Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the musicianship on show here is quite remarkable, and there’s not a bad song among the 11 on offer.

From the aching groove of “Adios” through to atmospheric piano driven “Sunshine”, Roy Hudson and the rest of Hybrid Blues give fans an insight into every corner of their talent, and it’s pretty breath-taking.

In a time when listeners are keen to pigeon-hole artists into one particular box, Hybrid Blues is doing what they want, it’s a pretty bold step but one that ultimately pays off. The eleven-song set is an exploration of a number of flavors including Country-soul, Southern rock, Americana, and of course, the blues.

The album feels so authentic, packs in so many layers and gives you so many feels, that you can’t help but lose yourself in the gorgeous melodies that run throughout. This is slice of organic blues that mesmerizes courtesy of enchanting sonic beauty, radiant nostalgic warmth and timeless sentiments.

“Ain’t Got Time” races out of the blocks with rolling basslines, screaming guitars and soaring vocals. The group continues to boast a ballsy sound, where devil-may-care eclecticism meets solid jamming, on the riff-fueled “Devil Within”.

On “English Lady”, Hybrid Blues slow the pace down to soulful introspection, allowing Mike Everard’s guitar to ache and squeal with passion. Roy Hudson’s voice is commanding and powerful but at the same time restrained for dramatic effect.

“Forsaken” grooves on a funky mid-tempo rhythm, while the backing vocals add a luscious layer to the cheeky, punctuated arrangement.  Blessed with genuine conviction, Roy’s delivery allows “Go With The Flow’s” heart-on-sleeve lyrics and melody, to cast a beguiling spell on the listener.

Moving forward, each song is perfectly sculpted, with every note graciously enhancing the infectious earnestness that bubbles from their emotional core. Whether sentimentally painting with the acoustic guitar and piano on “Leaving On A Train”, dispensing the electric blues-drenched urgency of “Little Boat” or striking contagiously overdriven chord changes during “Lonely Man”, each instrumental color is an organic and seamless extension of Hybrid Blues’ impacting storytelling.

Timekeeper Mark Schaumann perfectly drives the momentum of “Rich On Love”, building a solid foundation for the rhythm section, in support of the resonating female lead vocal manipulating the melody. “Sunshine” uses a similar formula, except here the vocals are shared in an uplifting summery duet, as the track emits a revelatory energy.

Magnificent songwriting aside, the caliber of the band’s musicians is notable. With the steadiness of bassist Adam Pendred and drummer Mark Schaumann, the entire band blazes. The instruments create a fortified interplay that often adds impeccable flourish without extravagance.

With the widespread prevalence of electronic trickery in music these days, finding pure, raw talent is a rarity. Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals, to create an electrifying album. Hybrid Blues don’t need to strive for authenticity, it’s busting out of every note they play and every word they sing.

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