THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

Mortinus: “Morten” is a study in sonic manipulation

It’s of course unfair to expect Mortinus to pull another revolutionary album out of the hat with his latest release “Morten”, especially now that many electronic fans would already have heard and enjoyed his EP “Orbit” or the self-titled “Mortinus”. But as always in the electronic field the expectations reach a ridiculous level when an artist drops a new recording, and it’s probably a good idea to tone them down a bit before hitting play. However, “Morten” is a really a good half an hour of music, with some of the artist’s best productions to date. So, if like me, you had high expectations, then you will be thoroughly satisfied with the results here.

Stylistically, “Morten” is as much of a big change from the Danish artist’s previous recordings as it is similar to them. It certainly covers a broader range of styles, being at times weird and experimental, and at others a lot more radio friendly. Morten’s attempt to cover a lot of stylistic ground does mean that you need to pay attention to what he is doing, like when we’re taken from track 1, the somewhat funky eastern-styled pop song “Mooi Nights”, to track 2, the mind-bending, almost Celtic sounding audio design of “Star Light”.

Mortinus’ production throughout “Morten” is flawless. The album is really tied together by consistent sound and sample choices. Every drum hit, synth patch and bass sample fit perfectly into the overall sound of the album, and Mortinus’ passion for experimental sample choices and sound design is what makes the tracks on the album worthwhile. The producer can even become edgy and futuristic on the occasion. Something he does with the thumping “Orange Nights”.

On the other hand, “Waves In June” definitely falls into the experimental category. Drawing us in with a strange, enigmatic hand-clapping rhythm, followed up by a powerful keyboard sample, all part of a wonderfully odd-paced build up, which develops into an intense anticipation. The strange harmonies and sound design of the song builds expectations, making you wait for the hard-hitting drop to come. The question is, “Will it come?”

“Evening At The Marketplace” is the album’s centerpiece, and previously released as a single. An Asian influenced soundscape, this track is one of Mortinus’ more accessible and melodic compositions, which is quite ready for radio play. It also shows us just how many sharp stylistic turns Mortinus takes us on through this album. “Mooi Dance” boasts wonderful shiny chord progressions and a spaced out production that will have you nodding your head along to the beat.

“Mooi Nights Part 2” switches between a lush chord progression and repeating synth sample and a dark drum groove. It’s a study in sonic manipulation, with every weird synth sound blending together to create an incredibly strange overall image. Maintaining a wonky heaviness throughout, it’s a very ambitious track.

“Morning Train” has a jungle rhythm, relying heavily on percussion for its essence, while “Eclipse” moves its paces through a more experimental atmosphere. “Blue Crystal Gemstones” sees a fleshed out arrangement featuring a violin as the lead instrument. By the time we get to “O”, it’s clear that the Danish electronic musician stands out among the many electronic artists creating music today because of his loose, experimental style—readily present throughout all of “Morten”, creating a slick, confident new album for Mortinus.

With sounds evoking a very earthy feel, “Morten” seems to be a reaction to the popular fascination with tropical sounds that have been front and center in pop music. Mortinus takes up the trend and twists it on its head, bringing in more Eastern and Asian style sounds creating a very interesting take on the typical energetic electronic music we have come to expect every summer.

“Morten” manages to be engaging, relaxing, booming, and dense all at once throughout most of its length, as it again switches styles on tracks such as “November”, November Part 2” and “Chant” – this last track featuring an adlibbing (chanting) vocal accompaniment. The end result, is an album willing to engage you on multiple levels, as long as you’re willing to listen.

“Morten” feels very much like a record sitting comfortably between two masters. On the one hand Mortinus is obviously aiming for more accessibility, but on the other without having to sacrifice too much of what makes him distinctive. He also occasionally explores more experimental and abrasive textures, and shows off plenty of his untapped potential on this record.

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