Cricket Music Instruments and Equipment – A Company Founded by Musicians!

Cricket Music Instruments and Equipment – We are musicians just like you. We strive to offer the best gear, and online experience. We give the best personalized service in the industry. We invite you to get to know our team, and we would love the opportunity to get to know you too! We have a vast array of products: from: speakers to stage lighting, amplifiers, recording mics, sub woofers, headphones, microphones, preamps, interfaces, and mixers. We carry band instruments such as: flute, clarinet, saxophone, trumpet, and recorders. We also have a huge variety of drums, hand percussion, bass guitars, acoustic

Shehzad Bhanji – “Dreams” – impeccable tone and technique

Shehzad Bhanji is a guitar virtuoso. He is mostly known for his proficiency on the electric guitar. Though his playing style at times would tend to put him in the category of guitar shredder, Shehzad is not from the pure shredder school, where most of the playing consists of running musical scales at blistering speed. His playing is more melodic and soulful, though he will shred if it fits the context of the song or passage being played. His latest album, “Dreams” highlights his skills and playing style clearly. His mastery and command of the guitar here, is unreal. His

King Femi – “Young Queens” highlights every element of his artistry!

King Femi is a Hip-Hop/Rap artist from Atlanta, GA. He doesn’t have a comfort zone. As a restlessly eccentric artist, he’s not afraid to change course, or to experiment. The elasticity of his catalogue keeps him tethered to hip-hop, as he bounces around all of its facets, like many of his successful contemporaries. With all this willful blurring underway, it seems more than fair for one of rap’s most versatile and dynamic figures to pivot towards the perceived success formula. His latest release is the trap flavored “Young Queens”. The track dazzles in its tightrope effort to remain endearingly deviant

British producer Glett introduces his single “Yes”

From childhood, a young British producer Glett was fond of music, learned to play various instruments and showed extraordinary talents in composing beautiful melodies. Starting his musical career experimenting with hip-hop and R&B this year, he “restarted”, focusing on soulful and funky house, and recently introduced his new single “Yes” in which he mixed his favorite old-school sound with elements of trap music. Connect with Glett: WEBSITE – http://www.geelett.com/ INSTAGRAM – @itsgeedamnit MUSIC STREAMS – https://song.link/i/1477608086 

I.S.O the greatest group you’ve never seen!

I.S.O the greatest group you’ve never seen, drops their debut single and video “Love You Down”. Inspired by their passion for music and an idea that it comes from the soul – the four man ensemble of very talented performers cultivated an idea to let the music speak for itself, by hiding their identities they give you an experience that leaves you wondering. The talented four are very excited to hit the world stage introducing their magic to the global music landscape.  This kind of magic can only be performed by the group known as – ISO Macho, ‪Muse, Kisonova

Non-Profit Project Southdogrock releases “Ride With Me”

The southern region of Germany, close to the Swiss and French border, is home to Florian Döppert (vocals, lyrics, sax, blues harp, keyboard). With his first solo Project Southdogrock a long-held wish comes true: Creating songs based on own lyrics and musical ideas together with a professional producer. Florian found a very competent partner for this project: Frank Schultz, owner of PRO TON MUSIC. http://www.protonmusic.de Many songs are still waiting to be produced but the first creation “Ride with me” is finished Southdogrock is a non-profit experiment that tries to use the available resources to produce outstanding songs. Each sponsorship will be

INTERVIEW: Independent Violinist and Music Composer Iurie Sula

Iurie Sula was born in Republic Of Moldova in the late 90’s. He started to play violin at 5 years old, due to his father’s recommendation. In 2017 Iurie moved to the United Kingdom, where he has finished college and won the award for the “Best Violin Player in Southern England”. Iurie is specialized in composing Orchestral and Classical Music. Since 2018 his goal has been to help as many talents as possible to reach their own goals in a musical career, by promoting them and composing music for them. At the end of 2018, Iurie was the composer for

Damian Sage – It’s impossible to listen to “Drive” without being genuinely moved

Listening to the single “Drive”, is a whole different and beyond glorious experience. Singer and songwriter, Damian Sage really outdoes himself with this one. The record, tugs at my heartstrings in the best and most beautiful gut-wrenching ways. I can feel the emotion as he sings each and every lyric. Released through Dark Spark Music, a record label headed by former Guns N Roses manager, and Grammy Award winner, Vicky Hamilton, “Drive” certainly gives me the chills each time listen to it. The two simple opening lines deliver the kind of powerful imagery most lyricists strive most of their lives

Midxnite – “Emotionless” – fluid, hypnotic heartfelt strokes

Midxnite, whose real name is Yusuf Salim, grew up in a South Asian family. The Phoenix-based artist credits singing traditional melodies with his family as his introduction to music and says it provided him an easier transition to contemporary R&B and Hip Hop. The artist, whose previous releases, “Live and Learn” and “Look at My Whip”, have accumulated hundreds of thousands of plays on streaming platforms, recently dropped his latest single, “Emotionless”. Recorded at HKStudios in Phoenix, AZ, the song narrates an afflicting and burdensome moment in the artist’s life when he believed the binding sacrament of matrimony was in

TK Mac – “The Living Room” – a laid back, yet intensely emotional feeling!

