Neave Zaria releases the highly anticipated piano ballad ‘Patience Of A Saint’

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In ‘The Book of Vision’ Composer Hanan Townshend Blurs The Line Between Science and Spirituality

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Ute – “Happiness Together” – thoughtfully sung beautiful music from a strong female singer

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Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

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LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

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It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

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Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

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One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mortinus: “Morten” is a study in sonic manipulation

It’s of course unfair to expect Mortinus to pull another revolutionary album out of the hat with his latest release “Morten”, especially now that many electronic fans would already have heard and enjoyed his EP “Orbit” or the self-titled “Mortinus”. But as always in the electronic field the expectations reach a ridiculous level when an artist drops a new recording, and it’s probably a good idea to tone them down a bit before hitting play. However, “Morten” is a really a good half an hour of music, with some of the artist’s best productions to date. So, if like me, you had high expectations, then you will be thoroughly satisfied with the results here.

Stylistically, “Morten” is as much of a big change from the Danish artist’s previous recordings as it is similar to them. It certainly covers a broader range of styles, being at times weird and experimental, and at others a lot more radio friendly. Morten’s attempt to cover a lot of stylistic ground does mean that you need to pay attention to what he is doing, like when we’re taken from track 1, the somewhat funky eastern-styled pop song “Mooi Nights”, to track 2, the mind-bending, almost Celtic sounding audio design of “Star Light”.

Mortinus’ production throughout “Morten” is flawless. The album is really tied together by consistent sound and sample choices. Every drum hit, synth patch and bass sample fit perfectly into the overall sound of the album, and Mortinus’ passion for experimental sample choices and sound design is what makes the tracks on the album worthwhile. The producer can even become edgy and futuristic on the occasion. Something he does with the thumping “Orange Nights”.

On the other hand, “Waves In June” definitely falls into the experimental category. Drawing us in with a strange, enigmatic hand-clapping rhythm, followed up by a powerful keyboard sample, all part of a wonderfully odd-paced build up, which develops into an intense anticipation. The strange harmonies and sound design of the song builds expectations, making you wait for the hard-hitting drop to come. The question is, “Will it come?”

“Evening At The Marketplace” is the album’s centerpiece, and previously released as a single. An Asian influenced soundscape, this track is one of Mortinus’ more accessible and melodic compositions, which is quite ready for radio play. It also shows us just how many sharp stylistic turns Mortinus takes us on through this album. “Mooi Dance” boasts wonderful shiny chord progressions and a spaced out production that will have you nodding your head along to the beat.

“Mooi Nights Part 2” switches between a lush chord progression and repeating synth sample and a dark drum groove. It’s a study in sonic manipulation, with every weird synth sound blending together to create an incredibly strange overall image. Maintaining a wonky heaviness throughout, it’s a very ambitious track.

“Morning Train” has a jungle rhythm, relying heavily on percussion for its essence, while “Eclipse” moves its paces through a more experimental atmosphere. “Blue Crystal Gemstones” sees a fleshed out arrangement featuring a violin as the lead instrument. By the time we get to “O”, it’s clear that the Danish electronic musician stands out among the many electronic artists creating music today because of his loose, experimental style—readily present throughout all of “Morten”, creating a slick, confident new album for Mortinus.

With sounds evoking a very earthy feel, “Morten” seems to be a reaction to the popular fascination with tropical sounds that have been front and center in pop music. Mortinus takes up the trend and twists it on its head, bringing in more Eastern and Asian style sounds creating a very interesting take on the typical energetic electronic music we have come to expect every summer.

“Morten” manages to be engaging, relaxing, booming, and dense all at once throughout most of its length, as it again switches styles on tracks such as “November”, November Part 2” and “Chant” – this last track featuring an adlibbing (chanting) vocal accompaniment. The end result, is an album willing to engage you on multiple levels, as long as you’re willing to listen.

“Morten” feels very much like a record sitting comfortably between two masters. On the one hand Mortinus is obviously aiming for more accessibility, but on the other without having to sacrifice too much of what makes him distinctive. He also occasionally explores more experimental and abrasive textures, and shows off plenty of his untapped potential on this record.

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