Monjyoti – “Neighbor Syndrome” is meticulously structured

Monjyoti Bhattacharyya known by his stage name, Monjyoti, released his second official single “Neighbor Syndrome”, taken from his upcoming album, “Hypnosis”, recorded in collaboration with music producer Papu Gogoi. I don’t even need to hear the rest of the album. This single is simply a dexterous, dynamic and sublime smorgasbord of instrumentation and lyrical canny, on a level I’ve not heard in a long time. Music can’t always be this good because we would have nothing by which to benchmark its ingenuity. There are sections that are nice mellow journeys to somewhere else and there are downright monstrous sections that

Pat Rossi – “Let you Go” – embellished with impressive vocal and instrumental décor

Pat Rossi is a self-taught multi-instrumentalist, songwriter, singer and producer. He is also the founder and front-man of the popular Canadian Rock band The Falling. Rossi, whose acclaimed songwriting skills led him to perform with Bon Jovi after winning the XM/Serious Satellite Radio Songwriting Competition, has now set his sights on being a solo artist. The artist who has worked with, and performed alongside names such as, 3 Doors Down, Gilby Clark of Guns N Roses, Jonas and The Massive Attraction, among others, brings to the table his latest single, “Let you Go”, via the RedJam Records indie label. The

lIne – “I wanna kill you in the shower” will certainly garner critical acclaim

Kristoffer Hilmarsson, the artist behind -lIne-, has been in several band line-ups before the forming this project. Hilmarsson has also performed at almost every open stage in his home country, Sweden, as a solo artist. In May 2019 he decided to move his career to the next level by creating -lIne-, and has released 3 singles since then, including “I wanna kill you in the shower”. From the opening jangling jazz guitar intro of his first single “Where You Are”, to the last reverberant notes of his latest release, “Lovely”, you’re subjected to an incredible journey that seamlessly straddles a

Omar Bowing – “Paradox” – is simply breathtaking in its composition and emotive power

Atmospheric, ethereal, moody, dark, progressive … these are all words that come to mind listening to the opening bars of “Paradox” – the latest track from Omar Bowing, featuring singer Tyson Yen. The music is as one would expect from this consummate composer and Guitarviol player – engulfing and entrancing. Using a whole host of rock driven instrumentation, it should not be surprising that the soundscape is lush, expansive and blasting. “The idea of the song,” explains Bowing, “is about the recognition of the power of a Paradox to challenge or even destroy a concept, idea, belief, etc., that is

MORISH RELEASES DEBUT SINGLE “BETTER THAN ME”

The emerging young rapper introduces himself to the world with a confrontational, attention-grabbing track. One of the most exciting young voices emerging on the international scene, Morish is ready to make himself known, and his debut single “Better Than Me,” is the perfect introduction to the young artist. “You will never find nobody better than me,” Morish repeats throughout the song. Addressing a former lover who’s wronged him, he makes a convincing case, taking his heartbreak and turning it into a vengeful send-off. “I wrote you many songs, but this is the last one,” he concludes, triumphantly moving past a

K Swayz – “1st Born” – riding a seemingly unstoppable and forever-cresting wave

Twenty three year old Brandon Nelson aka K Swayz, has been producing for about 8 years now, while he’s been an artist for a one year. The Charleston, SC creative is currently promoting his 11 track project, entitled, “1st Born”. Since this album is meant as an embodiment of the artist’s skillset, it only makes sense that he shows a lot of flexibility. He delivers a lot more than the obvious slide between rapping to singing and juxtaposition of up-tempo vibes and down-tempo tunes. Right from the opening track, “No Matter The Cost” ft. Colossal Capone, he drops mind-blowing switches

YellaCatt – “Super Power Pussy” – exudes an energy that is captivating

YellaCatt’s latest single debut album “Super Power Pussy”. Introduces one of the finest new female talents I’ve heard in a long time. I say new, because she’s new to me. ‘She’ is of course none other than Daniella White aka YellaCatt. A painter who has created her own successful headdress atelier – “The Plumed Serpent’’. Daniella is also sound healer, reiki master, and clairvoyant. So she wears many hats, which all seem to fit her perfectly well. Her approach to song writing is fresh and intelligent, while her performances exude an energy that is captivating. I’m not sure if she

Manu Francois – one of the most innovative independent crossover creatives heard in recent years

Manu Francois known for his rapid fire flow, superb singing, solid writing, sharp as hell production, and iconic rasta hairdo has been one of the more slept on powers in the musical community in recent years, always bubbling underneath the surface of the mainstream on the various audio and video platforms, as well as live sets around the world. Manu’s past work on projects like “Release” (2018) and “Check It” (2017), are just begging to be uncovered. Thankfully, his latest singles from 2019 have been more than just good enough to get noticed; they’ve brought an excellent mix of creativity, self-awareness, and super dope production. Every