Justin Barnett was born in Boston and raised in South Jersey. Inspired by two of the people who have given him so much support over the years, Justin used his grandmother’s middle initials (TK) and his father’s middle name (McDonald) and became TK Mac. As a DJ, he’s spun at various A-List clubs across the globe including Tao, Avenue, The Highlight Room, Marquee and Studio Paris. He’s produced songs for Zak Downtown, Cade, Bryce Vine, and other new artists in the hip-hop, R&B, and pop genres. Now he steps out into the spotlight with his single “The Living Room”. There

Mortinus: “Morten” is a study in sonic manipulation

It’s of course unfair to expect Mortinus to pull another revolutionary album out of the hat with his latest release “Morten”, especially now that many electronic fans would already have heard and enjoyed his EP “Orbit” or the self-titled “Mortinus”. But as always in the electronic field the expectations reach a ridiculous level when an artist drops a new recording, and it’s probably a good idea to tone them down a bit before hitting play. However, “Morten” is a really a good half an hour of music, with some of the artist’s best productions to date. So, if like me, you had high expectations, then you will be thoroughly satisfied with the results here.

Stylistically, “Morten” is as much of a big change from the Danish artist’s previous recordings as it is similar to them. It certainly covers a broader range of styles, being at times weird and experimental, and at others a lot more radio friendly. Morten’s attempt to cover a lot of stylistic ground does mean that you need to pay attention to what he is doing, like when we’re taken from track 1, the somewhat funky eastern-styled pop song “Mooi Nights”, to track 2, the mind-bending, almost Celtic sounding audio design of “Star Light”.

Mortinus’ production throughout “Morten” is flawless. The album is really tied together by consistent sound and sample choices. Every drum hit, synth patch and bass sample fit perfectly into the overall sound of the album, and Mortinus’ passion for experimental sample choices and sound design is what makes the tracks on the album worthwhile. The producer can even become edgy and futuristic on the occasion. Something he does with the thumping “Orange Nights”.

On the other hand, “Waves In June” definitely falls into the experimental category. Drawing us in with a strange, enigmatic hand-clapping rhythm, followed up by a powerful keyboard sample, all part of a wonderfully odd-paced build up, which develops into an intense anticipation. The strange harmonies and sound design of the song builds expectations, making you wait for the hard-hitting drop to come. The question is, “Will it come?”

“Evening At The Marketplace” is the album’s centerpiece, and previously released as a single. An Asian influenced soundscape, this track is one of Mortinus’ more accessible and melodic compositions, which is quite ready for radio play. It also shows us just how many sharp stylistic turns Mortinus takes us on through this album. “Mooi Dance” boasts wonderful shiny chord progressions and a spaced out production that will have you nodding your head along to the beat.

“Mooi Nights Part 2” switches between a lush chord progression and repeating synth sample and a dark drum groove. It’s a study in sonic manipulation, with every weird synth sound blending together to create an incredibly strange overall image. Maintaining a wonky heaviness throughout, it’s a very ambitious track.

“Morning Train” has a jungle rhythm, relying heavily on percussion for its essence, while “Eclipse” moves its paces through a more experimental atmosphere. “Blue Crystal Gemstones” sees a fleshed out arrangement featuring a violin as the lead instrument. By the time we get to “O”, it’s clear that the Danish electronic musician stands out among the many electronic artists creating music today because of his loose, experimental style—readily present throughout all of “Morten”, creating a slick, confident new album for Mortinus.

With sounds evoking a very earthy feel, “Morten” seems to be a reaction to the popular fascination with tropical sounds that have been front and center in pop music. Mortinus takes up the trend and twists it on its head, bringing in more Eastern and Asian style sounds creating a very interesting take on the typical energetic electronic music we have come to expect every summer.

“Morten” manages to be engaging, relaxing, booming, and dense all at once throughout most of its length, as it again switches styles on tracks such as “November”, November Part 2” and “Chant” – this last track featuring an adlibbing (chanting) vocal accompaniment. The end result, is an album willing to engage you on multiple levels, as long as you’re willing to listen.

“Morten” feels very much like a record sitting comfortably between two masters. On the one hand Mortinus is obviously aiming for more accessibility, but on the other without having to sacrifice too much of what makes him distinctive. He also occasionally explores more experimental and abrasive textures, and shows off plenty of his untapped potential on this record.

OFFICIAL LINKS: FACEBOOK – TWITTER – SOUNDCLOUD – TIDAL – SPOTIFY – ITUNES

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.