. The record is atmospheric and spontaneous sounding, while the production feels live and not ornate as modern recorded music can be.

Inactive Spaz sounds like his delivering a stream of consciousness straight from his mindset with no pre-written script to hold his thoughts back. And as with all great music there is a certain amount of angst present in the vocals and lyricism.

He writes for his own voice, an instrument with a unique wryness and a resonating range, which means his melodies are immediate, to the core, as if he’s making them up on the spot. More crucially, his songs are crammed with stray details and wonderfully skewed insights.

“Who’s Knockin?” is as sparse lyrically as it is musically, following the ‘no-fat-only-lean-meat’ theory. The result is that the mood and atmosphere of the song is mainly implied by the affecting vocals and then supported by the strumming acoustic guitar.

Inactive Spaz sets a high standard for himself in the writing and performing of his songs, while he leaves the recordings to be rudimentary and raw, as if you were attending a live show.  It is a musical experience that is compelling, moving, and nutritious, almost primordial and a much needed anomaly in these times of gloss and hype.

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