Ozaka Bondage – “Tiny Giants” is a colorful, richly textured arrangement

Ozaka Bondage is an energizing indie-electro-pop band from Frankfurt on Main that will motivate you to climb that mountain, ask that girl out, or start that revolution you always wanted. They is nothing short of a bombastic bunch of talented musicians who smoke on their instruments like no one’s business. The accompanying video clip proves it with nothing hidden from view. The groove is infectious, the musicianship is on fire, and the audio mix sparkles.  “Tiny Giants” hits all the right buttons for me. Peaks and valleys in all the right places – even in the solos. Everything builds

Singer & Songwriter Madison Mcwilliams Shows Her Artistic Evolution With Her New Single And Video “Hurt Me”

With one EP and a few single song releases already on her resume singer and songwriter, Madison McWilliams has garnered over a million views on YouTube and over 1.5 million streams on playlists with her edgy stylings. Now Madison is showing her evolution from blossoming artist to a force to be reckoned with. Her new song and accompanying video for “Hurt Me” is out now.  For her new musical vision, she joined forces with songwriter Lisa Scinta and Adam Pallin aka 1-900, record producer, songwriter, and multi-instrumentalist. “I can’t wait to share this new chapter of my music. I

Vanessa Verduga: “Soy Mujer” – a serious contender in the crossover Latino-Pop genre

Vanessa Verduga (a.k.a. La Verduga) released her debut album Soy Mujer (I Am Woman) on May 14, 2017. The production team includes the likes of Grammy® and Billboard® award-winning producers Edward Grullon (a.k.a. DJ Napoles) and Kenny O’Brien, simply translated, that means this Latina songstress means business. Vanessa started acting, singing and dancing at the age four, encouraged by her mother, a trained dancer in Spanish dance. Though her family valued the performing arts the importance of a strong education and practical career path remained an obligatory accomplishment. Hence Vanessa would eventually find her way back to performing only after a lengthy college and law school hiatus.

The result of her dedicated passion and patience is the 10 track “Soy Mujer” album. You have to give Vanessa Verduga credit for displaying quite a vast range of styles and influences within a commercial pop format. This is one of the very reasons why she will no doubt gain worldwide crossover appeal.

She can blend numerous sounds and rhythms and meld them into one captivating experience. Basically, her Latin Pop style is very unmistakable with each track; however, inside each of these songs there are subtle elements from diverse musical sources that will attract a wide demographic.

Almost every artist or band strives to achieve a musical breakthrough in their careers. Releasing an album that sounds different from any previous works in a genre is praiseworthy. But, “breakthrough” is often a strong word: it doesn’t necessarily have to be a revolution; it just has to shake things up a little bit.

When you think of how repetitive and standardized pop music can be at times, then that necessity is even more apparent for the genre. Saying that “Soy Mujer” fills that role for Vanessa Verduga would be the obvious answer, as this album certainly “shakes things up” for the genre.

Her fusion of Latin, Reggaeton, Moombahton and Bachata, into a palatable pop format, sung in both Spanish and English, gives her music such a charming global tone that it doesn’t matter which language she’s singing in, you’ll be twitching your toes and tapping your feet regardless.

Oh, and her vocal performance. It’s one of her signatures. She really takes her voice to levels of beauty – whether she wants to sound romantic, sexy, dark, sassy or sweet, her voice keeps up with it. She is able to carry all the emotions necessary in her songs, with ease.

Contemporary underground pop music doesn’t really have anyone else like Vanessa Verduga. She’s unique, not because of her exotic origins but simply because of her music. The language is irrelevant: she is versatile and, most importantly, talented enough to sound great anyway.

With this album, she establishes herself as a serious contender in the crossover Latino-Pop genre. The brightest moments in the album for me occur when “Owner Of My Heart”, “Vivirla Bien”, “Respeto Tiene Valor” and “Live It Well” are first listened to. In fact, the whole album is worth listening to. It really is hard to beat the rhythmic, melodic and vocal beauty of these songs contain. It shines in all of its facets.

While most of you – like me – likely don’t speak Spanish or are fluent enough to understand what she’s saying, Vanessa’s Spanish singing is powerful, moving, elegant, and nuanced enough to convey her emotions and messages.  She carries a focused confidence in her native tongue, and it’s obvious with the great range of singing she does while using it.

Likewise her transition from Spanish crooning to a commanding English roar is pure vocal bliss. There’s not much else to say about the album. If you like Vanessa Verduga’s voice, you’ll love “Soy Mujer”, it’s an enthralling piece of work, and just on the verge of being all-out spectacular!

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